Book Author :: Anna Kashina
You can tell a lot about worldbuilding by the curse words.
I think this holds particularly true for the constructed swearwords, the ones that are supposed to give the reader a hint of ‘in-world’ flavor. A well constructed curse can be a great way to learn about societal taboos, religion, and character values.
Cursing is also a great way to show character: who swears the most? The least? The most creatively? In Anna Kashina’s SHADOWBLADE <Amazon) all the characters, regardless of class, race, or gender, all curse identically. “Dear Sel” is the invocation/epithet of choice about ninety percent of the time.
And I want to be clear here. I’m not saying that I need (or want) LOTS of cursing in a novel. But variety matters. It’s something I don’t notice until, like in SHADOWBLADE, someone says or thinks “Dear Sel” for the umpteenth time and it rings false, because it’s the only curse word I’ve seen for two hundred pages.
It’s a relatively small issue, but it’s indicative that the quality of the worldbuilding (and sometimes the characters) is shallow. And that indicator held true for Anna Kashina’s SHADOWBLADE.
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