Reviews :: Book Genre :: Science Fiction :: Page 15

Promise is a Marine for the Republic, having signed up after witnessing the death of her pacifist father by pirates. Now she can get off the backwater planet where she was born and instead roam the universe, fighting against the same kind of criminals who killed her father.

But in a twist of fate, Promise is promoted for the very purpose of representing the Republic on her home planet, Montana, as a sort of public relations gesture. In the past the Republic hasn’t done its best protecting the rim planets from pirates and the Empire. Now it’s Promise and a single company of Marines assigned to protect a planet of ninety-eight million people, with only the help of a couple of scraggly space platforms, and an aging warship to patrol the orbit. No wonder the Montanans’ view of the Republic is less than stellar.

However, before Promise’s assignment is up she must prove her mettle in the face of impossible odds.
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There is a tale written by a chap you might have heard of before (Hans Christian Andersen) about an Emperor that is duped by a couple of swindlers into paying for clothes made out of cloth that is not there. It’s called “The Emperor’s New Clothes” (just in case 😉 ), and it’s a wonderful tale that at its face can be viewed as being about not allowing yourself to be lied to and taken advantage of because you want something so badly, but has deeper meaning about not believing what everyone else does just because everyone else believes it. Once I’d written this review, I realized that a triggered remembrance of this old tale is exactly what I’d need in order to finish up. So let’s get to it.
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Not only did this series get a major upgrade with the last book (hardcover, anybody?), but we also heard that SyFy had picked it up for a 10-episode series (which begins to air this December), and they also started writing for series two of the SyFy series last month. That’s June. Six months before the series even premieres! Just freaking cool. Still, I’m already itching for book six, Babylon’s Ashes. Although, we’ll get a new novella (The Vital Abyss, Oct 1st) in just a few months, and then the tv series in December, so the time between now and then should just fly.
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It’s been a while since I sat down here and wrote a review, so you can expect a small deluge from me in the near future. I’m a huge fan of space opera in all genres and forms. I don’t know a lot about John C. Wright, but receiving THE ARCHITECT OF AEONS excited me, and made me want to read this. I’ve never read any Wright, so I was ready to experience a new to me author.

Well.
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From Dark Regions Press, we have a great novella from one of my favorite authors, Joe Lansdale. PRISONER 489 (Amazon) is short, sweet, and a terrific read. While I simply adore Lansdale’s Westerns, I’m an even bigger fan of his writing.
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I was really excited when I got this book in the mail (which was forever ago, granted. Sorry this was soooo long in coming). Couldn’t wait to get back to Jim Holden and the crew of the Rocinante. Abraham and Franck really have a good thing going for them with this series. Not only is the series really good, the SyFy channel picked it up for a TV series and they’re spending oodles of money on it (more than they’ve spent on any other series before). Looks like it’s going to be absolutely fabulous too. In addition, the series is under contract through book 9. Oh. My. Goodness. Although I was just the teensiest bit perturbed at the fact that the initial release for new books in this series have been switched to hardbacks. A good sign for the authors and publishers, agreed; just not such a great deal for those of us that like to look at the complete series on our bookshelves and see continuity. But who am I kidding, the story is really the part that matters anyhow and it was freaking awesome.
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Price points are a topic of interest for me when it comes to publishing. Why are some stories priced as they are while others of equal length are so much cheaper or more expensive? This is especially relevant in today’s market where the opportunity to sell stories with lengths in the “middle ranges” (novellas, novelettes) becomes more attainable, when in yesteryear’s market they just weren’t viable options. It’s interesting, and sometimes sardonically humorous to me, where those prices are set. I’m one of those that thinks that shorter fiction is meant to draw readers toward your larger fiction, which is where you make the large majority of your money. So, for me, shorter fiction should be pretty cheap. Thus, even though Alastair Reynolds is one of my absolute favorite Science Fiction authors, I was really surprised and somewhat put off by the price point of this book.
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Robert McCammon has never let me down. When I sit down with one of his novels, I can kick back and enjoy it because I know it’s going to be solid. THE BORDER (Amazon) was no different. I loved every page.

If you’ve followed McCammon’s career, or if you’ve just recently discovered him, you’ll notice that he stepped away from traditional Horror for a while. Recently he’s been writing the incredible Matthew Corbett series, which has some Horror elements, but they probably aren’t considered pure Horror novels. THE BORDER is Horror, pure and simple. For this reason it has been on people’s radars since announced. McCammon? Doing traditional Horror? Take all my money!

Actually, that isn’t quite right. THE BORDER isn’t just pure Horror. It’s Post-Apocalyptic Science Fiction Horror. That description should have McCammon fans salivating.
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Writers of the Future is quite easily one of, if not the, most prestigious contests in the world for speculative short fiction. The contest runs each quarter of the year, with the top three stories in the bunch being awarded with publication in the anthology, a place-dependent cash prize, royalties on the anthology they are published in (I believe), and a free week-long writing retreat with all of the new authors published in the anthology being taught by a large cadre of impressive, published authors. It’s no small thing, this “little” contest. If you’re a new writer, you should absolutely be starting off by sending your short stories there. Start at the top, I always say. Don’t short-change yourself by starting anywhere else. If you’re not a new writer though, and you find yourself picking this anthology up, you can be sure to find lots of interesting Science Fiction to satiate your palette.
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I recently had a conversation with a member of my extended family about the current tech surrounding virtual reality. He’s a game developer (his team did a lot of work for the F.E.A.R. games, if you’re familiar with them) and is neck deep in pushing the boundaries of what’s currently realizable. During our discussion, I was reminded of this series (Poseidon’s Children) and its “Augmented Reality” layer of vision. It was cool to talk about, in reality, the budding technology and current understanding that could very well lead to a fully realized human enhancement that I’d experienced in this series. Granted, Alastair Reynolds isn’t the first to use such a concept in his stories, but he did it in such an amazing way that it made an impact on my own life, and that’s just really cool stuff.
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