Reviews :: Book Genre :: Fantasy :: Page 14

AMBERLOUGH is the kind of novel that makes you want to throw adjectives at it. Sleek! Provocative! Captivating! This is due in large part to Lara Elena Donnelly’s prose, which gives the alternate world setting an immediate and richly textured sense of place. AMBERLOUGH (Amazon) is a remarkably self-assured debut, as Donnelly carves an unique space for herself in the fantasy world.
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I find it somewhat unsettling how quickly I tend to look past the art associated with this annual anthology. Well, if I’m being truthful, I tend to naturally look past most of what is offered in these anthologies other than the stories from the winners. Because it’s those stories that most have the chance of speaking to my soul, as an aspiring author myself. And yet, this time around, I’ve made it a goal to give special attention to those “extras”. After all, it’s the winners of the “Illustrators of the Future” that will be penning the future covers that will catch my attention enough to get me to pick up books and give the first handful of written pages a chance at catching my mind afire. As well, it is the extra writings–the essays and sometimes stories from the judges of the contest–that represent what they admire and enjoy in fiction. There is indeed much more to this anthology than just a simple collection of stories by a bunch of newbie, but not always unskilled, writers of fantastical fiction.
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The book begins in 1821, when a small group of Romani (gypsies) are escaping immanent death by leaving France for England. And the only reason they escape is through the efforts of the group’s matriarch and the magic she’s inherited from her witch ancestresses. The Orchiére women have used their magic for hundreds of years, the magic following their daughters from generation to generation. A SECRET HISTORY OF WITCHES follows their genealogy from 1821 to World War II, showcasing a line of vibrant women connected tightly to their family’s past and future.
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One of my favorite things about reading a book is reaching that point where you just can’t put it down. It’s always magical to feel immersed in another world. Some books draw you in right away. Others can be a slow burn, but the wait feels worth it when you go from “I’m enjoying this book” to “talk to me in approximately 150 pages.” And then, there are the books that just never take off. Michael Johnston’s SOLERI (Amazon), despite its interesting premise, is one of those.
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Mark Lawrence is one of those authors that I’ve been chasing for a while. As in, I’ve been trying to convince my subconscious that I need to read his stuff. Ever since PRINCE OF THORNS came out, I’ve been telling myself, “That looks good. I should pick it up.” But for whatever reason, I never have. Regardless, I’ve always held him in high regard because of Steve’s opinion of not only Mark’s books, but the man himself. I actually bought PRINCE OF FOOLS about a year ago. Haven’t read it yet. But this year, I just took the leap. Because… well because I knew he’d be a good read and I had some Amazon credit and I just didn’t hesitate when the notion came to me this time. Actually got the sequel to it at the same time. Really looking forward to that read. Until then, we have this one. And it’s a pretty good read indeed.
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I hate to start a review by saying that a book was good because of what it did NOT contain, but when a YA novel does NOT contain handsome supernatural beings, sorting, life-or-death romantic longing, cancer, or shockingly young children being pressed into military service, I feel like that bears mentioning. In fact, I’m not sure I can remember the last time I read a YA novel in which not a single character was sorted into a color-coded societal group. ‘Sorting’ isn’t necessarily a bad thing; like any trope, the success depends on the author’s skill. Still, reading WEAVE A CIRCLE ROUND (Amazon) and not having to remember which ‘team’ anyone was on was… genuinely refreshing.
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It’s probably been fifteen years since I last read any Stephen Donaldson. It started with LORD FOUL’S BANE then the two sequels in that trilogy (which ultimately became 10 books) and, honestly, they weren’t my favorite. The main character was more anti-hero than I’d encountered before, and any reader could see that Tolkien had an influence on Donaldson’s worldbuilding. But Donaldson has a following, so I thought I’d try again with his most recent offering, SEVENTH DECIMATE, which as far as I could tell would be different than the series that introduced me to the author.

Turns out, my first impressions of Donaldson were only reinforced.
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Owen is your average Middle Schooler: he’s ok at sports, he passes his classes, and he has a couple friends. But when his mom leaves to work in Sumatra and dad takes him to live in Las Vegas, Owen is sure life will never be the same.

Even then, he didn’t account for finding the Codex Arcanum bookstore and buying SORCERY FOR BEGINNERS. Now his life is *really* going to change.

SORCERY FOR BEGINNERS claims it’s what the title says: that this book will teach you, via story and real-life examples, how to become a sorcerer. You’ll follow Owen’s story as he buys the book after being promised the “Spell to Rewrite History” which Owen plans to use to revert to the time before his mom left.
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I love a good series. From J.R.R. to George R.R., there’s a plethora of ways to enjoy the intricate plot and character development that occurs when you start counting pages not in the hundreds, but in the thousands. But sometimes I just… want to read a book? Singular?

Brandon Sanderson’s ELANTRIS is one of these rare standalone novels; rare in the sense that the genre, and Sanderson in particular, tends towards producing series. Not that I would complain if ELANTRIS became a series–I had a great time reading it and I would say that thirteen years after its initial publication the story is as fun and compelling as ever.

ELANTRIS (Amazon) begins with Princess Sarene of Teod sailing into the kingdom of Arelon only to discover that she is a widow. The man she was supposed to marry, Prince Raoden, has died, but her marriage contract stipulates that she is still his wife, whether or not she had the chance to meet him. Disappointed but not distraught, Sarene immediately begins puzzling out the political situation in Arelon.
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Cam is your typical teenager. She’s got friends, wonders how her awesome boyfriend could like such an awkward girl as her, and is frantically studying for her American History test. The only exception is that she’s a witch. However, it’s that extra complication that makes her high school years less than typical.

For example, most teenagers don’t have to deal with their mother disappearing during a coven meeting.
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