Reviews by Writer Dan
Corsair
Recently, the dynamic duo of James S. A. Corey (Daniel Abraham and Ty Franck) did a Q&A over at reddit. One of the questions that came up along the way was one that I thought was pretty astute and went something along the lines of this: In your books, why are there so many manned spacecraft and a surprising dearth of unmanned, likely more cost-effective, drones doing work in space? Their response was simple: bots are boring, humans are interesting. The story told in this book tries to take a somewhat opposite tack to that and tells a “science fiction” story where all of the space stuff is handled by bots, with the humans acting in the background. And how does it all turn out? Let’s just say that our boys from the Expanse series know what they’re talking about.
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Hannu Rajaniemi: Collected Fiction
I had an argument with Mike Resnick once–okay, maybe it was only a complaint and response that found us on opposite sides of the coin–concerning what made a story a speculative (Fantasy or Science Fiction) story. I had just finished reading one of his short yarns and was frustrated because I didn’t think that any of the speculative elements had anything to do with the story and could have been left out completely without destroying the story at its core. In essence, the made up stuff was just window dressing. So the story didn’t feel like it was speculative to me and I was kinda miffed about it. I was reminded of that disagreement while I was reading this short story collection because it was quite impossible for me to disentangle the plot from the speculative elements in the slightest. They all relied completely and wholly upon the made up stuff. And I was really happy to find that.
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Motherless Child
I was flipping through the TV channels recently and saw that “Fried Green Tomatoes” was playing. I’d never seen the show before (travesty, I know, I plan to rectify that soon) so I stayed and watched for a while. I was coming in about midway through the show and there was a scene where two young women were sitting in an otherwise empty restaurant talking about some of the problems in their lives. In a very few minutes, I felt like I knew these two women and where they had come from. What and who they were, at their core. It was brilliant and seemingly effortless. It was in the same incredibly simple and beautifully elegant way that the story in this novel began with two young women talking to one another in a bar about the pieces of their lives, and I knew at once that I was going to enjoy this book.
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Nyctophobia
How often is it that you come across a horror story (novel or even movie for that matter) where the main POV character has both drive and motive for doing the things that make us go, “Oh please, don’t go in there. Just please… NO!” Instead offinding these words bubbling from my lips, however, I frequently find myself saying, “Why are they going in there again? Do they WANT to die a horrible, gruesome death?” There are relatively few instances of the former that I’ve come across, and I just wish there were more. Makes horror stories so much better when they do. The only example that I could think of, in fact, was the movie “The Ring.” Can you think of any others? Drop a comment here, if you do. I’d love to find me some really good horror. In the meantime, there’s this one, and it ain’t half bad.
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All Those Vanished Engines
There is a tale written by a chap you might have heard of before (Hans Christian Andersen) about an Emperor that is duped by a couple of swindlers into paying for clothes made out of cloth that is not there. It’s called “The Emperor’s New Clothes” (just in case 😉 ), and it’s a wonderful tale that at its face can be viewed as being about not allowing yourself to be lied to and taken advantage of because you want something so badly, but has deeper meaning about not believing what everyone else does just because everyone else believes it. Once I’d written this review, I realized that a triggered remembrance of this old tale is exactly what I’d need in order to finish up. So let’s get to it.
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Savages
K.J. Parker has been one of my favorite authors for quite some time now. Her books, in my opinion, are brilliant fun and have oodles of engaging characters put into absolutely awful predicaments. Even though she overwhelmingly shies away from all things “magical,” there’s plenty within the “fantasy palette” developed by each book that I feel completely satiated at the end of each reading. She makes me laugh, and as I’ve repeatedly found, making a reader laugh can cover a multitude of sins (if there are any). If you’re up on your game in regards to her publications, you might also have noticed that Ms. Parker is NOT A MS. Completely took me by surprise as, when speaking of authors from across the pond, I’ve tended to like the works of more female authors than their more masculine counterparts (with a few exceptions). Never thought I’d see the day honestly. But still, Tom Holt writes the books the same way whether he uses that pseudonym or not. So I’m still happy.
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Nemesis Games
Not only did this series get a major upgrade with the last book (hardcover, anybody?), but we also heard that SyFy had picked it up for a 10-episode series (which begins to air this December), and they also started writing for series two of the SyFy series last month. That’s June. Six months before the series even premieres! Just freaking cool. Still, I’m already itching for book six, Babylon’s Ashes. Although, we’ll get a new novella (The Vital Abyss, Oct 1st) in just a few months, and then the tv series in December, so the time between now and then should just fly.
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The Slow Regard of Silent Things
THE SLOW REGARD OF SILENT THINGS (Amazon) is not exactly a title that reaches out and grabs you. No? I mean, when was the last time you actually saw the word “slow” in the title of a book? Okay, there was SLOW APOCALYPSE (EBR Review) — not my favorite. Or there was also SLOW BULLETS (EBR Review) — not half bad. Or “silent” for that matter? Hmm. THE SILENT LAND (EBR Review). Maybe this is turning out to not be the best analogy…) Let alone both in the same title? Hah! I don’t know of any others.
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Cibola Burn
I was really excited when I got this book in the mail (which was forever ago, granted. Sorry this was soooo long in coming). Couldn’t wait to get back to Jim Holden and the crew of the Rocinante. Abraham and Franck really have a good thing going for them with this series. Not only is the series really good, the SyFy channel picked it up for a TV series and they’re spending oodles of money on it (more than they’ve spent on any other series before). Looks like it’s going to be absolutely fabulous too. In addition, the series is under contract through book 9. Oh. My. Goodness. Although I was just the teensiest bit perturbed at the fact that the initial release for new books in this series have been switched to hardbacks. A good sign for the authors and publishers, agreed; just not such a great deal for those of us that like to look at the complete series on our bookshelves and see continuity. But who am I kidding, the story is really the part that matters anyhow and it was freaking awesome.
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Slow Bullets
Price points are a topic of interest for me when it comes to publishing. Why are some stories priced as they are while others of equal length are so much cheaper or more expensive? This is especially relevant in today’s market where the opportunity to sell stories with lengths in the “middle ranges” (novellas, novelettes) becomes more attainable, when in yesteryear’s market they just weren’t viable options. It’s interesting, and sometimes sardonically humorous to me, where those prices are set. I’m one of those that thinks that shorter fiction is meant to draw readers toward your larger fiction, which is where you make the large majority of your money. So, for me, shorter fiction should be pretty cheap. Thus, even though Alastair Reynolds is one of my absolute favorite Science Fiction authors, I was really surprised and somewhat put off by the price point of this book.
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