Reviews :: Book Rating :: Books We Love :: Page 33

THE NEW DEAD (Amazon) is a zombie anthology (surprised?) edited by Christopher Golden, and it goes by the title ZOMBIE in the UK. Included in this collection are stories by Tad Williams (the guy’s is everywhere lately), Jonathan Maberry, Max Brooks, Mike Carey, John Connolly, Joe Hill, Kelly Armstrong, and a bajillion others. This was one of the few short-fiction collections that really had us excited, and we were lucky enough to get a copy sent to us by Jonathan Maberry’s publicist for review purposes.

The short version? This was an excellent collection. Long version? OK fine, we’ll give you that too.
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From the beginning, David Louis Edelman‘s Jump 225 Trilogy has been a pleasant surprise and change from the typical books we read. It shouldn’t really be a shocker to anyone when we say we don’t generally care for the SF genre. Authors in SF seem to take themselves too seriously. Or they really have no interest in telling a story, but they love to show how much smarter they are than the reader. Thankfully, Edelman isn’t of that pretentious school of thought.

We first heard of Edelman back in 2006 at the WorldCon in Los Angeles. His first novel, INFOQUAKE was being pushed by Pyr Editor-extraordinaire Lou Anders. Admittedly, the series didn’t seem that interesting right away. After all, who wants to read Business Cyberpunk?

After starting the series (and now having finished it), the answer was really quite simple: we want to read Business Cyberpunk, and so should you.
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NIGHTCHILD (Amazon). So here we are, the third and final novel of The Chronicles of the Raven series by our friend James Barclay. So does it stay true to the prior novels? Does it elevate the series to new heights?

Easily. This is by far the best of the trilogy.
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How about a requested review from one of our readers, Dan Burton. See, we really do listen to your requests.

MONSTER HUNTER INTERNATIONAL (Amazon), on the surface, seems to fit the need that most of us have for mindless, gunfire-laden fiction. We all need it at times. Larry Correia, the author, gives us all the ingredients that a book of this style might typically have, yet somehow makes them more than the sum of their parts. In all honesty, we were surprised by how much we enjoyed this novel, and how much we are now looking forward to the sequel.
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The following review, once you know that it is a Pyr book, will not come as a shock. We have to exercise the utmost of restraint in order to avoid reading through and reviewing all the Pyr books we can, as soon as we can.

THE SILVER SKULL by Mark Chadbourn (Amazon), is one of the funnest books we have read. Period. Imagine a James Bond story, but way more awesome, set in an alternate Elizabethan England. This is what you get in this book.
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Scott Westerfeld is perhaps currently best known for his YA SF novels. He recently decided to try his hand at Steampunk in an alternate version of World War I. LEVIATHAN is a good entry into the genre, but it isn’t without drawbacks (depending on your point of view, of course).

LEVIATHAN (Amazon) follows the PoV of Alek, the son of Austria’s Archduke Franz Ferdinand (in case you didn’t know before, now you know where the band gets its name–that’s your useless piece of trivia for the day). In Westerfeld’s story, the assassination of the Archduke and his wife incites World War I, just like in actual history. This differences are the Steampunk and Biopunk (this term will make more sense in a moment) settings. The two major factions are the Clankers (the Austrians, Germans and such), and the Darwinists (England and other “Allies”). The Clankers are based in machinery, and lend to the Steampunk stylings that the book promotes. The Darwinists, frankly, are much cooler. They manipulate biological creatures into war machines, ships, and anything else they have need of. As a counterpoint to young Alek’s “Clanker” PoV, we have the PoV of Deryn Sharp. She is a fifteen year-old girl posing as a boy in the British Air Service aboard the Leviathan–a huge biologically created ship that resembles a flying whale.
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Every now-and-then a novel surprises us. For whatever reason, we have preconceptions about a novel before reading; it could be we’ve read the author’s previous novels, it could be the cover-art, or really anything else for that matter. What we love is when a novel shatters all of our unfounded notions, and completely sucks us into the story (if this were a vampire novel, we would insert a mandatory pun here, but alas…).

Kristine Kathryn Rusch has been writing SF for a while now (not to mention every other genre under various pen-names). You may have heard of her, and you may have even read her Retrieval Artist series. It is a decent series, and good for beginners in the SF genre, but nothing that made us squeal and say, “Wow!” That was our exposure to Rusch, and really the basis for our opinions of her writing. We figured that her new novel, DIVING INTO THE WRECK (Amazon), would be more of the same.

Wow! (See what we did there?) We were seriously mistaken. Take a screen-shot of that last sentence, ladies and gentlemen, because it rarely happens.
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Remember that guy, James Barclay, whose book DAWNTHIEF (EBR Review) we reviewed a few weeks ago? If you don’t remember, shame on you! That first novel was one of the higher quality novels we had read all year, so we had some fairly high expectations for NOONSHADE. Do we ever not?

The story of NOONSHADE picks up, literally, minutes after the first book, DAWNTHIEF, ends and throws us right back into the exploits of the mercenary band, The Raven. In the first few pages we are given a brief, “Hey, look! There’s a big-A hole in the sky as a consequence for saving the world in a dangerous way in the last book.” summary. Then BAM! (Emeril, not only are we more attractive, we even say your catchphrase better. Eat your heart out.) we get right into the events of the current book. Salvation brings its own can of worms in this worms. Actually it isn’t a can of worms, so much, as a rift in the sky through which all manner of destruction can manifest. By, “all manner of destruction” we mean interdimensional dragons that want nothing more than to obliterate everything, and kick your dog. Twice.
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Every now and then, we get a little hesitant to pick up and read a novel. We know, this is a dangerous admission on our part–believe it or not we are human sometimes (the rest of the time we are Review Gods, remember?). You see, when we find a series of novels that we like, each subsequent novel in that series becomes more exciting and terrifying to pick up. Why? Because we are afraid of being let down (read: Jim Butcher).
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The next time you run across Lou Anders from Pyr SF&F, buy him a drink. In fact, buy him two, he won’t mind. Then, ask him where you can find James Barclay so you can buy that gentleman a drink as well. In Lou’s on-going crusade to bring the US great fantasy titles from the Brits, he brings us James Barclay’s DAWNTHIEF (Amazon), and in doing so takes us on and honest-to-goodness adventure.

Do you remember a few reviews back where we reviewed WINTERBIRTH? (Amazon) Do you remember how upset we were with the comparisons people had been drawing between it and David Gemmell’s work? (Amazon) Well, we are pleased to tell you that Barclay’s DAWNTHIEF is truly worthy of the comparison to the works of the late Gemmell. In fact, we are quite sure Gemmell would be more than proud of Barclay’s work, and the reception it is bound to receive here in the US.
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