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I’ve been on somewhat of a Warhammer 40,000 reading binge of late. Or, more accurately, a Warhammer 30,000 reading binge as each of the five titles I’ve devoured in the past month has been set in the Horus Heresy event series. I’m a Warhammer 40k fanboy (I have the Imperial Aquila tattooed on my chest), but I’d taken a few year hiatus from the universe. Now I’m back with a vengeance and there is a surplus of new material to gorge on. The most recent Horus Heresy novel I’ve read, ANGEL EXTERMINATUS by Graham McNeill (Amazon), is the 23rd book in a series that is currently on its 37th installment. The books are penned by multiple authors, and all of the books are connected by larger events and characters but not all are necessarily sequential. It’s a truly impressive collaboration. It’s been ten years since Black Library began publishing the Horus Heresy and a lot has happened since the opening trilogy. ANGEL EXTERMINATUS is perhaps most closely tied to the fifth book in the series, FULGRIM (Amazon), also written by Graham McNeill. ANGEL EXTERMINATUS is also a prequel of sorts to several of Graham McNeill’s books set 10,000 years after the Horus Heresy two of my favorite 40k books: STORM OF IRON (Amazon), DEAD SKY BLACK SUN (Amazon); one of my least favorite: CHAPTER’S DUE (Amazon). In any case, ANGEL EXTERMINATUS is not the place for newbies to start.
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Patricia A. McKillip’s writing is often described as ‘ethereal.’ If you’ve read really anything by her you would be nodding your head. In her most recent anthology, DREAMS OF DISTANT SHORES, we are treated to her lovely prose, with a collection of stories that are surprisingly different. They are alternately strange and silly, but all are thought-provoking.
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I don’t review enough of the books I read, and I don’t read enough books in certain genres or categories to really review them. On the Best of 2015 EBR list, I marked BLUESCREEN by Dan Wells as one I was looking forward to. I don’t really read YA as a category (I am neither young, nor an adult, so my wife says), and so I admit some bias, but I like cyberpunk and dystopia, and here we are.
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I don’t typically re-read books. Aside from the fact that I just don’t have the time for it–too much new stuff to read all the time–I rarely come across a novel that calls me back loudly enough to hear it over the call of all that new stuff. While reading this novel though, I found that the voice wanting me to re-read the earlier books in this series was rising, because of just how much the story is now beginning to open up, and I’m wanting to go back and see what I’ve missed by not understanding just how large the story and the world that Sykes is building here actually is. As such, this is absolutely not a fantasy novel to miss.
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Matthew Corbett is missing. Following the events in the 5th Matthew Corbett novel, THE RIVER OF SOULS (EBR Review), our favorite problem-solver finds himself without memories of who he really is. So begins the 6th Matthew Corbett novel, FREEDOM OF THE MASK (Amazon).

Robert McCammon is in top form in this meaty novel. Yes, you heard that right. Meaty. As much as I loved the prior novel in the series, I felt like it was a quick adventure meant to set up the next several books in the series. A transitional novel. It was an excellent read, but with this 6th novel I hoped we would get something closer in scope to SPEAKS THE NIGHTBIRD (EBR Review) and THE QUEEN OF BEDLAM (Amazon). Turns out, this is exactly what we got.
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If you’ve been reading this series you’ve probably wondered why “A Memoir of Lady Trent” graces the covers of the books when Isabella Camherst is the name of the main character. Well wonder no more, because here we finally learn how our heroine earns her title.

And she does it in typical Isabella fashion. That is to say, she wins her notoriety honestly. (hehe)
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I’ll be honest, Steven Erikson’s novels have become increasingly difficult to review. Not because they are bad–on the contrary, Erikson’s works are consistently excellent in my opinion–but because I feel like I end up making many of the same comments. Well, here we go again.

Another Erikson novel, another fantastic read.
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I like whimsy. I loved THE SLOW REGARD OF SILENT THINGS (EBR Review) by Rothfuss and I “heart” almost everything by K.J. Parker (even though he is not a she) and, of course, Mr. Terry Pratchett in small, infrequent doses, so my initial survey of THE LEMONCHOLY LIFE OF ANNIE ASTER seemed promising. Cover art beautiful. Author’s back-story intriguing… Dive in!

Oh no, the first few chapters read like whimsy for the sake of whimsy and I lost interest. The strong characters and promise of a good story brought me back eventually, though, and I’m glad for it. LEMONCHOLY is a very sweet, sometimes sad, fast-paced and ultimately uplifting tale. Yeah, it gets better. Much better.
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The kids at Lockwood & Co. are doing just fine. The events in THE SCREAMING STAIRCASE gave them enough notoriety to keep them busy with work and enough money for a comfortable lifestyle–even if it hasn’t made them rich. But being the smallest ghost hunting agency in London makes them a target for agencies like Tittles where Kipps’ team takes the prize from under Lockwood’s nose in the opening chapter. A frustrated Lockwood team grows bold and bets Kipps’ team that if they end up on the same case again, the team who loses the bet must take out a newspaper ad declaring the other the best ghost hunting team in town.

It doesn’t take long before the Lockwood team is put to the test, and it turns out to be their most dangerous case yet.
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Back when I first heard that Daniel Abraham had signed a contract to do these books, I was uber excited. I’d absolutely loved his Long Price Quartet and had been anticipating what he would do next. The Dagger and The Coin series has been one of my favorite series to read these last few years, and now that it’s all over… of course I’m looking frantically to find out what this guy is going to do next. As with most series-ending books, I had a tough time reading this one. I wanted it all now, now, now, but at the same time I found myself avoiding it. Letting it sit on the shelf, when I normally would have been busily reading away. This was the end, and I was going to miss this world, these characters, their stories. But, as with death and taxes, all of Mr. Abraham’s stories (at least thus far) have all had a definitive end. And this one was no different.
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