Reviews :: Book Genre :: Horror :: Page 2

Horror is a genre that I really don’t feel like I’ve been able to fully sink my teeth into yet. I’m really a fantasy guy at heart, with a science-fed brain at the helm, and a soul that can’t help but love a good story. So while I don’t typically go out searching for new horror, I love coming across a new piece of horrific something that just hits my emotional buttons the right way. Of the several anthologies that we received via Ellen Datlow recently, this was the one I was initially most excited to read, even though I recognized the fewest number of names among the authorial inclusions. Someday I’m going to get my name (or pseudonym) in one of these things. Can’t wait for the day. Until then, I’m sure there’ll be a steady stream of them coming from the likes of Datlow and others. Each of them trying to lead its readers down a path that they might otherwise not necessarily want to visit, but are overwhelmingly compelled to, nonetheless. Some will succeed in fabulous fashion. Others, not so much. Depends on which buttons you like to have pushed and how hard. This anthology had a handful of those for me. Not as many as I might have liked, true. But enough that I really enjoyed what I found.
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I can still remember reading I AM NOT A SERIAL KILLER like it was just last week, though my rational brain tells me it was significantly longer ago than that. That book had a hook that hit me hard and deep. It was an easy setup to summarize, and so I told all my friends about it. Lots of them read it. Everyone liked it at first. About half of them decided they didn’t anymore when they found out it was a freaking “fantasy” book halfway through the thing. The other half, like me, crowed when the demon first made its appearance, and it was the appearance of that first demon that opened John Wayne Cleaver’s eyes to the wider world and what was out there. First one demon, and then another, and another, and soon he found out that there was a whole flock of them spread throughout the world. From that first view until now, I have loved every minute of this series and the story it’s brought me. But now the fear is finally setting in. The fear that this just might be the last time I get to ride this bike, and it’s scaring me half to death.
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There is a certain way that little old ladies look at you when they find you reading books with covers like this one. There were several times while reading the book, however, that not only did I catch some of those little-old-lady glances, but I caught myself looking at the book itself with what I imagine to be a very similar facial expression to those ladies. It’s been a while since I’ve come across quite so many great stories as those that have been contained in these horror anthologies compiled by Ellen Datlow. The best part is that I have one more of these beauties sitting on my shelf, waiting for me to sink my claws into it. And after this one, I can’t wait to do just that.
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From Amazon: “As a massive outbreak of supernatural Visitors baffles Scotland Yard and causes protests throughout London, Lockwood & Co. continue to demonstrate their effectiveness in exterminating spirits. Anthony Lockwood is dashing, George insightful, and Lucy dynamic, while the skull in the jar utters sardonic advice from the sidelines. There is a new spirit of openness in the team now that Lockwood has shared some of his childhood secrets, and Lucy is feeling more and more as if her true home is at Portland Row. It comes as a great shock, then, when Lockwood and George introduce her to an annoyingly perky and hyper-efficient new assistant, Holly Munro.

“Meanwhile, there are reports of many new hauntings, including a house where bloody footprints are appearing, and a department store full of strange sounds and shadowy figures. But ghosts seem to be the least of Lockwood & Co.’s concerns when assassins attack during a carnival in the center of the city.”

Yep. This series just gets better and better.
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I have a confession to make. Is there a booth around here somewhere? No? Dang. Okay, so here it is: I sometimes end up relying on EBR to let me know about upcoming books by authors that I love. I know. It’s horrible. Please don’t throw tomatoes though. I’m allergic. I’m having a difficult time even approaching the possibility that I might have missed the release of a John Cleaver book. But, WHAM!, up comes our Best-Of post, and I find John Cleaver book six sitting on the list of our own “2017’s Most Anticipated”. What happened to five? I wasn’t exactly okay with that situation. So, I bought it, read it, and now I get to review it. Because apparently the review fairy is being kind this year and left me a blank space on her dance card. And also, somehow, no one else got to it before me. Praise.
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Dolls can be creepy. We’ve been telling horror stories about dolls for ages. Usually, it’s only through the darkened glass of adulthood though that these constructions of plastic, wood, cloth, and porcelain become anything more than the facimilies of infantile life they represent. That’s why evil dolls and the innocent youngsters that tote them around so often find themselves brought together. Occasionally though, a story, or a doll, comes along that lacks these boundaries. Just ask my toddler-aged niece about the sunken-eyed “Scary Doll” that haunts the hallways of my own house. These are the kinds of stories that I expected going into this collection, based solely on the very creepy front cover of the book. And there were definitely some of those that I found within.
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Cherie Priest has written YA steampunk (BONESHAKER — EBR review), zombie fiction (MAPLECROFT — EBR review), historical horror (WINGS OF THE KINGDOM — Amazon), and Urban Fantasy (HELLBENT — Amazon). Now she takes on… the salvage business? I admit, I’m a fan of the TV show Salvage Dawgs, and it turns out Priest is, too, because of course people who tear down old houses for a living must run into ghosts now and again. This time, however, the salvage crew of Music City Salvage run into a poltergeist with a vendetta.

Dahlia is heading up this salvage operation for an old Victorian that’s slated to be demolished. When she arrives she sees a house that’s been neglected, but should be fixed back to its former glory. Unfortunately its owner can’t get rid of the house fast enough. Dahlia and her crew have a week to get their money’s worth out of the house, or else the family business may go under. The pressure is on Dahlia to get her cousin Bobby to cooperate despite his well-known laziness, Bobby’s son Gabe and new employee Brad up to speed in a kind of work they’re not used to.

It doesn’t help that not long after they arrive at the estate, they start seeing ghosts.
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Do you remember when the movie Wrath of the Titans came out? It was a sequel to a remake of Clash of the Titans, made back in ’81, which didn’t have a sequel. I remember seeing the trailer for Wrath that first time and having that moment of temporary disorientation–as if the world had just tilted on its end and sent my head spinning–thinking that this movie shouldn’t exist. The first one was a remake after all. I almost felt the exact same way when I saw this book in my lineup. Just hadn’t expected it, I guess. After taking a quick glance back at the first book though, I realized that there was the beginnings of a slightly-larger story that the author had been setting up, and so a sequel–nay, a TRILOGY!–actually made perfect sense. Now, if only we can get someone to make a third Titans movie…
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So, I totally picked this audiobook off the shelf because the cover totally caught my eye and the title latched me solid before I could move my eyes away. Absolutely couldn’t pass it up once I’d seen it, and I’m so glad that I read this one. Lots of potential in a title like that, don’t you think? Well, if you’re in for a little horror that is, and we’re usually game for that around here at EBR. And even though all of the stories weren’t exclusively about slasher girls and monster boys — there were, for instance, some slasher boys and some monster girls, heh heh — nearly all of the stories did a great job of staying true to the theme of the anthology.
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Matthew Corbett is missing. Following the events in the 5th Matthew Corbett novel, THE RIVER OF SOULS (EBR Review), our favorite problem-solver finds himself without memories of who he really is. So begins the 6th Matthew Corbett novel, FREEDOM OF THE MASK (Amazon).

Robert McCammon is in top form in this meaty novel. Yes, you heard that right. Meaty. As much as I loved the prior novel in the series, I felt like it was a quick adventure meant to set up the next several books in the series. A transitional novel. It was an excellent read, but with this 6th novel I hoped we would get something closer in scope to SPEAKS THE NIGHTBIRD (EBR Review) and THE QUEEN OF BEDLAM (Amazon). Turns out, this is exactly what we got.
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