Reviews by Jane Funk

I am generally indifferent to superheroes. I actively dislike noir. Based purely on the title, this is a book I normally would have browsed past faster than a speeding bullet. It seems like a mash-up of superheroes and noir has the potential to be one big, self-important cliche.
Luckily, the EBR Fairy who sends you the books you’ve requested always includes a few surprises. And PINNACLE CITY:A SUPERHERO NOIR was a smart, entertaining surprise.
Edgar (Eddie) Enriquez is the epitome of a noir detective: addicted, cynical, and from the wrong side of the tracks. Despite all this, he’s still got a strong sense of right and wrong. Recruited by a supervillain at a young age, Eddie served time in prison and then tried to redeem himself by joining the army. He got out with a wounded shoulder and an implant that makes his super power even more useful. Eddie can see the history of anything he touches. Where the object was, who had it, what was happening nearby–and now […]Read the rest of this review »

First contact is the kind of experience that’s ripe for miscommunications and misinterpretations that can literally reshape the world.
From more traditional hard sci-fi stuff, like Clarke to Reynolds, to the more literary offerings of LeGuin or Russell (she wrote THE SPARROW), first contact is a recurring theme in speculative fiction.
While there’s a million different ways to parse and taxonomize this (sub) genre, you can trace a big divide between texts that explore first contact with aliens who share fundamental premises of existence with humans (in psychology, if not in size or number of eyes) and texts in which the aliens are really, really… alien (think “Story of Your Life” by Ted Chiang, which is portrayed in the movie Arrival).
David Wellington’s THE LAST ASTRONAUT belongs to the latter category. Let’s just say that there are no little green moon men here.
Sunny Stevens knows something that no one else does. There’s an object heading […]Read the rest of this review »

The clan is my blood, and the Pillar is its master.

That’s right folks. We’re back in the land of jade and honor and… business meetings!
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A MEMORY CALLED EMPIRE (Amazon) is full of political intrigue and deception and culture-shock and poetry, all of which is to say: I loved it. For fans of Ann Leckie, Arkady Martine’s debut novel has rich worldbuilding and a sympathetic narrator that will pull you into the galaxy-spanning Teixcalaan Empire.
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JADE CITY by Fonda Lee has been nominated (and won) a number of awards in the past year. I was interested to see if it lived up to the buzz and I am happy to report that it did.
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INTO THE DROWNING DEEP (Amazon) is the kind of book I would normally recommend as a beach read. First, I guess I should clarify that by beach read, I don’t mean trash. A good beach read is straightforward enough that you can pick it up and put it down whenever you need to take a dip in the water or reapply that sunscreen. Ideally, beach reads also have enough forward motion that I can while away the hours with ease. INTO THE DROWNING DEEP meets those criteria–it’s engaging and fun with a good dose of horror and an embrace of the absurd.

It’s also about killer mermaids.
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ZENITH (Amazon) opens on Androma Racella, aka Andy, aka The Bloody Baroness, flying free. She and her all-female crew are between jobs when they’re intercepted by Andy’s old flame, Dextro. Dex is a bounty hunter and Guardian (of the Galaxy… don’t sue me Marvel) who is working for General Cortas. Cortas is Andy’s old boss and the father of her best friend, whose death she feels responsible for.
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If you’re reading this review, the odds are good it’s because at some point you read a book with a dragon in it–and realized that most subjects could benefit from dragons, such as: endless political machinations, the Napoleonic Wars, and yes even tacos.

Everything’s better with dragons.

And now that list includes Russian history.

“The dragons were harrowing the provinces again. They did that whenever the Tsar was upset with the Jews.” Jane Yolen wasn’t planning on writing more dragon stories but when these lines popped into her head, the image of leathery wings in dark northern skies wouldn’t leave her. We should be grateful for the whims of creative fate because THE LAST TSAR’S DRAGONS (Amazon) is a well-written, clever novella that’s worth your time.
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Imagine you’re a chef and at your restaurant you only make one meal. It’s beautiful and satisfying and no one’s complaining about the plate of gorgeous food in front of them. In fact, you have plenty of repeat customers, because hey, a lot of people go to restaurants and order the same thing every time. Why venture into the unknown towards probable disappointment?

But no matter how great your one meal is, some of your customers are eventually going to wonder what the dessert menu might look like.

And that analogy is close to where I find myself as a Guy Gavriel Kay fan. I’ve been reading him for close to a decade now and I’m a completist (except his poems, haven’t read those). His books make me cry. They’re lovely and poetic and full of ordinary and extraordinary people alike trying to make good choices when the world doesn’t seem to give them any.

Even as a fan, I’m cognizant that his books tend towards a certain… sameness. He works with archetypes — the poet, the warrior, the artist, the lover, the priest — and continually revisits themes of fate and choice. He does it well, but while reading his latest offering I found myself wondering what else he has to offer.
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AMNESTY (Amazon) is the final book in the AMBERLOUGH DOSSIER and if you’ve read my earlier reviews for AMBERLOUGH (EBR Review) and ARMISTICE (EBR Review) you know that I love a good character driven, unrelentingly grim novel. If that isn’t your scene, I recommend browsing through some of our other reviews because AMNESTY follows closely in the same vein as the first two novels in the series both in attention to characters and level of grimness.
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