Reviews :: Book Rating :: Books We Love

Yumi and the nightmare painter is book 3 in Brandon Sanderson’s “Year of Sanderson” and like TRESS OF THE EMERALD SEA (EBR Review) it sometimes has a fairytale quality to it, with a mind-bending setting, magic that helps the people survive a harsh world, and characters you can’t help but love despite their flaws.
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The great thing about Martha Wells is that even if you don’t read anything about the book beforehand, you can be guaranteed it is something different and unusual. And in a good way. WITCH KING is one such book.
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If there are any core concepts more central to the genre of science fiction than mind-bending ideas, awe-inspiring vistas, and grand adventure, I don’t know what they are. In the relatively short time period since the fantasy genre has split from it, and stories written under its guise have taken us up and out into the cosmos, many authors have endeavored to fill the space with their version of the best kind of fiction. I may be biased, but in my view there is no better fiction than great science fiction. And Alastair Reynolds is writing some of the best science fiction there is.
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It’s not often I come across a modern book that’s been written from the 3rd-person omniscient viewpoint. Especially recently. For those of you not in the know, this means the story is told from an external perspective (like a god) that knows the thoughts and feelings of all characters, knows information that a given character doesn’t know but that you the reader should, and almost always employs the use of “head-jumping”.

There are very few instances where a book written in such a way will not turn me off very quickly. For me, an experiential reader, consuming a story from the viewpoint of one character, and then suddenly finding myself experiencing the story from the viewpoint of a different character, without some kind of obvious change in the narrative (a chapter end; a break in the text to denote a change of scene) is very disorienting and immediately off-putting.

Every once in a while though, a book written in this way will come along that doesn’t completely ruin the experience of the story for me. Almost invariably, this is because the story “sticks” to a single POV for the large majority of the time. I.e., minimal head-jumping. DUNE is one that immediately comes to mind, but that was written in another era completely.

I can’t think of any others. Though, I might be guilty of having some selective cognition here.

The point is that this book is a second that succeeded for me where others have failed.
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I feel like I owe Gareth Hanrahan an apology. I mean, that review I put up for his most recent book– Yeah. Not exactly the brightest shining star in the firmament. Not that I’m going to apologize for my opinion on it. Nope. Just that I ended up leaving it at the top of our site for the past two weeks. Totally meant to get this review up more quickly than I did to hopefully overshadow some of the negativity I’d left hanging around. Because, I think this guy has a stellar imagination and knows his stuff, and up until that most recent book I’ve thought that everything I’d read from him was pretty impressive. So, even though my review for this book will absolutely be spot-on as to what I thought about it in particular (no apologies, remember?), hopefully it’ll also help to wash away any lingering bad taste left in our reader’s mouths with regard to his stuff in general.

Because, MAN, this one was abso-freaking-awesome-tastic and you really need to read it (and the rest of the series, if you haven’t) right now.
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I mentioned in a previous review (HERE) that after thoroughly enjoying a short story by Patricia Briggs in that anthology, I was going to load myself up with her books and just read, read, read. Found a bundle of the first six in this series. Go me. Helps that we don’t have reviews up for the first four. Also chatted with V a little bit about it before writing up this review. Apparently she’d reviewed it a while ago (in her early years of doing so on another, now dead, site), and she was kind enough to send me a copy of it. So, this review will be somewhat of an amalgam of both our thoughts on the matter. But regardless, you should know that we both absolutely loved this thing.
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In THE LAST GRADUATE, our hero El and the students from the Scholomance have all survived graduation–except one. I know this is a spoiler, but you had better not come here without having read book 2, because I literally cannot talk about this book without giving spoilers. So go read it. Now. It’s totally worth it.
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We’re long-standing proponents of the Self-Published Fantasy Blog-Off (EBR Archive) here at EBR. Even though we haven’t thrown our hat into the reviewer-ring in quite some time, we still believe in both the importance and efficacy of that contest, and have nothing but great things to say about it and those who continue to run it. Thankfully, there are those who believe that Science Fiction authors should also have those same kind of opportunities (Hugh Howey). Enter The Self-Published Science Fiction Competition (SPSFC).

This book happens to be the winner of the first year of that contest.

And also? It’s awesome.
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In A DEADLY EDUCATION, we met Galadriel–better known as El–our heroine with an affinity for destructive magic. As a young witch, she’s a senior attending the Scholomance, a school of magic that is meant to prepare children for a world of deadly monsters. Unfortunately, over the years, the deadly monsters have decided that the Scholomance is the best hunting ground for tasty snacks (i.e.: the students). El, along with her allies and newfound friend Orion, have decided that this is the last year of the Scholomance and make a plan so over-the-top only El could have come up with it: make it so everyone can graduate. And they mean everyone.
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So, it’s been a minute since I’ve sat down to write a review for EBR, and to be honest, it’s proving to be every bit as difficult as I thought it would be. No, that’s a lie. It’s worse. I’ve written and re-written this opening paragraph so many times now I’ve lost count, and every time my fingers stop moving, I want to get up and walk away.

Not because I don’t want to write this review. Yeesh, no. I’m so ridiculously excited for Steve and what this book portends for his career as an author. He’s been banging on the wall of publication for a long time now and has found some limited success thus far. To see him succeed like this now, absolutely means the world to me. The very fact that I’m here in my computer chair, banging on this keyboard, once more in search of the right words to use, instead of deciding again to put it all off, should identify to most of our readers just *how* important this is to me. I can’t begin to comprehend exactly how I’ve found my way to this place, where it’s dark and heavy and frustratingly hard to participate in an activity that is so near and dear to my heart. But I’m here and have yet to find my way out.

So, maybe this will be the hit that knocks me loose. Maybe this is the one that rattles me from my paralysis. Regardless, I’m here to get this done. Because Steve’s my friend, and he deserves the best I can give.

And this book is really good too. 🙂
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