Reviews by Jane Funk

Grounded by a sympathetic narrator, Ann Aguirre’s LIKE NEVER AND ALWAYS (Amazon) is a largely successful exploration of identity–with a supernatural twist… and plenty of kissing.

Liv and Morgan are best friends, and have been since they were in elementary school together. Morgan is flawlessly, effortlessly cool. She’s fashionable, arty, and very wealthy. Liv is a little more down to earth, with an interest in science and a loving family.

When Liv is thrown from a car after a tragic accident while driving with Morgan and their boyfriends (who are brothers!), she wakes up to find that her soul is stuck in Morgan’s body.
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You can tell a lot about worldbuilding by the curse words.

I think this holds particularly true for the constructed swearwords, the ones that are supposed to give the reader a hint of ‘in-world’ flavor. A well constructed curse can be a great way to learn about societal taboos, religion, and character values.

Cursing is also a great way to show character: who swears the most? The least? The most creatively? In Anna Kashina’s SHADOWBLADE <Amazon) all the characters, regardless of class, race, or gender, all curse identically. “Dear Sel” is the invocation/epithet of choice about ninety percent of the time.

And I want to be clear here. I’m not saying that I need (or want) LOTS of cursing in a novel. But variety matters. It’s something I don’t notice until, like in SHADOWBLADE, someone says or thinks “Dear Sel” for the umpteenth time and it rings false, because it’s the only curse word I’ve seen for two hundred pages.

It’s a relatively small issue, but it’s indicative that the quality of the worldbuilding (and sometimes the characters) is shallow. And that indicator held true for Anna Kashina’s SHADOWBLADE.
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I’m a sucker for the just slightly off-kilter world. The ones where the setting simultaneously feels like a very possible future but also brings in the mythical and magical. I love a good post-apocalyptic, monster-killing, magic wielding story. And sign me up for anything with a hint of romance.

All this is just a very long lead in to say that TRAIL OF LIGHTNING (Amazon) checked A LOT of boxes for me.
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I am generally indifferent to superheroes. I actively dislike noir. Based purely on the title, this is a book I normally would have browsed past faster than a speeding bullet. It seems like a mash-up of superheroes and noir has the potential to be one big, self-important cliche.
Luckily, the EBR Fairy who sends you the books you’ve requested always includes a few surprises. And PINNACLE CITY:A SUPERHERO NOIR was a smart, entertaining surprise.
Edgar (Eddie) Enriquez is the epitome of a noir detective: addicted, cynical, and from the wrong side of the tracks. Despite all this, he’s still got a strong sense of right and wrong. Recruited by a supervillain at a young age, Eddie served time in prison and then tried to redeem himself by joining the army. He got out with a wounded shoulder and an implant that makes his super power even more useful. Eddie can see the history of anything he touches. Where the object was, who had it, what was happening nearby–and now […]Read the rest of this review »

First contact is the kind of experience that’s ripe for miscommunications and misinterpretations that can literally reshape the world.
From more traditional hard sci-fi stuff, like Clarke to Reynolds, to the more literary offerings of LeGuin or Russell (she wrote THE SPARROW), first contact is a recurring theme in speculative fiction.
While there’s a million different ways to parse and taxonomize this (sub) genre, you can trace a big divide between texts that explore first contact with aliens who share fundamental premises of existence with humans (in psychology, if not in size or number of eyes) and texts in which the aliens are really, really… alien (think “Story of Your Life” by Ted Chiang, which is portrayed in the movie Arrival).
David Wellington’s THE LAST ASTRONAUT belongs to the latter category. Let’s just say that there are no little green moon men here.
Sunny Stevens knows something that no one else does. There’s an object heading […]Read the rest of this review »

The clan is my blood, and the Pillar is its master.

That’s right folks. We’re back in the land of jade and honor and… business meetings!
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A MEMORY CALLED EMPIRE (Amazon) is full of political intrigue and deception and culture-shock and poetry, all of which is to say: I loved it. For fans of Ann Leckie, Arkady Martine’s debut novel has rich worldbuilding and a sympathetic narrator that will pull you into the galaxy-spanning Teixcalaan Empire.
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JADE CITY by Fonda Lee has been nominated (and won) a number of awards in the past year. I was interested to see if it lived up to the buzz and I am happy to report that it did.
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INTO THE DROWNING DEEP (Amazon) is the kind of book I would normally recommend as a beach read. First, I guess I should clarify that by beach read, I don’t mean trash. A good beach read is straightforward enough that you can pick it up and put it down whenever you need to take a dip in the water or reapply that sunscreen. Ideally, beach reads also have enough forward motion that I can while away the hours with ease. INTO THE DROWNING DEEP meets those criteria–it’s engaging and fun with a good dose of horror and an embrace of the absurd.

It’s also about killer mermaids.
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ZENITH (Amazon) opens on Androma Racella, aka Andy, aka The Bloody Baroness, flying free. She and her all-female crew are between jobs when they’re intercepted by Andy’s old flame, Dextro. Dex is a bounty hunter and Guardian (of the Galaxy… don’t sue me Marvel) who is working for General Cortas. Cortas is Andy’s old boss and the father of her best friend, whose death she feels responsible for.
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