Reviews :: Book Rating :: Books that are Mediocre :: Page 3

I’ve had something on my mind the last couple of months. It’s easy, as a reviewer, to dole out ratings for books. Saying this one is good, and this one is bad, and this one was just kinda meh. It’s also frequently easy to fall into the trap of thinking that every book that is published should be the “best book that it can be”. I’m also an engineer though, and so the old saying that, “If you want to finish the project, you’re going to have to kill the engineer” (meaning that the engineer will keep working on a project for forever until it’s perfect) floats around in my mess of a brain too. I think this has produced somewhat of a scarcity mentality in my head though. Because, honestly, there is a huge market out there for stories that I’m going to think are perfectly mediocre. That don’t ring any of my bells or wave any flags — even lots that don’t ring bells or wave flags for anybody — because some people just like to read something that makes them forget for a time. They don’t even want to think about it very hard. Just read. Now, I’m not exactly one of those kind of people. I expect goodness when I sit down to read. This likely stems from the fact that I read as much as I do, I’m always wanting to read more, and I never feel like I have enough time for it. Which means I don’t like finding anything mediocre about what I’m ingesting. Still, there’s obviously a market for stories like that, and I think this is one of those.
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So, it’s been a while since we’ve had a book like this from Abercrombie. Real quick US publication timeline for those of you that aren’t immediately aware: 3 years since Sharp Ends (last short stories), 4 years since Half a War (last YA), 7 years since Red Country (last stand-alone), and 11 years since The Last Argument of Kings (last series book). Thus, I’d be painting the canvas pretty thin indeed if I were to say, for instance, that I was stupid-excited to finally read this thing. I won a contest over at Pat’s Fantasy Hotlist back in the day and inherited all three books of the original First Law trilogy, published by Pyr. Was the beginning of my first love affair with the works of Abercrombie. Guy just knows how to do story right, and I was hoping that he’d continue that trend. His response was a little bit “Yes”… and a little bit “No”.
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A few months ago I hit up a small fantasy and science fiction convention just north of me. The guests of honor were Jim Butcher and Laurell K. Hamilton. Was loads of fun to see both of them. Jim was hilarious and engaging, with a head of long blue hair, and was so much more of a nerd (to my delight) than I figured he’d be. Laurell was calm and collected, had load of insightful comments, and was way shorter than I thought she’d be. Course, I’m no slouch in that department. So, it’s all relative. In the main, I was very impressed by both of them. I came away from that con feeling energized and happy that I’d gone. Near the end, Laurell made a plea in one of her panels for all of us to write reviews of every book we read. They did more good for authors than we realized, she said. Now, granted. The Anita Blake series probably didn’t need another book review done for it. There are plenty enough as it is. But this whole EBR gig is a pretty big part of who I am, and so I went away from that con with the determination to give her a book review. So here it is.
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Do you know what the biggest problem is for an author trying to write a novel about kids that are caught in the middle of very dangerous events? Parents. Well, adults in general. How do you keep the grown-ups from coming in and hijacking the story completely while still making it all believable. I have a difficult time believing that any story that is told expressly about kids has a more important question to answer. This was a very interesting novel to read, given that perspective. Because on the one hand, this story totally has adults “dealing with the important stuff”, but on the other hand, there are also several adults that are more than willing to throw children into deadly situations, shrug their shoulders, and say, “If they live, they live. If they don’t, they don’t.” Was an interesting dichotomy to try and swallow, and not the only one I found in this read.
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I think there are a lot of readers these days that are “coming to an awareness” of the fact that there are considerably more books written by people that belong to neither the male half nor the white portion of the world’s population. Whether they’ve come to that realization by dint of the more vocal portion of the reader/authorship populace, or just because of their own level of self-awareness, I think that it’s by-and-large a good thing. At least, if they decide to do anything about it. I’ve always been one to share my opinion that I’m a staunch supporter of this widening of our story-source base. At the same time, however, I do my best to never pull any punches expressly because of who the author of a book is or what they’ve decided to write about. If a story is good, I’ll crow about it. If I feel like it let me down, I’m going to say so. And why. I am trying to review these things, after all, right?

This book is the first of my concerted efforts to make sure that the books I choose to read are “diverse” enough. Prior to this point, I just plainly never paid attention. I read what I was given. Granted, there were definitely times when I steered away from cliched-sounding YA or those that looked like they were going to be primarily romantic in nature, but that was about the extent of my filtering. The decision to diversify my reading choices will by no means keep me from passing by a book that just doesn’t sound interesting, regardless of who wrote the thing. It will, however, encourage me to make sure that I’m looking for options that will widen my view of what is currently being written in today’s publication sphere. I know there are going to be some of our readers that will groan at this, and some that crow. I hope to be able to both disappoint and please all of you in turns and become better overall as a result. Wish me luck.
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ZENITH (Amazon) opens on Androma Racella, aka Andy, aka The Bloody Baroness, flying free. She and her all-female crew are between jobs when they’re intercepted by Andy’s old flame, Dextro. Dex is a bounty hunter and Guardian (of the Galaxy… don’t sue me Marvel) who is working for General Cortas. Cortas is Andy’s old boss and the father of her best friend, whose death she feels responsible for.
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So I recently read on social media (that salacious den of way-too-accurate ads and oodles of wasted time), that Simon Pegg and Nick Frost had optioned a book series called Rivers of London by some bloke named Ben Aaronovitch (Official Announcement) for a movie. I’ve absolutely loved all of the movies from Pegg and Frost that I’ve seen, and as the book was listed as being “urban fantasy”, I thought it worth a few ticks of my progressively aging ticker.
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Betsy Dornbusch’s writing in THE SILVER SCAR (Amazon) is spare and lean, which gives the novel an immediacy that works in concert with her grim vision of a post-apocalyptic Colorado. While the book builds steadily, the beginning was rocky enough that I had a hard time getting into it and I bumped it down a ratings category or two.
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So, despite what Goodreads might seem to imply, this isn’t the third book in any kind of connected series. It’s a single novel that may or may not be the first in a series, and that might be in the same loosely bound universe as other books that the author has written. But that’s about it. I spent the entirety of my time listening to this one believing that this was the third book in a series and wondering what story might have been told in the first two books. It’s not written like the follow-on to any kind of other story.

Now I guess I know better than to blithely accept the information I’m given on Goodreads.

This is also another one of those books that doesn’t look like it’s going to get a dead-tree release any time soon, if at all. <<sideways glance>> I just don’t get that. Part of the book market, I guess, that doesn’t include me. Still, I was more than happy to give the thing a listen, as I had a hole in my audiobook schedule.
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THE ANTIDOTE (Amazon) by Shelley Sackier reads like a fairytale–and not one that the Brothers Grimm recorded; there is no real peril here in Sackier’s stage-set world building. With a lively protagonist and a plenty of twists, THE ANTIDOTE should be a bubbly little read, but a fumble on some story fundamentals makes it more frustrating than fun.
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