Reviews by Jane Funk

BUZZ KILL (Amazon) is a narrative journey without a destination. The journey itself is interesting as author David Sosnowski explores the ramifications of social media; hacking; AI; a networked world, and the unregulated power of corporations to pursue projects for profit. Pandora and George, the two POV characters, are sympathetic. But a weak final third of the novel leaves readers with too many loose character threads and an abrupt conclusion that significantly weakens the narrative.
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If you’ve been keeping up with our reviews (and frankly, who hasn’t?) you’ll know that we enjoyed Becky Chambers RECORD OF A SPACEBORN FEW (EBR Review) and we’re looking forward to happily reading along with where she takes the Wayfarers Series. In the meantime, we can gladly recommend her standalone novella, TO BE TAUGHT, IF FORTUNATE.
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THE WOLF OF OREN-YARO (Amazon), originally self-published back in 2017, fought its way to the top of the fantasy charts on Amazon, catching enough people’s attention along that way that Orbit plans on publishing a trade paperback version in February 2020.

So what’s the hype about?

Well, THE WOLF OF OREN-YARO is an epic fantasy with world building elements pulled from a variety of Asian countries and a compelling female protagonist.

Cool, cool, cool. Sign me up.
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If you’re into books-about-books, A.J. Hackwith’s novel, THE LIBRARY OF THE UNWRITTEN (Amazon), explores the power of stories and imagination. If that sounds corny and sunshiny–DON’T PANIC. This novel is literally set in Hell; there’s plenty of stabby demons, and betrayals, and grumpy librarians who need more tea and less talking. While the overarching drive of the novel is a race between Hell and Heaven to solve a mystery, Hackwith’s characters and their interactions take center stage.
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Jessie, Caitlin, and Hala are a team. Not a team associated with a government or mercenary group; instead, they work for a secret organization known as Athena. With plenty of advanced tech and weapons training, their mission is to bring justice to women around the world.
While on a mission in Africa to free kidnapped schoolgirls, Jessie shoots a target instead of turning him over to the proper authorities. The resulting chaos exposes Athena to possible investigation and scrutiny and the trio of women who run Athena kick Jessie out. This is especially rough for Jessie because her mother is one of Athena’s leaders.
The main plot of Shamim Sarif’s THE ATHENA PROTOCOL focuses on what happens after Jessie’s expulsion from the group. With Jessie gone, the team will be one woman short as they travel to Belgrade, hoping to steal the evidence to stop Gregory Pavlic, a notorious human trafficker.
When Jessie uncovers information that Pavlic’s daughter, Paulina, has […]Read the rest of this review »

Mara Rutherford’s debut novel, CROWN OF CORAL AND PEARL (Amazon), follows twin sisters Nor and Zadie who have spent their entire lives being (literally) groomed to be the next queen of Ilara. Nor and Zadie’s mother is obsessed with ensuring one her daughters becomes queen, and after Nor scars her face on a blood coral, their mother turns all her efforts on Zadie.

When Zadie is indeed chosen to be the next queen, she defies everyone’s expectations and secretly injures herself, making it impossible for her to travel from the small island nation of Varenia to Ilara. The last time the Varenians sent ‘the wrong girl’, Ilara cut off supplies to Varenia for weeks. Desperate to avoid another reprisal, the village sends Nor masquerading as Zadie.
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There are heaps of stories about Sherlock Holmes. Mountains of them. Oceans of them. Even if you dive down and start looking only at queer Sherlock Holmes re-imaginings, or alternate-reality-Sherlock-Holmes re-tellings, or gender-swapped Sherlock reworkings… well, you’re going to be here for a while.
THE AFFAIR OF THE MYSTERIOUS LETTER rolls a little bit of all of these variations together and while the result is absolutely bonkers, it’s also delightful.
Author Alexis Hall goes straight for the wild and weird. He does not set his version of Sherlock in a slightly-different-but-still-recognizable London. Or even a deliberately-not-London-but-clearly-still-familiar locale. Nope. THE AFFAIR OF THE MYSTERIOUS LETTER is set in the city of Kelathra-Ven, a cosmopolitan gathering place in a world full of witch kings, Eternal Lords, re-animated corpses, vampires, and inter dimensional portals.
It’s a big swing, but what keeps the reader grounded, rather than afloat in the rush […]Read the rest of this review »

Grounded by a sympathetic narrator, Ann Aguirre’s LIKE NEVER AND ALWAYS (Amazon) is a largely successful exploration of identity–with a supernatural twist… and plenty of kissing.

Liv and Morgan are best friends, and have been since they were in elementary school together. Morgan is flawlessly, effortlessly cool. She’s fashionable, arty, and very wealthy. Liv is a little more down to earth, with an interest in science and a loving family.

When Liv is thrown from a car after a tragic accident while driving with Morgan and their boyfriends (who are brothers!), she wakes up to find that her soul is stuck in Morgan’s body.
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You can tell a lot about worldbuilding by the curse words.

I think this holds particularly true for the constructed swearwords, the ones that are supposed to give the reader a hint of ‘in-world’ flavor. A well constructed curse can be a great way to learn about societal taboos, religion, and character values.

Cursing is also a great way to show character: who swears the most? The least? The most creatively? In Anna Kashina’s SHADOWBLADE (Amazon) all the characters, regardless of class, race, or gender, all curse identically. “Dear Sel” is the invocation/epithet of choice about ninety percent of the time.

And I want to be clear here. I’m not saying that I need (or want) LOTS of cursing in a novel. But variety matters. It’s something I don’t notice until, like in SHADOWBLADE, someone says or thinks “Dear Sel” for the umpteenth time and it rings false, because it’s the only curse word I’ve seen for two hundred pages.

It’s a relatively small issue, but it’s indicative that the quality of the worldbuilding (and sometimes the characters) is shallow. And that indicator held true for Anna Kashina’s SHADOWBLADE.
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I’m a sucker for the just slightly off-kilter world. The ones where the setting simultaneously feels like a very possible future but also brings in the mythical and magical. I love a good post-apocalyptic, monster-killing, magic wielding story. And sign me up for anything with a hint of romance.

All this is just a very long lead in to say that TRAIL OF LIGHTNING (Amazon) checked A LOT of boxes for me.
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