Reviews :: Book Genre :: Fantasy :: Page 28

McKayla’s aunt Avril has always been a little odd. She travels the world as a psychic for the FBI, to the chagrin of McKayla’s mother, who doesn’t like it when she talks magic with her daughters. Now, Avril is visiting Sun Valley in small-town Idaho where McKayla and her family live in order to investigate a serial killer who – it appears – possesses her victims. McKayla goes with her aunt during a case to interview the widow of a murder victim. There she discovers that maybe Aunt Avril’s psychic abilities are magic and run in the family because McKayla can feel the window’s emotions–she’s empathic.

But that’s not even the strangest thing, because despite outward tears the widow’s inside emotions are not what McKayla expects a widow to be experiencing: she’s not sad, she’s angry.
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There’s something wrong with the world. Don’t you think? There’s so much garbage out there that could just be better. Like more sword fights would be nice. And massive dragonmen with bad tempers. And belly-grown demons that rip their way up through your gullet and out your mouth. And… and… and… ah, who am I kidding? What would a world like that be like? Mass chaos, I tell you. Mass chaos. And I know it all too well. For I have read it, and that world is the brilliance of Sam Sykes.
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Jacob’s grandfather was kind of an odd guy. When Jacob was a kid, his grandfather would tell him all sorts of stories about the kids in the Welsh children’s home he lived in after escaping pre-war Europe. Then he would show Jacob all sorts of strange photographs (see cover picture of levitating girl) of the other peculiar children he lived with. As Jacob grew older he began to realize that these stories couldn’t have been memories, but were tall tales to entertain an imaginative grandson.

Or were they?

After witnessing his grandfather’s death, Jacob’s parents are convinced that it was so traumatic that he hallucinated the monster-like creature Jacob saw. Jacob is able follow the clues of his grandfather’s last words, and convinces his father to take him to the island where Miss Peregrine’s home for children resides. Instead of answers, Jacob instead finds an abandoned relic from 60 years before. While there he meets someone from his grandfather’s past, and Jacob begins to realize that maybe his grandfather wasn’t completely bonkers after all.
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Kyra wants to kill the princess.

There was even an attempt, but she missed with her poison dart, and now she’s on the run from the king’s soldiers. She wants to finish the job, but the princess has gone into hiding and Kyra needs the rest of the poison potion she made at her old apartment where her former business partners still live.

Did I mention the princess used to be Kyra’s best friend?
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When people die their memories and experiences are archived in a special library that few people know about. But sometimes those memories wake up, the restless and violent kind especially, and someone has to return them.

That’s where Mackenzie Bishop comes in.

Four years ago, when Mackenzie was twelve, her grandfather introduced her to the Archive, where the people’s Histories are stored, to learn about the job of a Keeper and take his place. She’s spent the years since his death doing just that, finding Histories assigned to her by the Librarians at the Archive and returning them to their rest.
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In this latest installment of Cat Adams’ The Blood Singer series, we begin TO DANCE WITH THE DEVIL (Amazon) with Celia in therapy. Her mother hates her, Celia’s grandmother doesn’t understand their animosity, all the while dealing with her own problem of being part-vampire and hunted by demons. But it’s not the therapy that lands her in the hospital. No, it’s the guys in suits who run her off the road, trash her car, and leave her on a sun-soaked beach to burn alive.

Not really the relaxing weekend she was hoping for.
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Lucian de Remeni-Masson is convinced it was his indiscretion that lead to the death of his entire family. As a pure-blood sorcerer he is forbidden to even talk to ordinaries–those who have no magic–much less allow one to see him unmasked or perform magic, yet he did.

Years have passed since his college dalliance, but he still fears he hasn’t completely escaped the consequences and finds himself at the mercy of the Pureblood Registry. Despite good behavior and hard work using his talent for magically created portraits, he is contracted to work for a mere coroner drawing the corpses of ordinaries whose identities are unknown. Lucian fears his fortunes have sunk so low that he may never find favor in the eyes of the Registry again.

But it is while drawing the dead that Lucian begins to uncover abilities he thought he’d lost, and as a result the past begins to unfold a narrative that is much more complicated than he anticipated.
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At GenCon 2014, I was lucky enough to be introduced to the Kyoudai Games crew, and they graciously provided me with a review copy of THUNDERSCAPE: THE WORLD OF ADEN (DriveThurRPG) to review for EBR.

Thunderscape is the product of a labor of love from Shawn Carmen (of Legend of the Five Rings fame), and his team. Based on older video games, the best genre to describe the setting as (using buzzwords) is post-apocalyptic, techno-fantasy, horror.

Sounds like a win right?
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A few pages into Stephen Blackmoore’s DEAD THINGS (Amazon) I realized I would want to start reading the sequel immediately after finishing so I took a risk and ordered BROKEN SOULS (Amazon). Having finished DEAD THINGS I now recognize this was a wise decision. Yay me! Based off the cover alone my eyes would have likely skipped past this novel on a store shelf — there’s nothing wrong with it but there are a hundred trillion other urban fantasy novels with Christian McGrath covers and who has the time to sift through them all? Thankfully, DEAD THINGS comes with a recommendation by M.L. Brennan, whose American Vampire series turns me into a squealing fangirl. I enjoy Brennan’s work because she diverges from the typical hard-boiled style urban fantasy. I enjoyed Blackmoore’s novel because he embraces it with aplomb.
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Steve knows that my favorite author is David Gemmell, whom I consider the epitome of true heroic fantasy. So when a copy of THE CITY by Stella Gemmell (Amazon) crossed his desk, he knowingly tossed it my way.

First off, I confess that my perception going into this book was colored by my adoration of David Gemmell and I was excited to get back to that style of story. This is not that style of story. This is a dark fantasy story, more akin to a combination of Joe Abercrombie and Guy Gavriel Kay.
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