Posts from 2019

I have a thing for constancy. When I drive somewhere I usually take the same route. When I’m feeling down, I like to hit the used book store. Things I do on a regular basis are safe and known quantities. But I also have a thing for new stuff. Surfing YouTube for new music. Trying out some new kind of food. I may or may not really like to find new breakfast cereals, despite the fact that I know pretty much anything else would be better for me in the mornings. When it comes to books and stories, I also like to see new things. All the sequels that Disney puts out frequently annoy me. Although it seems as if Pixar can do no wrong. So when I come across a story that is a “re-telling of a classic fairy tale”, I’ll typically pass. For whatever reason, the third time I picked this book up off my EBR-TBR shelf, I decided that I’d read it. Must have been my “constancy” having a surge of strength that day or something. Whatever. I picked this one up, and boy am I glad that I did.
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Sometimes I think it surprising that a good cover quote by a published author can still sway my opinion on whether to read a given book or not. I mean, I’d like to think that EVERY cover quote would be legitimately honest and portray the full feelings of the one giving the quote, but there is this very pessimistic side of me that has been shoved into the advertisement and marketing niche for too long to believe that this is completely true. The cover quote on this book definitely caught my attention, and pushed the book to the front of my reading queue after I’d checked out the first couple pages and found it readable. To a limited extent, I can say that I agree with what the cover quote had to say. But I also felt like it was somewhat skewed to represent only one of the best aspects of the book and not the book as a whole. Which kind of goes back to my point. But I digress. There was plenty in this book to enjoy… and to be frustrated with.
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So I’m a little behind in getting to this anthology this year. Can’t say that I really have a good excuse for that. Just sat on my shelf for way too long, and then I noticed it a few weeks ago and decided that I had better stop passing it by in favor of other reads. Regardless of my overall impression of the stories this annual anthology contains, I always find it an informative read and well worth the time I put into it. Although, I admit, I have some strictly selfish reasons for feeling that way: I’m still trying to craft a winning entry. 🙂

The anthology included 12 stories this year. No Published Finalists. There were also a couple essays and a couple stories by those associated with the contest, and then the art for each of the winners. For me though, the important part was the stories. Want to know what I thought? Figured so.
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There’s a part of me that wonders if I’d have ever decided to pick up this book if I didn’t have a Twitter account. A few months ago, there was just this rash of people talking about it in my feed and gushing about how beautiful it was, or what a great book it was. So I decided I’d better see what all the hubbub was about. There are a couple other books like that in my to-read queue right now, but this was the one that took precedence because it was the first one I had free access to it. Got nothing but love for my local library.
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If you’re into books-about-books, A.J. Hackwith’s novel, THE LIBRARY OF THE UNWRITTEN (Amazon), explores the power of stories and imagination. If that sounds corny and sunshiny–DON’T PANIC. This novel is literally set in Hell; there’s plenty of stabby demons, and betrayals, and grumpy librarians who need more tea and less talking. While the overarching drive of the novel is a race between Hell and Heaven to solve a mystery, Hackwith’s characters and their interactions take center stage.
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Well, here I am again at the tail end of the reading experience for a book that has left me absolutely stymied. Sometimes it surprises me just how different my opinion can be from other readers, not just around the world, but from those in my own backyard as well. Finishing this book has brought me to the conclusion that I am completely oblivious when it comes to understanding the “literary” merit of a story. I just don’t get it. Like, at all. In fact, I think I can safely say that any literary aspects of a story come across as 100% transparent to me. Not only do I not understand them, I don’t even see them when I read a story. A Google search for the term “literary merit” currently brings up a 2017 article from Medium.com. It seems to do a fairly decent job of relaying the main ideas of what literary fiction is about. My take is that a literary story’s primary concern will be to try to relay a “theme” or “well-posed question” dealing with society or humanity… or something else equally boring and, for me, pointless. As such, they typically make lots of mistakes along the way when it comes to telling a story that is actually engaging and worth being told.
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Jessie, Caitlin, and Hala are a team. Not a team associated with a government or mercenary group; instead, they work for a secret organization known as Athena. With plenty of advanced tech and weapons training, their mission is to bring justice to women around the world.
While on a mission in Africa to free kidnapped schoolgirls, Jessie shoots a target instead of turning him over to the proper authorities. The resulting chaos exposes Athena to possible investigation and scrutiny and the trio of women who run Athena kick Jessie out. This is especially rough for Jessie because her mother is one of Athena’s leaders.
The main plot of Shamim Sarif’s THE ATHENA PROTOCOL focuses on what happens after Jessie’s expulsion from the group. With Jessie gone, the team will be one woman short as they travel to Belgrade, hoping to steal the evidence to stop Gregory Pavlic, a notorious human trafficker.
When Jessie uncovers information that Pavlic’s daughter, Paulina, has […]Read the rest of this review »

I’ve wondered for quite some time what a sophomore novel from Alastair Reynolds would read like. Seems like I’ve been a fan of his stuff for just about forever now. Coming back to this author and reading first, Revelation Space (his debut), and then this one, has been an effort that was completely worthwhile. Then, as I’m preparing for this review, I come to find out that this book is in fact not his sophomore novel, but the third novel that he published. Color me surprised. I figured with a debut novel being published in 2000 and the second in the series weighing in at over 550 pages and being published in 2002, that it was obviously his sophomore novel. So much for assumptions. Still, this is the second book in the main sequence dealing with the Inhibitors, and that was the book I went looking for this time around. Will have to go back and read Chasm City (another whopper of a book that was published in 2001 and set in the Revelation Space universe) sometime later. Until then.
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Mara Rutherford’s debut novel, CROWN OF CORAL AND PEARL (Amazon), follows twin sisters Nor and Zadie who have spent their entire lives being (literally) groomed to be the next queen of Ilara. Nor and Zadie’s mother is obsessed with ensuring one her daughters becomes queen, and after Nor scars her face on a blood coral, their mother turns all her efforts on Zadie.

When Zadie is indeed chosen to be the next queen, she defies everyone’s expectations and secretly injures herself, making it impossible for her to travel from the small island nation of Varenia to Ilara. The last time the Varenians sent ‘the wrong girl’, Ilara cut off supplies to Varenia for weeks. Desperate to avoid another reprisal, the village sends Nor masquerading as Zadie.
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It’s been too long since I read me some short stories. Only one other anthology in the last year, in fact. Yeesh. You’d think I’d been avoiding them purposefully, but that would definitely be incorrect. Anyone out there have a suggestion for some good short fiction I can get my hands on? Something in anthology form and not a collection, if possible (unless it’s really good). Anthologies just give you so much variety that I can’t help but be glad I read them — despite what overall rating I give them — because there’s usually at least a few good ones that will rise to the top. And then I have some good suggestions on new authors to go chase down.

I found out about this one because of an email submission from our contact form. Like, from here on the website. Yeah. See. It does happen. Not very often I’ll grant you. AND, as it happens, I have somewhat of a geographical connection to the anthology. Oh, AND I met Joe at another convention, and he was a cool guy. So there’s that stuff too. Sorry if I got anyone’s hopes up. Anyhow. Time for some shortness. You ready?
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