Reviews :: Book Genre :: Fantasy :: Page 46

The first thing you should know about William Hawthorne (aka Will) is that he’s an actor. He’s unabashedly self-serving, considers himself more clever and charming than he is, and profoundly enjoys his creature comforts.

Unfortunately, those character traits get him into trouble more often than not.
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I actually finished reading this book quite a while ago and have been trying to think of how I would review it. Is it a good book? Of course it is. It’s written by Catherynne M. Valente, and I’m convinced now that she has some sort of magical pen that turns everything she writes into gold (and if she doesn’t use a pen then it must be a magical computer. Wish I knew where to get one like it). Does it contain beautiful writing, weird and wonderful characters and imagery that makes you weep it’s so gorgeous? Yes and for the same reasons as above. Yet still I’m not sure how to talk about it.

So let’s just dive right in, shall we?
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Atticus O’Sullivan is older than he looks. By about two millennia. But that hasn’t stopped him from trying to lead a normal life in Tempe Arizona.

Unfortunately, when a human has lived for 2000+ years one is bound to make some enemies, and his archenemy is none other than the Celtic god of love, Aenghus Óg. For a god of love he’s actually a pretty nasty guy.

A while back—a long while back—Attitus got his hands on the magical sword Fragarach from one of Aenghus’ military generals. The god has been trying to get it back ever since; he’s been sending his minions to do his dirty work, and Atticus has been doing a pretty good job avoiding trouble. But now Aenghus is finally coming to finish the job himself.
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She’s a “shoot first and ask questions later” half-vampire with assassin skills, trust issues, and who must learn the magic inherited from her mage father in order to unite the dark races.

/yawn

If you’ve read your share of chick urban fantasy, THE MAGE IN BLACK (Amazon) is more of the same. Unfortunately, it’s not even average more of the same. Perhaps I should start with what it has going for it: straightforward storytelling and fast-paced action. What it doesn’t have going for it? Everything else.
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The 2011 Hugo Nominated Short Stories

Short stories are interesting beasts. They are extremely subjective—even more so than novels. For the sake of reviewing the Hugo Nominated Short stories, Steve & Shawn gave them a read. Enjoy!
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You ever had a bad Snickers bar? I’m not talking about one that’s obviously bad–with flaky, grey chocolate crumbling from the edges because of how old it is. I’m talking about a Snickers bar that looks just like every other one, but when you bite into it you nearly get sick right there because of how bad the peanuts are. Bitter, and pasty, and just…yeah. Those peanuts not only ruin the rest of the sugary goodness of the bar, but they stick in your craw and affect everything you eat for a long time afterward. This book was kinda like one of those.
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When it comes down to it, I picked up this book based on the cover. I do that more frequently than one would think, and of course the results vary. Bradley P. Beaulieu’s debut novel, THE WINDS OF KHALAKOVO (Amazon), has a lot going for it. But it also has some factors that, for me, hurt the overall experience.

What is KHALAKOVO about? The story mostly revolves around Prince Nikandr Khalakovo as he prepares for an arranged marriage, attempts to overcome a terminal wasting disease, and also endeavors to solve a series of mysteries that are causing ever increasing hostilities with other factions. And then readers are introduced to an autistic child, Nasim, who could potentially solve everything, or destroy everything instead.
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Garet James is different, but she doesn’t know it. She leads a pretty normal life for a mid-twenties New Yorker: runs her elderly father’s gallery, has made a decent business for herself from making jewelry, hangs out with her friends.

Until she finds out that the debts on her father’s gallery are suddenly due and she doesn’t know how they’ll ever repay them in the current economic crisis. On the way home from the lawyer’s, she wanders into an antiques shop to ask for directions, and the mysterious owner asks her to help him open a sealed silver box using her talents. How could she refuse his generous monetary compensation?
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Adrian Tchaikovsky is gold! Gold, we say! We have stated over and over in our reviews that one of the main things we look for in a series is growth. Growth in the story, growth in the characters, and especially growth in the author. The instant we began reading Tchaikovsky’s work we were hooked. Sure, EMPIRE IN BLACK AND GOLD had some problems–what authors don’t have problems in their first novel? But even with those problems, EMPIRE was awesome. With each novel he got better. The problems slowly vanished. The characters in the series matured. The setting, somehow, got infinitely better. It got to the point where we were mentioning Tchaikovsky in the same breath as our favorite authors.
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It isn’t often that we’re completely taken by surprise by how deep the scope of a series is. After finally getting around to reading Alan Campbell’s SCAR NIGHT (EBR Review), we were left feeling complete and satisfied. The novel was fantastic, and it had a strong and definitive-feeling ending. In short, we had no idea where Campbell was going next with the story.

Just a few pages of IRON ANGEL (Amazon) will have you–as with us–saying, “Holy crap… so THAT’S where this is going.” The scope will throw you for a minute, and then you will begin devouring the pages of the novel that has raised the stakes and the bar significantly higher.
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