Posts from 2020

Lin doesn’t remember much before the day she woke in the room with the chrysanthemum ceiling. Her father–the emperor–said her amnesia is the result of an illness that stole her memories. She doesn’t remember her mother (long since dead), her childhood, or the bond shard magic lessons she’s supposedly been learning from her father the years previous. Instead, her current life is full of competition with Bayan, a young man who is also learning the bone shard magic and may take her place as emperor if he learns it better than her. But Lin will do whatever it takes to get ahead, even if it means sneaking around the palace to get the information she needs.
You see, bone shard magic is what the emperor uses to protect his people from the ancient race that used to enslave the population. Bone shards power the golem-like constructs that act as guards, spies, and warriors. But, of course, there is a price. Bone shards come from each child as they come of age. […]Read the rest of this review »

I’ve been in a real funk lately. I know. Join the club, right? It seems like no matter which direction I turn, there’s always some new disappointment waiting to greet me. Hello, 2020. If I had any choice in the matter, and I could pick a single thing that this year might have left alone, it would have been my books. Yes, I know this is ludicrous. There’s no need to remind me of the fact that books published this year have long been completed, and that 2020 did nothing to affect them in the slightest. And yet. After reading this book, I’m seriously beginning to think that some part of me has been broken. It just doesn’t seem possible that my impressions of the story contained therein might be valid. Like in the slightest. But in the end, they are at least consistent in their nature, and for that I’m still holding onto the hope (barely) that something more will come of my current epic disappointment with The Age of Madness.
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First thing you should know is that KITTY’S MIX TAPE can be read without having read any of the books in the series (we’ve reviewed a few of them HERE). BUT, if you read this book before reading any of the books there will be a few spoilers. However, if you want a taste of the world of Kitty Norville and the werewolves, vampires, and witches that inhabit it without diving wholesale into the 14-book series, you wouldn’t be disappointed.
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Citing a long history of erasure and silence surrounding the Nigerian civil war, author Tochi Onyebuchi wrote WAR GIRLS (Amazon) to illustrate the way that the tensions that incited the conflict–economic, religious, tribal–exist today and how they might play out in a post-apocalyptic future. I didn’t know any of this history when I started the book and the story stands admirably on its own (interested readers can find additional reading in Onyebuchi’s afterword).
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There are five known magical ‘kennings’ or types: air, water, fire, earth, and plants. Each nation specializes in of these kennings, and the magic influences the society. There’s a big pitfall with this diversity of ability and locale–not everyone gets along.
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Lois McMaster Bujold’s delightful series of novellas featuring Penric and his demon Desdemona continues with “The Orphans of Raspay” where Penric becomes hopelessly caught up in the sad situation of two orphan girls. If you haven’t read the previous novellas, go check them out, starting with “Penric’s Demon” (EBR review), where you’ll get my opinion on the Audible reader as well as the low-down on what it means to be a sorcerer with one’s own demon.
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Kaz is a lieutenant for one of the crime lords of Ketterdam. He’s made a name for himself, mostly because he’s willing to do anything for money. And when he’s offered an insane amount of money for a job that may get him killed, he takes it. If anyone can out-think an impossible situation, it’s Kaz Brekker.

But he needs the right crew if he plans to pull it off.
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It’s not often that I realize I’m not going to like a book by the time I finish its first line. It does happen though, and this happened to be one of those. For your reference:

“They named the child Rory, because the firstborn of every generation was always a Rory, and had been since the first of that name had cut his way through the cursed briars on the homeworld and saved the kingdom of Thorne–and, incidentally, the princess–from the consequences of poor manners.”

In this case, it was the combination of its length and a failed attempt at nonchalant humor that just turned me off. Well, that and the tone of the thing, which portended nothing short of hundreds of pages of unnecessary detail, generic character, and lazy meanderings of plot. At least in that, I was not disappointed.
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“Last” is the name of a man you can hire to lead you through the confusing realm of Driftwood. But that’s not the name he was born with. If he can remember back that far.

First you need to understand Driftwood, a realm where dying civilizations get caught up into its black hole (not really any way to explain it, even though that’s not what it is). At first their neighbors disappear. Then their boundaries. Then they find themselves with new neighbors of different worlds, races, and languages. And all of them are moving toward the inexorable deterioration of their society until it disappears completely. It may take a few generations (depending on the life-expectancy of the natives), but their apocalypse is inevitable.
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A lot of books can’t wait to reveal all of their secrets. Others dole them out slowly, reeling the reader in little by little. And while unintentional disorientation is the sign of bad writing, intentional disorientation can be fun. It requires a little more work and patience from your reader, but once you figure out the game, it can heighten the pleasure inherent in reading, the tension and relief of revelation.
MIDDLEGAME takes the ‘low and slow’ approach, revealing its secrets bit by bit. It’s effective because McGuire centers a complex story structure around compelling and simple character stakes to make an unusual story.
Asphodel Baker, a talented alchemist who was ignored and underestimated because she was a woman, had a big idea. She wanted to embody the Doctrine of Ethos, which McGuire describes as the “balance between language and mathematics” (kindle location 108). Basically Baker believed that these two forces shape the world, and could bring magic back into it if […]Read the rest of this review »