ELITIST BOOK REVIEWS

Full disclosure. I loved Mira Grant‘s novel, FEED (EBR Review). I didn’t think I would because I was a tad tired of zombies, but FEED was still awesome… especially the ending which was absolutely incredible. Sure there were some things that made me say “meh”, but I personally thought the characters were fun (specifically in the latter half of the novel when the story got really grim and bleak), and the setting was fantastic. Not to mention, Mira Grant’s writing appealed to me with its accessibility and her sense of pacing. If was my personal pick for the Hugo this year. I bought copies of her books and lugged them to WorldCon so I could stalk Mira down for signatures. Yeah, I’m a fan.
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Before there was Avatar there was Ursula K. Le Guin‘s THE WORD FOR WORLD IS FOREST (Amazon). Written in 1972, and the winner of the 1973 Hugo Award for best novella, Tor decided that the current furor over sustainable ecology would make this novel a timely re-release. At the very least it’s an entertaining comparison to Cameron’s blue-peopled visual extravaganza.
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Good short stories in my opinion are those that get in, get memorable, and then get out. They’re quick, they’re sharp, they’re efficient. Sometimes you can’t help but come out a little dirty. Others catch you with your back turned and give you the once-over of your previously boring life. And then there are the stinkers. Ugh. Let’s not talk about those though.
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My dad and I have an ongoing argument. My dad seems to think that China Miéville (Amazon) is a superior work to THE SCAR (Amazon), which is also by Miéville and set in the same world as PERDIDO. While I know better. THE SCAR is better, better plotted, cooler stuff. In one thing we are agreed, however. In my opinion THE SCAR is a 10 (on a scale of one to ten, ten being perfect) whereas PERDIDO is a 9.9. For my dad it’s PERDIDO that gets the 10 and THE SCAR the measly 9.9. They are both good books. Fantastic books, genre-altering books.

Why am I telling you all of this? Because EMBASSYTOWN (Amazon), the latest novel by China Miéville, is probably a strong 9.8 in my opinion. Easily my favorite of Miéville’s books since THE SCAR.
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I read about this book awhile ago. It was a story about a time machine repairman, who owns a non-existent dog. It also happens that his mom is stuck in a one-hour time loop, living the same Sunday dinner over and over and over. Also the protagonist’s (who just happens to be named Charles Yu just like the author) dad may have invented time travel. Oh, and Charles also killed his future self, so he’s wondering when his present will catch up to the past, where he gets shot. I read that premise and thought, wow, that sounds like a book full of great fun ideas. It looked like a fun book. I need to read that.
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I, like any decent purveyor of story critiques, am an author-hopeful. Once, about ten years ago and near the beginning of my writing “career”, I came up with the idea of evil monsters that could travel through shadows to get where they wanted. I thought at the time how creepy and cool something like that could be, and that I might actually use these shadow beasts in a story someday. That is, until a good friend of mine suggested that doing so might not be such a great idea because the bad guys could just wait until night time (or ANY time/place that it got dark) pop in on our heroes, slaughter the lot of them, and then take over the world. End of story. I’ve moved on since then. This novel felt like it hadn’t.
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Many people have strong feelings about Lev Grossman’s 2009 book THE MAGICIANS (Amazon). It’s inspired no small amount of passion—both for and against. For those of you who aren’t familiar with the book, it tells the tale of Quentin Coldwater, a young man who’s about as diehard of a Narnia fan as you can get. (Except of course Narnia isn’t actually Narnia. It’s called Fillory—but the parallels are too strong for there to be any doubt in the reader’s mind.) He’s a genius, extremely gifted, and kind of a major self-obsessed jerk. You know—like a lot of teenagers you know, except Quentin really is a genius. But he hates his life, and he wishes more than anything that Fillory were real, and that he lived there, instead.Read the rest of this review »

Gill, former Olympic track hopeful, ends her running career after a life-changing car accident as well as a relationship with her trainer-boyfriend. Julianna, world-famous sculptor, is on the verge of bankruptcy as the result of not having sold a single work for the last fifteen years. It’s at Julianna’s remote British estate where their stories merge. Gill rents the little cottage on the grounds with the intent to recover in some peace and quiet. At the same time Julianna is hosting a summer art school, and plans to muddle through somehow and keep the creditors at bay.

It’s during a stroll through Cairndonan Estate’s extensive grounds that Gill inadvertently walks into the Otherworld—and a man follows her out.
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Frederik Pohl’s GATEWAY (Amazon) is one of my favorite Science Fiction books from the Golden Years. I read it during a stint of trying to find out what made a good Science Fiction story. That was a tough row, let me tell you, but I definitely liked that book and remember it from all the rest. So, when I saw a new Pohl book pop up on our list of those available, I took on it—hoping that I’d find another instance of good Science Fiction.
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Ever since we started this lovely little blog we’ve found our horizons broadened. Out of necessity–and due to our unwavering commitment to be being completely awesome–we read a pretty much everything that is sent to us. If we had to point at one area where our appreciation has grown significantly, it would be with YA novels.

That brings us to Robison Wells and his first major novel, VARIANT (Amazon). It is completely awesome. Why? Because we said so.
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