Reviews :: Book Genre :: Fantasy :: Page 10

AMNESTY (Amazon) is the final book in the AMBERLOUGH DOSSIER and if you’ve read my earlier reviews for AMBERLOUGH (EBR Review) and ARMISTICE (EBR Review) you know that I love a good character driven, unrelentingly grim novel. If that isn’t your scene, I recommend browsing through some of our other reviews because AMNESTY follows closely in the same vein as the first two novels in the series both in attention to characters and level of grimness.
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A while back I decided to finally listen to our reviewer, Nick, and picked up SCOURGE OF THE BETRAYER (EBR Review). His review of that one (forever ago) was blisteringly positive, but for whatever reason I didn’t immediately put it on my list of books to read. When I got the book in the mail, I was somewhat bemused and slightly disappointed by its apparent size. Quite small. But then again, the book had been relatively inexpensive to begin with… in fact, as of the writing of this review, the paperback is only $5. Whoa. If you haven’t read this book yet, you totally need to go out and buy it. Like now. For five bucks, it’s worth taking a chance on an author that you’re sure to enjoy, if you’re a fan of the authors we praise here at EBR. Link at the bottom of the review.

For those of you that already know the greatness of the first, read on.
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Ever since those years ago when Mercy moved to a trailer house near the home of the Columbia Basin Pack’s alpha, her life has been drastically different. She sometimes wonders if it’s because she became involved with Adam and his werewolves, but she understands that her relationship with Coyote, the god of chaos more likely has something to do with it. If you read book #10, SILENCE FALLEN (EBR Review), when Mercy was kidnapped by the vampire king of Europe, we learned that Coyote does have his hand in influencing events, and uses his children to clean up the messes that disrupt the world. I suspect that is the reason why Mercy’s life has grown more dangerous over the years.

That’s what she gets for being Coyote’s daughter.
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Betsy Dornbusch’s writing in THE SILVER SCAR (Amazon) is spare and lean, which gives the novel an immediacy that works in concert with her grim vision of a post-apocalyptic Colorado. While the book builds steadily, the beginning was rocky enough that I had a hard time getting into it and I bumped it down a ratings category or two.
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It’s been a good long while since I last read a K.J. Parker book, and he’s one of my favorites; so that’s kind of annoying. The most recent spate of story he pumped out prior to this book was the Two of Swords trilogy, which was originally released as a serial novel — meaning a small section at a time with oodles of sections. I wasn’t much into paying the exorbitant amount of money that serial novel would have cost me to get them all as they were e-published, so I put off purchasing them until they’d been happily compiled into three “books”. But, unfortunately, I’ve never gotten back to them. Need to rectify that, I know, but who has the time? Seriously. Maybe after Dark Age is finally out and my reading queue has settled down a bit.
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In a world where immortality means death is no longer natural, scythes are employed to keep the population under control. Rowan is a typical middle child in a big family whose life flies under the radar. Until the Honorable Scythe Faraday notices him and asks him to become his apprentice. Citra excels at school and when a scythe comes to their house just to have a meal with them, she can’t help but question his behavior. They both — reluctantly — end up as apprentices to the same scythe and are dropped into a world of death, pain, grief. They must learn how to kill, but also be compassionate. Scythe Faraday believes that a scythe shouldn’t enjoy killing.

But Scythe Faraday is old school, and there are newer scythes who think that there are too many restrictions, that there are better interpretations of the scythe 10 Commandments. When conclave arrives and Citra and Rowan must take their first tests of their apprenticeship, events go poorly and they learn the hard way that death has become a political battlefield.
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It’s been a while since I read the first book of The Witchlands, TRUTHWITCH, so I was a little bit lost when starting WINDWITCH; fortunately I already have book three, BLOODWITCH, ready to read soon, so I won’t suffer quite so much. This might be the kind of series that would be easier to read in quick succession so you aren’t lost. So much happens over the series that if you do go a while between books, a refresher would be in order, since Dennard starts the story back up where she left off, without much reminders.

WINDWITCH easily improves on TRUTHWITCH, despite our heroines being separated at the end of TRUTHWITCH. Dennard builds on everything that went before, on the characterization, on the story, on the magic, on the world–all toward creating a world with more depth, which I rather like seeing in a YA series.
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SEVEN BLADES IN BLACK (Amazon) is Sam Sykes’ newest novel and the start of a new series, THE GRAVE OF EMPIRES. I’ve seen it described as “action fantasy,” which I guess is fantasy but with more punching? While there’s plenty of punching (and shooting and eviscerating) in SEVEN BLADES, what makes it memorable is that at every turn Sykes seems to be asking “how could this be even more awesome?” and then delivering. The result is break-neck chase scenes on ostriches, riverboats full of assassins, unspeakable monsters, souped-up magical fights, and a lot of poor decision making.

You could call it action fantasy.

Or you could call it a lot of fun.
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Endings are hard. In a way, endings can make or break a story, whether that’s referring to a chapter, a book, or even an entire series. Unlike some, I’m not one that ascribes to the opinion that the ending of a book will largely determine your opinion of a book. I’ve read plenty of great books with weak endings that I still enjoyed overall, and no matter how “awesome” an ending is, if the story up to that point is drawn out and boring… the ending won’t make up for the fact that everything else was drawn out and boring. But endings are still important. This book gave me a chance to not only finish consuming my first “Mark Lawrence” series, but also to look back on the series as a whole and decide what I thought about it. Honestly, I was a little surprised at what I found. As such, if you haven’t read the first two books in the series, you should probably do that instead of proceeding any further.
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In KILL THE FARM BOY (EBR Review) we are introduced to the demesne of Pell (hah! see what I did there?…ok if you haven’t read it then you’re lost already, sorry), with Worstly, his talking goat Gustave, Dark Lord Toby, and the gang as they trek across the land in search of their quest. Or something. It’s much more complicated than that, but basically if you haven’t read it and want a good laugh, go read it and then come back for details about book two.
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