Posts from 2018 :: Page 4

ARMISTICE (Amazon) picks just long enough after AMBERLOUGH (EBR Review) to have the intervening events thoroughly demoralize our protagonists. The glitter and stage lights are gone, leaving behind heartache and fatigue. And only some of the survivors are back.
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RPGs are for nerds.

You know it. I know it. They know it. Erm… well, I guess technically I should say “we” know it, because there ain’t no way I’m gonna skirt the issue on this one: we’re pretty much ALL nerds here at EBR. 🙂 And you know what? I think if more “non-nerdy” people would put their petty pride aside for one freaking minute and let themselves get lost in the imagination, adventure, and sheer brilliance of some of the good RPGs out there, the ranks of the RPGers would quickly swell. Because RPGs aren’t just a story; though indeed they are that. And they’re not just a game; though indeed they are that as well. They’re imagination and spontaneity and characterization in a form that you just can’t find anywhere else.

So don’t let anyone sway you from standing up for the oft-berated RPGs and RPGers alike. For it’s from those very annals that Steven Erikson gave us the Malazan Book of the Fallen. And Misters Abraham and Franck gave us the wide tapestry of The Expanse. And for all of you “non-nerdy” people: is there any way you’re going to nay-say the awesome goodness of Stranger Things?

<<crickets>>

I didn’t think so.
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Did you read Mary Robinette Kowal’s 2014 Hugo-winning novelette “The Lady Astronaut of Mars”? If not, you can read it here on the Tor.com website, or for time’s sake my reaction to it at the bottom of this EBR Review post. In short, it was the obvious standout winner. The main character, Elma, is a 60-something former pilot/astronaut who must make the ultimate sacrifice. But after reading that, one wonders, how did history change to make it possible for 1950s Earth to colonize Mars?

Wonder no more!
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So I’m in the middle of updating all of our old reviews and disentangling the hard-coded links to the old blog. Not particularly a lot of fun. But it has been cool to be reminded of all those old reviews, and see how far the site has come since the early days. While doing so, I realized something that really bothered me: we didn’t have a review up for this book.

And I just couldn’t let that pass.
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About halfway through STARLESS (Amazon), Jacqueline Carey’s latest novel, the narrative takes a distinct turn towards myth and fable. The move from specific to generic forfeits much of what was interesting in the first half of the book in favor of an almost childlike story of wonder and adventure, leaving the reader holding a novel that feels less than satisfying despite many interesting elements.

STARLESS takes place, perhaps not surprisingly, in a world where all of the stars have fallen to earth. Each of these fallen ‘children of heaven’ now rule as a god or goddess in the realm where they fell. Born at the exact moment of an eclipse, Khai is chosen by the Brotherhood of Parkhun to be raised as the ‘shadow’ to Princess Zariya, who was also born under this same celestial event. Zariya is part of the House of the Ageless, the royal family who partake each year of a special seed that prevents aging, keeping them alive for hundreds of years.
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Strange is good; in fact, strange is what makes Fantasy and Science-Fiction so wonderfully memorable. Neither genre need always be grounded in absolute realism; but, as Fantasy and Science Fiction fans expect, worlds must adhere to their own internal logic.

In an alternate future, far from Earth, there is a planet. It is a planet where eternal war rages. Its rationale? Forgotten. Its objectives? Pointless. It is on this world, where Islamic-influenced matriarchal societies dominate the planet, we encounter a particular soul.

She is a bel dame, she is a killer, and she has the heart of a venomous eel. Her name is Nyx, once a government assassin, now a rundown mercenary, a black dog.

And so begins APOCALYPSE NYX, a series of interconnected novellas surrounding Nyx, her team, and several contracts of… well, non-importance.
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I’ve been waffling for a long time over whether to read these books or not. I don’t know why. You see, there’s this moment when you’re reading a review–even when it’s a review from the very site that you write for–that you just know you’re going to read the book. That happened to me when our illustrious reviewer, Nickolas, reviewed BLACKBIRDS by Chuck Wendig (EBR Review). Because, you see, I go in pretty hard for a good character. Especially a good tortured character, and once you’ve read Nick’s review and the actual book, you can almost see the torture spread across that skein of words. They rend you and twist you, and after you leave those pages behind, they haunt you with the understanding that not only is Ms. Miriam Black a real person under all of that grime and grit, but she also might as well be you, or me, or anyone else for all the good it does her. Because Miriam’s life is like none you’ve ever seen, and anyone, given her life, might have understandably made the same choices as she.
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Hard Science Fiction, huh? Sounds cerebral, nerdy, probably unsentimental, maybe a bit dry… but could be good. Or really boring. I have had good fortune reading and reviewing anthologies so far for EBR. (Let the streak continue!)

My sincerest apologies to the publishers of this mostly excellent anthology. This is possibly the most beat-up paperback I have ever carried around and carried around and…which I cannot explain because I enjoyed it very much. There was one story that stopped me cold, though so, in good conscience, I could not write this review until I had read every SINGLE word. That wasn’t easy.
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Some series have a definite end while others linger on, bringing joy to their long-time readers and fans. For me, and those who enjoy the seminal series, THE WITCHER, SEASON OF STORMS is both a return to Andrzej Sapkowski’s original 1980s short stories, and at the same time, it is a eulogy for the series, in a certain sense.

SEASON OF STORMS is set, for hardcore fans, after the events of THE LAST WISH, with Geralt broken up with Yennefer (in a long series of makeups and breakups in their legendary relationship…) but before the contract that made him truly famous throughout the world of THE WITCHER.
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Author Peter Watts’ newest offering, FREEZE FRAME REVOLUTION exists somewhere in the squishy space between a novella and a novel (according to the ‘Afterword’ it’s 1,000 words over the length of a standard novella, but who’s counting?). Watts is of the opinion that he has written a novella and I think that the story he tells is well-served at this length, which allows him to explore a single incident in-depth and with a focus that wouldn’t be well-served by irksome sub-plots or other novel-length narrative features.
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