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I was telling a friend about this book and the first thing that came out of my mouth was “I learned a lot about fungus.” Don’t worry! There are plenty of other fun things to recommend this book, such as NSA code breaking and creepy assassinations, but Walton has found an interesting hook and then amplified it until you will willingly read an entire book about fungus taking over people’s brains. Really.
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I love a good series. From J.R.R. to George R.R., there’s a plethora of ways to enjoy the intricate plot and character development that occurs when you start counting pages not in the hundreds, but in the thousands. But sometimes I just… want to read a book? Singular?

Brandon Sanderson’s ELANTRIS is one of these rare standalone novels; rare in the sense that the genre, and Sanderson in particular, tends towards producing series. Not that I would complain if ELANTRIS became a series–I had a great time reading it and I would say that thirteen years after its initial publication the story is as fun and compelling as ever.

ELANTRIS (Amazon) begins with Princess Sarene of Teod sailing into the kingdom of Arelon only to discover that she is a widow. The man she was supposed to marry, Prince Raoden, has died, but her marriage contract stipulates that she is still his wife, whether or not she had the chance to meet him. Disappointed but not distraught, Sarene immediately begins puzzling out the political situation in Arelon.
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I first learned the term “bottle episode” while watching “Community” (thank you, Abed). One episode of Season 2 takes place entirely in a locked room as the characters search for a missing pen. While the premise is absurd, trapping everyone in the same room allows for hilarity, as well as serious revelations about their relationships, to ensue. Not only are ‘bottle episodes’ cheap to shoot, relying on one set instead of several, they are also light on plot, allowing writers to spend more time focusing on character development. In his newest addition to the Enderverse, CHILDREN OF THE FLEET, Card immerses his readers once again in a world of precocious children, absent but watchful adults, and a life or death mission. While it’s not exactly a bottle episode, Card’s narrative shares a similar intense focus on depth, not breadth. By limiting himself to a relatively simple plot and using the already familiar setting of Battle Fleet School, Card can fully explore the emotional journey of Dabeet Ochoa.

Set in the aftermath of Ender’s victory in the Third Formic war, CHILDREN OF THE FLEET (Amazon) begins after Battle School has been converted to Fleet School, a place to train future leaders for humanity’s colonization efforts. Dabeet Ochoa is a preternaturally intelligent child who is convinced that he belongs in Fleet School, not stuck on Earth.
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Cam is your typical teenager. She’s got friends, wonders how her awesome boyfriend could like such an awkward girl as her, and is frantically studying for her American History test. The only exception is that she’s a witch. However, it’s that extra complication that makes her high school years less than typical.

For example, most teenagers don’t have to deal with their mother disappearing during a coven meeting.
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Bran is out of town, leaving Charles in charge of the Marrok’s pack. But the situation is a little strange because he isn’t answering his phone when Charles calls. And he mentioned visiting Africa? Charles and Anna aren’t sure what’s going on, but they’re doing their best to hold down the fort until Bran decides to return… whenever that will be.

But they get a call from the mate of one of the “wildings”–which are unstable (usually old or traumatized) wolves that live in the Marrok’s territory, but are removed enough physically for the safety of the rest of the pack. Jonesy’s cryptic call leaves Charles concerned and confused, and with Anna decides to investigate.

They discover something much more than they expected.
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Romance isn’t exactly a genre that we here at EBR dip our toes into very often. In point of fact, I just looked up how many reviews of books we have that are labeled as being tagged as “romance”. Want to know how many there were? Two. And one of those, I was tricked into reading. Seeing as how having only one review in a given genre is kind of silly, and having two seems more like an excuse to remove the genre than even one did, I thought I’d add to that total and provide the third review in this oft-forgotten genre here at EBR. I know. I’m too much. You can thank me later for my generosity. No, in all seriousness I also kind of wanted to review this book because then I could mention the fact that the author of this book is none other than Sam Sykes’s mother, and if you don’t know who Sam Sykes is, then you should watch out for my next review. Until then, there’s this one, and it ain’t too shabby either.
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Essun plans to move the moon back into orbit around the earth, and in THE OBELISK GATE she learned that there may very well be a cost–her own life–if she attempts it. But first, she needs to find her daughter Nassun, who, it’s turning out, is as powerful an orogene as her mother.

Yet so many things still stand in Essun’s way.
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If you read Elizabeth Bear’s The Eternal Sky series (RANGE OF GHOSTS starts the trilogy), then you’ll love her new The Lotus Kingdoms series (which takes place in the same universe) starting with THE STONE IN THE SKULL. However, even if you haven’t read her before, if you like clever and beautifully written novels, then you should be reading more Elizabeth Bear.

From the dustjacket: “The Gage is a brass automaton created by a wizard of Messaline around the core of a human being. His wizard is long dead, and he works as a mercenary. He is carrying a message from a the most powerful sorcerer of Messaline to the Rajni of the Lotus Kingdom. With him is The Dead Man, a bitter survivor of the body guard of the deposed Uthman Caliphate, protecting the message and the Gage. They are friends, of a peculiar sort.

“They are walking into a dynastic war between the rulers of the shattered bits of a once great Empire.”
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The city is dying. But those still living on the bone towers have no idea how much danger they’re in, because they haven’t seen what Kirit, Nat, Wik, and Ciel have seen. So many questions are answered, and not necessarily in the ways you’d expect. If you haven’t read book 2 CLOUDBOUND, then anything I say here about the final book HORIZON will be spoilers. Consider yourself warned.
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If you were disappointed in my mediocre rating for ARABELLA OF MARS (EBR review), then here is the book that will fulfill your military-steampunk airship cravings and to spare. THE GUNS ABOVE is everything ARABELLA isn’t: engaging characters, easy to read prose, exciting plot, hilarious dialogue, and a lead female character with brains.

Hallelujah.
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