Reviews :: Book Genre :: Epic Fantasy :: Page 2

One of my favorite things about reading a book is reaching that point where you just can’t put it down. It’s always magical to feel immersed in another world. Some books draw you in right away. Others can be a slow burn, but the wait feels worth it when you go from “I’m enjoying this book” to “talk to me in approximately 150 pages.” And then, there are the books that just never take off. Michael Johnston’s SOLERI (Amazon), despite its interesting premise, is one of those.
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I’ve never really gotten into comic books — Ahem. Excuse me — “Graphic novels”. Hey, gimme a break. I’m a child of the 80s and old habits die hard. Anyhow, where was I? Oh yes. I’ve never really been that into graphic novels. Don’t get me wrong. I’ve read a few. And ElfQuest was one series that I voraciously devoured when I first stumbled upon it. Still, despite my very meagre affair with this medium, I can’t help but feel like I need to make a comparison between this book and a graphic novel. I’m fairly certain it’s the fact that the author’s writing style is so visual and visceral that does it for me. It’s what makes this book read like a really detailed graphic novel. The simplicity of his words to imagery. The strong dependence on character to relay the story. I’m not sure exactly. Whatever it is though, no one else does it quite like Sam Sykes.
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Less than an hour before I sat down to write this review, I pulled my youngest daughter’s loose front tooth from her mouth and thought what an amazingly apt comparison I might make between that act and this effort. Writing this review is a concept that I’ve done no small amount of pondering upon.

If you’ve had the pleasure of reading my previous reviews on the books in this series, you’ll know I’ve not been much of a fan. And yet, they also contain within them some of the most amazing “fantastical stuff” (highly technical term) that I’ve read in literally any other fantasy book/series. So, much like my moments-earlier tooth extraction, I’ve decided to pull the painful review that I might otherwise have written, and instead put together a review that addresses everything I’ve been thinking about this book. Taking it, holding it aloft, and examining it from every angle, so to speak, now that it will no longer be paining me.

Granted, such a review is going to be considerably longer than my regular fare, so I feel as if I need to give a small qualifier to all you readers. If you’re up for a bit more of my blabbering blatherskyte than usual, by all means sally forth and tally ho. I’ll begin in short measure. If, however, you’re just looking for the Cliff’s Notes version, well, here you are: TL;DR Nearly identical in every aspect to the previous books in the series. If you liked them, you’ll like this one. If you didn’t, you won’t.
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The eagerly awaited continuation of Brandon Sanderson’s Stormlight Archive series has arrived. OATHBRINGER is everything you want it to be. It’s big (1233 pages!) and continues the amazing stories from THE WAY OF KINGS and WORDS OF RADIANCE. Buckle in your seat belts, folks.

For those of you who need a refresher about what came before, check out Tor.com’s “Before Oathbringer” article.
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I’ve been meaning to read this guy’s books for quite a while now. Well, ever since his first book came out, because I heard it was pretty awesome, and how could you not love a story that mixed magic with black powder? For whatever reason, though, I just never picked one up. Until I listened to him speak at a writer’s convention. He mentioned something about how awesome Daniel Abraham’s most recent fantasy series was, and I figured if the guy loved Abraham’s method of storytelling, then he likely wouldn’t have written a bad book about black-powder mages, which was still a freaking cool idea, and I should give the guy a shot. The sooner the better. And after reading it, I think if you haven’t read his books yet, then you should “give him a shot” too. Ha. I kill myself sometimes.
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Asho was born into a race of slaves, but by sheer force of will has become the squire of the warrior Lord Kyferin, and in the opening pages of THE PATH OF FLAMES by Phil Tucker, our young hero finds himself on the field of battle. Unfortunately, his side loses, his lord is killed, and he must return home to face Lady Kyferin.

Kethe Kyferin, the daughter of the now-dead lord, wants more than anything to be a knight, even going so far as to make her own chain mail and take secret lessons from one of the castle guards. But she’s only a teenage girl, and there’s no guarantee that even though her mother is desperate for more knights, the question is if a girl will be accepted as one of them.

Tharok, a highland kragh (kinda like an orc), is on the run from the clan that wiped out his clan and killed his father. He heads deep into the mountains to make a last stand. He unexpectedly survives, and stumbles onto the remains of a kragh legend that will give him the means for his revenge.

Their worlds are about to change completely.
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As with previous posts about Brent Weeks’ Lightbringer series, I’m going to tell you again that you can’t start in the middle of the series without being lost, nor would you want to, it’s a great series, go to book one and start there…yadda yadda yadda. Or else here be spoilers.

Ok, now that’s out of the way. Let’s get to the good stuff.

I don’t know how Weeks consistently ratchets up the tension, weirdness, and worldbuilding with each novel, but here we are at book number four, THE BLOOD MIRROR, and you shouldn’t be surprised by this point that it’s yet another big book of epic fantasy goodness.
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There’s this unfortunate but sometimes entirely true analogy I’ve heard about how particular kids can be a kind of birth control for their parents. If the kid is especially difficult or energetic, they’ll entirely remove the desire of the parents to have another one anytime soon. Despite this, it is also true that time is the great eraser of memory, and after long enough even the trauma of those months and years can fade away and parents will find themselves diving back into the shark pond of parenthood once again. I found myself in a very similar state of mind, and yet completely cognizant of the decision that I was making, when I picked this book up. After all, I had been less than satisfied with the previous book in the series, but still I found myself wanting to read this next one. Thus, it came as no real surprise to me that it had been something like five years since THE WHITE-LUCK had been released, and I was able to uncheck the mental box that was pleading insanity and instead was able to chalk it up to good old memory loss given the ravages of time. And yet, once I got into the book, I found much of my same feelings about the previous book rushing back in to fill the supposed void of time. So much for memory loss.
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We first met Essun in THE FIFTH SEASON, as she discovers that her husband has murdered their son and kidnapped their daughter. Of course Essun must follow, because her daughter Nassun is a magic-wielding orogene like her mother–and that was the reason her husband killed their son in the first place.

If you haven’t read the first book, there are all sorts of revelations I’ll be talking about here, so you may want to spare yourself spoilers. THE FIFTH SEASON (EBR review) is worth reading, and I don’t think THE OBELISK GATE will make much sense unless you do. You’ve been warned.
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I don’t typically re-read books. Aside from the fact that I just don’t have the time for it–too much new stuff to read all the time–I rarely come across a novel that calls me back loudly enough to hear it over the call of all that new stuff. While reading this novel though, I found that the voice wanting me to re-read the earlier books in this series was rising, because of just how much the story is now beginning to open up, and I’m wanting to go back and see what I’ve missed by not understanding just how large the story and the world that Sykes is building here actually is. As such, this is absolutely not a fantasy novel to miss.
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