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Despite my constant frustrations with the Science Fiction genre, I keep finding myself pulled back into its orbit. I can’t help but love all of the things that make great Science Fiction great. I tried to start this one a number of times, and just wasn’t ever able to get into it. But, instead of passing on it altogether, I’d stick it back in the TBR pile for another chance. I even tried to listen to the audiobook but bailed on that pretty quickly because I felt like I seemed to be missing a lot of the story. And then, as I did once long ago with Memories of Ice (EBR Archive), I decided to just push through and do it. Feels good to be on this side of the divide. Only took me five years to get here…
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After reading Christina Henry’s THE GIRL IN RED (EBR Review), I couldn’t wait to find out what other tales she’d been telling that I didn’t yet know about. That first one was a brilliant take on the simple tale of Red Riding Hood, and I was hoping to find more of the same in this one, which is obviously pointed at the classic tale Alice in Wonderland. There have been enough versions of both these tales told that it might seem as if we really don’t need another. One of the great things about storytelling though is that even if the ideas and plots are pillars of stability in our minds, a new tale can still be just as invigorating and fun to read as if everything were brand new. And these stories? They’re pretty new. There’s enough of both the familiar and the new that they end up being really great reads. But here I am getting ahead of myself a bit.
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Beautiful, self-destructive teens placed in abusive, impossible situations. An interweaving of magic and technology. An ongoing sense of dread.

Welcome back to Victoria Lee’s Feverwake series! THE ELECTRIC HEIR, the dark and compelling final installment carries our protagonist, Noam Álvaro towards a brutal confrontation with tyrant and with his own choices.

A brief note: while I tried to avoid spoilers for THE ELECTRIC HEIR, this review has MAJOR spoilers for the first book in the duology, THE FEVER KING. Reader beware.
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If you’ve been keeping up with our reviews (and frankly, who hasn’t?) you’ll know that we enjoyed Becky Chambers RECORD OF A SPACEBORN FEW (EBR Review) and we’re looking forward to happily reading along with where she takes the Wayfarers Series. In the meantime, we can gladly recommend her standalone novella, TO BE TAUGHT, IF FORTUNATE.
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THE WOLF OF OREN-YARO (Amazon), originally self-published back in 2017, fought its way to the top of the fantasy charts on Amazon, catching enough people’s attention along that way that Orbit plans on publishing a trade paperback version in February 2020.

So what’s the hype about?

Well, THE WOLF OF OREN-YARO is an epic fantasy with world building elements pulled from a variety of Asian countries and a compelling female protagonist.

Cool, cool, cool. Sign me up.
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If you’re into books-about-books, A.J. Hackwith’s novel, THE LIBRARY OF THE UNWRITTEN (Amazon), explores the power of stories and imagination. If that sounds corny and sunshiny–DON’T PANIC. This novel is literally set in Hell; there’s plenty of stabby demons, and betrayals, and grumpy librarians who need more tea and less talking. While the overarching drive of the novel is a race between Hell and Heaven to solve a mystery, Hackwith’s characters and their interactions take center stage.
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There are heaps of stories about Sherlock Holmes. Mountains of them. Oceans of them. Even if you dive down and start looking only at queer Sherlock Holmes re-imaginings, or alternate-reality-Sherlock-Holmes re-tellings, or gender-swapped Sherlock reworkings… well, you’re going to be here for a while.
THE AFFAIR OF THE MYSTERIOUS LETTER rolls a little bit of all of these variations together and while the result is absolutely bonkers, it’s also delightful.
Author Alexis Hall goes straight for the wild and weird. He does not set his version of Sherlock in a slightly-different-but-still-recognizable London. Or even a deliberately-not-London-but-clearly-still-familiar locale. Nope. THE AFFAIR OF THE MYSTERIOUS LETTER is set in the city of Kelathra-Ven, a cosmopolitan gathering place in a world full of witch kings, Eternal Lords, re-animated corpses, vampires, and inter dimensional portals.
It’s a big swing, but what keeps the reader grounded, rather than afloat in the rush […]Read the rest of this review »

From the cover: “The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she find a curious wooden box in her grandfather’s room. She opens it–and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true.”
I spent some time thinking about this book since I finished it, not really sure how to write this review. The book was simultaneously straightforward storytelling but also unexpected. The characters were recognizable but foreign. And the ending was surprising yet also what it should have been. GODS OF JADE AND SHADOW is the kind […]Read the rest of this review »

If you read the first two books — KILL THE FARM BOY and NO COUNTRY FOR OLD GNOMES — you will discover that THE PRINCESS BEARD has much the same tone, a silly storyline, and genre twisting galore. Yep, it’s as fun as the first two. Let’s dig in, shall we?
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BLACK LOTUS KISS (Amazon) is an unabashed pulp mystery with a side of Marlboro Man smoke-crowned charm, and a kiss on the neck of the Black Dahlia homage to cheesy occult detective novels of the 1970s.

As far as mystery novels go, BLACK LOTUS KISS hits all the marks: character, location, and plot. It doesn’t try to be more than necessary: an over-the-top Hell’s Angels is in league with an eldritch deity-controlled Girl Scouts cookie drive style of mayhem. It is inane, irreverent, and utterly unapologetic in its absurdity.
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