Posts from 2020 :: Page 4

After reading Christina Henry’s THE GIRL IN RED (EBR Review), I couldn’t wait to find out what other tales she’d been telling that I didn’t yet know about. That first one was a brilliant take on the simple tale of Red Riding Hood, and I was hoping to find more of the same in this one, which is obviously pointed at the classic tale Alice in Wonderland. There have been enough versions of both these tales told that it might seem as if we really don’t need another. One of the great things about storytelling though is that even if the ideas and plots are pillars of stability in our minds, a new tale can still be just as invigorating and fun to read as if everything were brand new. And these stories? They’re pretty new. There’s enough of both the familiar and the new that they end up being really great reads. But here I am getting ahead of myself a bit.
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Beautiful, self-destructive teens placed in abusive, impossible situations. An interweaving of magic and technology. An ongoing sense of dread.

Welcome back to Victoria Lee’s Feverwake series! THE ELECTRIC HEIR, the dark and compelling final installment carries our protagonist, Noam Álvaro towards a brutal confrontation with tyrant and with his own choices.

A brief note: while I tried to avoid spoilers for THE ELECTRIC HEIR, this review has MAJOR spoilers for the first book in the duology, THE FEVER KING. Reader beware.
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At this point in my “reading career” it is often somewhat easy to look at a book cover, read the first couple pages, and then determine whether a particular book is going to be “my type”. This time I didn’t even have to read any pages. Just the cover alone gave me a pretty good idea that this book wasn’t exactly going to land in my wheelhouse. And that’s exactly why I decided to read it. This is me trying to branch out. Although, truth be told, I’m branching out within the context of the books that get sent to us by publishers/editors/etc. Still, you never know what you’re going to find when it comes to reading a new author. May just end up reading a book that was nothing short of fantabulous.

Spoiler alert: this one wasn’t.
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BUZZ KILL (Amazon) is a narrative journey without a destination. The journey itself is interesting as author David Sosnowski explores the ramifications of social media; hacking; AI; a networked world, and the unregulated power of corporations to pursue projects for profit. Pandora and George, the two POV characters, are sympathetic. But a weak final third of the novel leaves readers with too many loose character threads and an abrupt conclusion that significantly weakens the narrative.
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So it’s been a minute since we were involved with the Self-Published Fantasy Blog-Off run by Mark Lawrence, and I constantly find myself torn over the fact that we aren’t involved anymore. This annual contest is doing sooooo much good in finding some really good authors that have taken the self-publication route. Whether they plan on sticking to their guns for the long term or are hoping to gain the attention of a traditional publication house, you can’t deny the fact that the efforts Mark Lawrence (and all of the online review houses involved) is making for these authors is nothing but pure gold. Recently, we were approached by the author of a finalist in the current incarnation of the contest for a review, and I couldn’t help but accept.
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I’m reaching way back into the vault for this one: 1994. Yeah. I was still in high school and nowhere near mature enough of a reader to pick up half of what science fiction was offering at the time. Sometimes I wonder if I’m a mature enough reader these days to understand some of the stuff that science fiction is bringing to the table. A lot of it just makes me go cross-eyed with annoyance and leaves me wondering why story and character are so often pushed to the back burner in favor of presenting ideas that the author thinks are important. Why do they need to present these ideas in the form of fiction? Why not just fill out encyclopedias with these awesome ideas and essays, if the presented construct doesn’t really matter? Still, there are some really cool ideas that get flung around here and there, and I guess authors aren’t exactly going to stop presenting their ideas in these ways. So, we might as well read them, if we can handle them, and try to get what we can out of them. Yes? Yes.
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If you’ve been keeping up with our reviews (and frankly, who hasn’t?) you’ll know that we enjoyed Becky Chambers RECORD OF A SPACEBORN FEW (EBR Review) and we’re looking forward to happily reading along with where she takes the Wayfarers Series. In the meantime, we can gladly recommend her standalone novella, TO BE TAUGHT, IF FORTUNATE.
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I’ve been looking for something from Hannu Rajaniemi for some time now. At least, it feels like it’s been a long time since I read something from him. Year-and-a-half maybe? So, even though none of the stories in this anthology was by him, I was still pretty excited to read it when it got dropped into my TBR pile. It is, unfortunately, the last bit of short fiction that I’ll be getting to for a while. Nothing else on the near horizon anyhow.
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THE WOLF OF OREN-YARO (Amazon), originally self-published back in 2017, fought its way to the top of the fantasy charts on Amazon, catching enough people’s attention along that way that Orbit plans on publishing a trade paperback version in February 2020.

So what’s the hype about?

Well, THE WOLF OF OREN-YARO is an epic fantasy with world building elements pulled from a variety of Asian countries and a compelling female protagonist.

Cool, cool, cool. Sign me up.
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I loved Naomi Novik’s Temeraire series (even during the trudging years), but when she departed from the dragons and wrote UPROOTED (EBR Review) I admit I didn’t jump on board as quickly as I ought to have. When I did finally read it, I loved it and recommend it to anyone who would listen. I went into SPINNING SILVER with the hope it was just as good, bought it, and carved out holiday me time so I could focus on the anticipated deliciousness–even though it’s been released for over a year (my bad).

It was everything I hoped it would be and more.
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