Category :: Review :: Page 12

A few months ago I hit up a small fantasy and science fiction convention just north of me. The guests of honor were Jim Butcher and Laurell K. Hamilton. Was loads of fun to see both of them. Jim was hilarious and engaging, with a head of long blue hair, and was so much more of a nerd (to my delight) than I figured he’d be. Laurell was calm and collected, had load of insightful comments, and was way shorter than I thought she’d be. Course, I’m no slouch in that department. So, it’s all relative. In the main, I was very impressed by both of them. I came away from that con feeling energized and happy that I’d gone. Near the end, Laurell made a plea in one of her panels for all of us to write reviews of every book we read. They did more good for authors than we realized, she said. Now, granted. The Anita Blake series probably didn’t need another book review done for it. There are plenty enough as it is. But this whole EBR gig is a pretty big part of who I am, and so I went away from that con with the determination to give her a book review. So here it is.
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If you read the first two books — KILL THE FARM BOY and NO COUNTRY FOR OLD GNOMES — you will discover that THE PRINCESS BEARD has much the same tone, a silly storyline, and genre twisting galore. Yep, it’s as fun as the first two. Let’s dig in, shall we?
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After the high of reading THE LIGHT BRIGADE (EBR Review), I was really looking forward to diving into some more story from this author. Everywhere I looked, people seemed to be talking about her and how “out there” her stuff is. It’s weird and new and her’s is a voice that needs to be heard. I love imagination and wonder. It’s one of the reasons why I love Science Fiction so much. In fact, it’s probably why I like good Science Fiction even more than good Fantasy. But before any of that, the story has to be well told through some solid characters. Because without those two things, imagination and wonder just don’t matter.
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I have been spoiled. Eight hundred pages of sheer story-telling genius have just filtered through the interstices of my gray matter, and now I get to tell you all about the multi-hued and variegated experience of ingesting it all. If you haven’t delved into this particular series yet, it stands to reason that you probably shouldn’t read any further. Spoilers are kind of a given at this stage of the game. You should also go hit Amazon and make up for this lack in judgement. Trust me. You really don’t want to miss out on any more of this guy’s stuff. For you readers/lovers of the series, this is another great one. Let’s go.
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Grounded by a sympathetic narrator, Ann Aguirre’s LIKE NEVER AND ALWAYS (Amazon) is a largely successful exploration of identity–with a supernatural twist… and plenty of kissing.

Liv and Morgan are best friends, and have been since they were in elementary school together. Morgan is flawlessly, effortlessly cool. She’s fashionable, arty, and very wealthy. Liv is a little more down to earth, with an interest in science and a loving family.

When Liv is thrown from a car after a tragic accident while driving with Morgan and their boyfriends (who are brothers!), she wakes up to find that her soul is stuck in Morgan’s body.
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You can tell a lot about worldbuilding by the curse words.

I think this holds particularly true for the constructed swearwords, the ones that are supposed to give the reader a hint of ‘in-world’ flavor. A well constructed curse can be a great way to learn about societal taboos, religion, and character values.

Cursing is also a great way to show character: who swears the most? The least? The most creatively? In Anna Kashina’s SHADOWBLADE (Amazon) all the characters, regardless of class, race, or gender, all curse identically. “Dear Sel” is the invocation/epithet of choice about ninety percent of the time.

And I want to be clear here. I’m not saying that I need (or want) LOTS of cursing in a novel. But variety matters. It’s something I don’t notice until, like in SHADOWBLADE, someone says or thinks “Dear Sel” for the umpteenth time and it rings false, because it’s the only curse word I’ve seen for two hundred pages.

It’s a relatively small issue, but it’s indicative that the quality of the worldbuilding (and sometimes the characters) is shallow. And that indicator held true for Anna Kashina’s SHADOWBLADE.
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BLACK LOTUS KISS (Amazon) is an unabashed pulp mystery with a side of Marlboro Man smoke-crowned charm, and a kiss on the neck of the Black Dahlia homage to cheesy occult detective novels of the 1970s.

As far as mystery novels go, BLACK LOTUS KISS hits all the marks: character, location, and plot. It doesn’t try to be more than necessary: an over-the-top Hell’s Angels is in league with an eldritch deity-controlled Girl Scouts cookie drive style of mayhem. It is inane, irreverent, and utterly unapologetic in its absurdity.
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Do you know what the biggest problem is for an author trying to write a novel about kids that are caught in the middle of very dangerous events? Parents. Well, adults in general. How do you keep the grown-ups from coming in and hijacking the story completely while still making it all believable. I have a difficult time believing that any story that is told expressly about kids has a more important question to answer. This was a very interesting novel to read, given that perspective. Because on the one hand, this story totally has adults “dealing with the important stuff”, but on the other hand, there are also several adults that are more than willing to throw children into deadly situations, shrug their shoulders, and say, “If they live, they live. If they don’t, they don’t.” Was an interesting dichotomy to try and swallow, and not the only one I found in this read.
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Every once in a while I go to the library looking for books. It seems somewhat ludicrous that between all of the books that I really want to read, and all of the others that publishers/agents/etc send to us, that I could ever find time to read something I found at a library. And yet, I do. Because I’ve found that I’ll still occasionally find something that pushes my buttons. In my profile for the site, I mention that I have no patience for “plots that don’t grab by the throat, the heart, or the funny bone”. Yeah. I judge. So anyways, I was walking through the library this one fine day, saw this book, and thought the cover art was pretty intriguing. So I picked it up. Then I opened the cover, flipped through the first couple sheets, and came across a nearly blank page with a single statement printed near the top:

“Don’t just fight the darkness. Bring the light.”

Instantly I found that both my heart and my throat had been grabbed. My decision had been made and another book added to my TBR list.
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I’m a sucker for the just slightly off-kilter world. The ones where the setting simultaneously feels like a very possible future but also brings in the mythical and magical. I love a good post-apocalyptic, monster-killing, magic wielding story. And sign me up for anything with a hint of romance.

All this is just a very long lead in to say that TRAIL OF LIGHTNING (Amazon) checked A LOT of boxes for me.
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