Reviews :: Book Genre :: Science Fiction :: Page 8

Hard Science Fiction, huh? Sounds cerebral, nerdy, probably unsentimental, maybe a bit dry… but could be good. Or really boring. I have had good fortune reading and reviewing anthologies so far for EBR. (Let the streak continue!)

My sincerest apologies to the publishers of this mostly excellent anthology. This is possibly the most beat-up paperback I have ever carried around and carried around and…which I cannot explain because I enjoyed it very much. There was one story that stopped me cold, though so, in good conscience, I could not write this review until I had read every SINGLE word. That wasn’t easy.
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Author Peter Watts’ newest offering, FREEZE FRAME REVOLUTION exists somewhere in the squishy space between a novella and a novel (according to the ‘Afterword’ it’s 1,000 words over the length of a standard novella, but who’s counting?). Watts is of the opinion that he has written a novella and I think that the story he tells is well-served at this length, which allows him to explore a single incident in-depth and with a focus that wouldn’t be well-served by irksome sub-plots or other novel-length narrative features.
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I find it somewhat unsettling how quickly I tend to look past the art associated with this annual anthology. Well, if I’m being truthful, I tend to naturally look past most of what is offered in these anthologies other than the stories from the winners. Because it’s those stories that most have the chance of speaking to my soul, as an aspiring author myself. And yet, this time around, I’ve made it a goal to give special attention to those “extras”. After all, it’s the winners of the “Illustrators of the Future” that will be penning the future covers that will catch my attention enough to get me to pick up books and give the first handful of written pages a chance at catching my mind afire. As well, it is the extra writings–the essays and sometimes stories from the judges of the contest–that represent what they admire and enjoy in fiction. There is indeed much more to this anthology than just a simple collection of stories by a bunch of newbie, but not always unskilled, writers of fantastical fiction.
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Josette is the captain of the airship Mistral, and after the events of THE GUNS ABOVE (EBR review), she’s made enough of a name for herself that she doesn’t have to worry about the powers-that-be of taking her ship away from her. But the war with the Vins continues to rage, and making a name for oneself means that her and her crew are thrown once again into the fray to fight for Garnia.

But the scariest thing Josette will do is navigate the Garnian royal court.
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The first time I ever read a story by John Scalzi was a short of his about something to do with an alien, but I don’t remember the details. He was selling it for whatever you wanted to pay for it, but hoped that you would pay more than a buck because, ya know, it cost him a solid buck per sale to run the transaction through Paypal. Even before I’d read his story, and the dude already had me laughing. I remember enjoying that one quite a bit, but some of his others I haven’t been too enamored with. I still haven’t read his Old Man’s War series, although there have been several times when I’ve been tempted to pick them up. After reading this one, I think I might just have to do that.
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The line between an homage and a pastiche is as thin as a sheet of New England lake ice. At times refreshing when done right, but often as bitter as an old flame’s sudden departure, the Noir genre has for decades fascinated, riveted, and influenced literature, both pulps and classics alike. When I caught wind of a fusion of a hard-boiled mystery staged in an alternate 1960s LA, still as iconic as it was in the days of yesteryear, I had to crack it open over a bottle of ten-year-old stale gin for a compulsive reason. Why I have gin in my rickety desk is only my business, but I was feeling pretty cozy with this little spine opener of a yarn.

But it didn’t have that pop you’d expect from a Coke. It was more like a flat Coke. Sure, it’s got the feel, the look, and even the shape of a Coke, but it don’t have the taste of it. You can feel it in your gullet. Something just ain’t right about this one. But that’s ok. Not every tale’s got to be a real sob story, a mournful heartbreaker, or make your gray matter noggin do some joggin and thinking real hard about all the bad stuff that goes on in life. So it goes.
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So, we put this book on our “Best of” back in 2013 without posting a review for it. I know. Naughty us. I thought it was about time that we rectify the problem. Plus, it gave me another chance to read a Robert Jackson Bennett book. 🙂 After reading his Divine Cities series, I made a point of putting his name on my go-to list of authors to constantly check in on. Interesting story that’s actually on topic: I was having dinner with a few friends back in February. Brian McClellan (of Powder Mage fame) was part of the group and talking about how he was helping beta read Robert Jackson Bennett’s most recent work in progress. Nearly lost my stuffing. Can you say jealous? Whoa. Anyhow, I found this story on my audio book app, and the rest, as they say, is history.
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Ann Leckie’s PROVENANCE (Amazon) is not a space opera. While the scope is broad, covering an uneasy interstellar treaty and the implications of a society obsessed with origins and authenticity, the real focus is on Ingray Aughskold, a foster child from a public crèche, acutely aware that in her mother’s eyes, she has always lacked “a certain something” (423). PROVENANCE plays out on an intimate scale, the coming-of-age story of a woman who should have come into her own years ago.
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A while ago, I had a dearth of books sitting on my shelf for which I was foaming at the mouth to read. Several times I walked by the stacks and asked myself which of those various offerings I would dive into next. After several attempts, I just started grabbing books at random, and decided to choose the one that I thought had the best potential based on the first two pages of story. This is usually about all it takes for me to decide whether I’m going to be able to like a book or not. Like there’s a base-minimum amount of goodness that my inner reader is willing to accept, and after about two pages I can just tell. After parsing through a dozen or so of the possibilities, I whittled my choices down to this single book. It was even science fiction, which is always a good thing in my opinion because I feel like I need to read more science fiction. Problem is, I need to read science fiction that’s better than this.
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As with my previous review, the decision to finally read this novel came as a result of consuming media outside of the book realm. Prior to now, I hadn’t picked this book up because of the complete underwhelming Richard K. Morgan had given me in previous books. Granted, most of his stuff that I’d read was in the fantasy genre. Although I have also read THIRTEEN, but that didn’t really ruffle my feathers either. Still, the trailer for the series that Netflix recently did just looked AMAZING. Grabbed me and would not let go. And wouldn’t you know it, about that same time the book came up in my audiobook queue at the library as available and I just couldn’t help myself. Turns out, I probably should have listened to myself and/or watched the show instead.
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