Reviews :: Book Rating :: Books We Like :: Page 30

One of my favorite books last year was ROT & RUIN (EBR Review) by Jonathan Maberry. It was a great take on the after-effects of the zombie apocalypse from the eyes of a teenager. It was also a great example of YA well-done–a fast paced story with fun dialogue and a setting that mixed horror and humor well.
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Terry Pratchett. The man’s a living legend, and his Discworld series is one of the few works out there that proves humorous fantasy has a place in this world. At this point, reviewing his books is about as useful as giving a thumbs up to a work by John Grisham, right? So why bother with a review of his latest book, SNUFF (Amazon)?

Plenty of reasons.
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You know, sometimes I’m a whiner. I admit it. If there’s something in a book bothers me, I mention it. Something I think could be better in a story? It bubbles out. I’m just trying to stay honest, really. There’s a certain set of pieces that I think help make a story good. I also believe that you faithful readers share my opinion of at least part of that set. So when writing these responses, I always do my best to show you the playing field, lay out my set of rules, and then stay consistent from one review to the next. And then someone like Jesse Bullington comes along and shows me that, yes, sometimes, you can even break the big rules and still come out on the other side smelling like roses.
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With all the trouble Kitty has gotten into since she was turned into a werewolf, it’s hard to imagine that it could get any worse. But there’s a reason why book #9 is named KITTY’S BIG TROUBLE (Amazon)–by the end you’ll understand.

But, instead, let’s go back to the beginning. In the last book, KITTY GOES TO WAR (EBR Review), she learned about the U.S. government’s use of werewolves in combat, and she asked herself: how long have they been doing it, and who else in U.S. history could have been hiding their own supernatural origins?
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It’s not often that I let go and enjoy a book just for the ride. I’m more of an intensive reader, who looks for what he wants, enjoys it when it’s there, and complains when it’s not. Simple. Cut and dry. But there’s that something other that comes along every once in a while and just grabs you. There’s something about it. It’s got class. It’s got style. It’s got “Moxy”, kid.

MOXYLAND (Amazon) is Lauren Beukes‘s first novel, and if you’ve been hiding under a rock somewhere (like I feel sometimes) you might not know that she missed getting the Campbell for best new writer this last year by just a hair. MOXYLAND was a very interesting novel for me. Not only is it Science Fiction, but it’s told through four separate first-person viewpoints. This would normally be a tough row for anyone to handle, but Beukes pulls it off really well.
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In THE POSTMORTAL (Amazon), Drew Magary explores what the realistic fallout would be if scientists discovered a cure for aging. A “vaccine” that would stop aging in its tracks. Take it when you’re twenty-five, and you’ll be twenty-five forever. On the surface, this sounds really appealing. Who wouldn’t want to live forever, after all? But that’s where the “realistic” part comes in. The future Magary paints is much bleaker than the knee-jerk reaction everyone automatically thinks of.
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If I haven’t said so before, Night Shade Books is putting out some seriously great stuff. There just comes a point where I get tired of all the same crap out there, and need something completely different. I’ve had this type of experience before with other novels from Night Shade like THE WINDS OF KHALAKOVO and NEVER KNEW ANOTHER. This time it was Kameron Hurley‘s GOD’S WAR (Amazon) that had me nodding in appreciation.
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Short stories. Seems I’ve been getting through my fair share of them lately, between the NEBULA AWARDS SHOWCASE (EBR Review), the Hugo nominees (EBR Review), the most recent Writers of the Future anthology, and more. The hard part with anthologies of short stories is that it’s usually such a mixed bag. There will be some that’ll knock your socks off and others that make you feel like someone’s licking the butter between your toes. It isn’t often we get an anthology that stands really high overall, though sometimes you can find em. Most end up just left or right of middle.
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If you enjoyed THE CONQUEROR’S SHADOW (EBR Review) by Ari Marmell, then THE GOBLIN CORPS (Amazon) is more of the same. Only sillier. I know, I didn’t believe it was possible, either, but just read the cover blurb: “The few. The proud. The obscene.” Yes, yes he went there.
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Gill, former Olympic track hopeful, ends her running career after a life-changing car accident as well as a relationship with her trainer-boyfriend. Julianna, world-famous sculptor, is on the verge of bankruptcy as the result of not having sold a single work for the last fifteen years. It’s at Julianna’s remote British estate where their stories merge. Gill rents the little cottage on the grounds with the intent to recover in some peace and quiet. At the same time Julianna is hosting a summer art school, and plans to muddle through somehow and keep the creditors at bay.

It’s during a stroll through Cairndonan Estate’s extensive grounds that Gill inadvertently walks into the Otherworld—and a man follows her out.
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