Reviews :: Book Rating :: Books We Like :: Page 11

Horror is a genre that I really don’t feel like I’ve been able to fully sink my teeth into yet. I’m really a fantasy guy at heart, with a science-fed brain at the helm, and a soul that can’t help but love a good story. So while I don’t typically go out searching for new horror, I love coming across a new piece of horrific something that just hits my emotional buttons the right way. Of the several anthologies that we received via Ellen Datlow recently, this was the one I was initially most excited to read, even though I recognized the fewest number of names among the authorial inclusions. Someday I’m going to get my name (or pseudonym) in one of these things. Can’t wait for the day. Until then, I’m sure there’ll be a steady stream of them coming from the likes of Datlow and others. Each of them trying to lead its readers down a path that they might otherwise not necessarily want to visit, but are overwhelmingly compelled to, nonetheless. Some will succeed in fabulous fashion. Others, not so much. Depends on which buttons you like to have pushed and how hard. This anthology had a handful of those for me. Not as many as I might have liked, true. But enough that I really enjoyed what I found.
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Twin sisters Melina and Iris aren’t your typical teenagers. For one, they are half-Japanese (a father they never knew) living in a village in modern-day Montenegro. They’re exceptionally beautiful and talented, Melina with music and Iris with color and art. And they have magic.

Some might call them witches. Their mother calls it the “gleam” and when they do magic together it’s called “eating the moon.” Whatever it is, they are otherworldly women living in a village where they hopefully won’t get too much attention.

However, after accidentally exposing their magic in front of a neighbor their mother Jasmina forbids the girls from doing their magic–especially Iris, whose flashy magic is the most noticeable. And they must never, under any circumstances, fall in love.
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From the cover: “Decades after economic and environmental collapse destroys much of civilization in the United States, the Coast Road region isn’t just surviving but thriving by some accounts, building something new on the ruins of what came before. A culture of population control has developed in which people, organized into households, must earn the children they bear by proving they can take care of them, with symbolic banners awarded to demonstrate this privilege. In the meantime, birth control is mandatory.”

Our main character, Enid, is from the community called Haven, and works as an investigator–she mediates disputes and investigates offenses against those living along the Coast Road. In her mid-twenties, she’s considered young for the job, and her first big case is to investigate the suspicious death of a young man treated as an outcast.

Strangely enough, in the post-apocalypse life murder is rare. Strict controls of being able to prove your worth as a contributing member of the community means people are focused on surviving and earning the right to have offspring. While for the most part this concept works, too many chafe at the restriction, hence the need for investigators.
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Once upon a time Misery was a holy warrior who came between humanity and evil. But eight years ago she left the Sentinels and since then has been using her earth magic to do odd jobs to pay the bills and stay one step ahead of her old boss. She currently finds herself in Denver and is finally starting to feel like life could be normal again, even if her roommate is eccentric. Finally, Misery thinks she might get ahead with a lucrative job for the Chimera Lord of Denver–and it may take every friend, resource, and bit of luck she has left to pull it off.

But something is rotten in the city of Denver when she discovers that lesser fae are going missing, and instead of skipping town when a Sentinel hunter tracks her down, she decides that sticking around is the only option. She just hopes pursuing the kidnappers won’t get her killed… again.
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Early in my author-hopeful career, I attended a meeting for a local writer’s group where a middle-aged woman gave a presentation about writing character. Somewhere in the middle, she made a statement along the lines of, “If you want to change your point-of-view-character in the middle of a chapter, you must do it very carefully.” She then read an excerpt from a book she’d written that contained just such a change in point of view. When she’d finished reading from her book, I admit that I was completely flummoxed, as I didn’t understand at all how she’d been “careful” during the point of view shift. At the time, I was considerably too timid to raise my hand and tell her that she’d done it wrong and that, in fact, there was no correct way to do such a thing and not risk losing your reader’s attention. These days I highly doubt I’d be quite so demure.
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From the back cover: “Someone, somewhere, is reading a magic book that is reading them right back. The line between fantasy and reality is breaking down, and real life is becoming a fairy tale: bored office workers are turning, quite literally, into zombies, bullies into black knights, and squatters beneath bridges into trolls. John Charming and his motley band of monster hunters are racing to find the real villain of this story, following the yellow brick road through a not-so-wonderful wonderland. And if they can’t find Reader X before the mysterious grimoire is closed, there won’t be a happily ever after again.”
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It isn’t the end of the world, but the Four Horsemen of the Apocalyse in their current incarnation as young men must use their new powers to stop the demon Samrael and save the incarnation of Famine from the rift where Samrael was sent at the end of RIDERS. Now in the second and final book of this duology, Daryn must find a way to save Sebastian–and do it without the sight, which she depended on to tell her the future.
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There’s something comforting about reading a series, isn’t there?  You get to come back to situations and characters you’ve already met and fell in love with (at least I’m assuming you fell in love with them, otherwise, why continue reading the series?).  It’s like wrapping yourself in a warm blanket.  On the other hand is the excitement of something new.  One of my favorite things of the Sci-fi/Fantasy genre is coming into a book and that opening, those first couple pages/chapters where everything is starting to take place in your head.  You start building a framework of this new world, these new people, this new story.  It’s fantastic (no pun intended).  For the last 15 years or so we’ve been getting Old Man’s War books from John Scalzi and then occasionally another standalone novel thrown in.  But the standalone novels have always been stand alone (I know that he had/has plans for more books in the Lock-in world and the Android’s Dream world, but we haven’t gotten those yet have we?).

Now for the first time in awhile we have a brand new universe for Scalzi to play in.  A whole new setting that will span at least a few books.  And while his other books have stood alone each telling their own stories and wrapping it all up, this one, THE COLLAPSING EMPIRE, is certainly just the beginning of a series.  There are a few minor things that get wrapped up, but the major stories, the major events are still very much open and ongoing.
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I am so very tired of the “tough, damaged, beautiful-but-gritty chick/superhero” fantasy trope, so one would assume this book would not thrill me. Not so, and: Lucky me! The first selection I chose to read from the 2016 Self-Published Fantasy Blog-off is a winner. I will be pulling for ASSASSIN’S CHARGE, a standalone novel set in a previously explored world, and for Claire Frank. I’m hoping this book gets some attention.

Mostly taken from Amazon’s synopsis: Rhisia Sen is one of the Empire’s highest-paid assassins. Living a well-ordered life of luxury, she chooses her contracts carefully, working to amass enough wealth so she can leave her bloody trade. She is offered a new contract on the outskirts of civilization and almost refuses—until she sees the purse. It could be the last job she ever has to take. She might finally retire to a life of peaceful leisure, but when she reaches the destination she discovers her mark is a child.
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So a ninja, a highwayman, a witch, and a princess walk into a bar….wait, no, that’s not how it starts (my bad). So a ninja, a highwayman, a witch, and a princess decide to join a merchant caravan across terrain known to have killed experienced soldiers. Cuz adventure is out there! Or something like that.

Actually, it’s more complicated than that. The powerful Lord Myobi has decided–for reasons known only to him–to travel to a neighboring city, despite knowing that the most recent caravans have disappeared. When local merchants, desperate to reach said city with their goods, decide to join Myboi in the hopes that his elite entourage would provide the protection they need, he decides to ask the king for a caravan leader and escort. The king provides his niece, the princess Setanna, who takes charge, and must hire on cooks, muscle, and wrangle the groups into a semblance of order.
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