Reviews by Writer Dan

There are times that I grow tired of all the profanity and sexual content in books these days. I might have added violence here as well, but there is a part of me that realizes I’ve become fairly inured to it over the years, and as Dave Matthews has said, “I’m still a boy,” and boys do love to see a fight. 🙂 Still, it makes me happy to find a great book that avoids all the potentially offensive content. Now, up front, you should probably understand that this is definitely NOT one of those books. Yeesh no. Not by a long shot. But it was a story that made me think about the concept, because there was just so dang much of it. Now, I know many of you will likely be crying foul right now amidst references to all my “Books We Loved” reviews by authors like Joe Abercrombie and Sam Sykes. What I need to emphasize though is that in those cases it is the author’s ability to tell great story with great characters that I love, and rest of everything only plays second fiddle in comparison. But sometimes, one or two of those second fiddles can become kinda loud.
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So I’ve been sitting on my hands for the last five months, fairly disgruntled, that I didn’t have this story in my hands yet, because it was published in the UK last September and as part of that cycle, released in ebook/Kindle format. I’m pretty much a hard-copy only kind of guy. I don’t buy eBooks. I’ll read them. I just don’t buy them, because I so love seeing all of those bound blocks of paper sitting on my bookshelves at home. As Tracy Hickman refers to them (per my sometimes sketchy memory), the “physical reminders of the experience we found within them”. I guess I always have the option of importing hard copies, but that can get expensive fast, and for the most part I end up just shaking my head and dealing with it. Regardless, it’s always nice to get a new Alastair Reynolds book.
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I have a confession to make. Is there a booth around here somewhere? No? Dang. Okay, so here it is: I sometimes end up relying on EBR to let me know about upcoming books by authors that I love. I know. It’s horrible. Please don’t throw tomatoes though. I’m allergic. I’m having a difficult time even approaching the possibility that I might have missed the release of a John Cleaver book. But, WHAM!, up comes our Best-Of post, and I find John Cleaver book six sitting on the list of our own “2017’s Most Anticipated”. What happened to five? I wasn’t exactly okay with that situation. So, I bought it, read it, and now I get to review it. Because apparently the review fairy is being kind this year and left me a blank space on her dance card. And also, somehow, no one else got to it before me. Praise.
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Endings are always tough when it comes to book series. For readers, for authors, and quite usually for the characters as well. They’re the showdown, the climax of everything written thus far, the point where we as readers have to say goodbye. For many, the ending is the part of the book, or series, that will determine whether you like or hate it, despite everything that has led you as a reader to the point. I’m more in the camp of “joy in the journey” than “how-does-it-end”. So, a great read that has a decent ending gets higher marks than a ho-hum read with a brilliant ending. It’s really nice though when I don’t have to make that distinction; when I get to read something that was a great series, had a great last book, and a great ending.
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If you haven’t at least heard about this series by now, it’s likely that you’re not a fan of science fiction. If you’re looking to be a fan, this is a great series to start with as it is, in my not-so-humble opinion, one of the best Science Fiction series being written today. The writing duo of Daniel Abraham and Ty Franck have been doing a bang up job of it, and this book has FINALLY arrived. I include the emphasis here only because it feels like I’ve been waiting for this book for so long, and nothing to do with the book being delayed. The authors have been doing a great job of keeping these books coming on a regular schedule, and I can do nothing but applaud the work they’ve done so far. That being said, it did feel like a long time since book five, and I know that has to be because of the zinger of a hit the story took, when the Free Navy finally brought their war from out of the shadows.
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For the last few weeks I’ve been binge listening to the new Metallica album after finishing my last audio book. In amongst the new brilliance from this, one of my favorite bands, is a song called Dream No More that’s all about Cthulhu awakening from the deeps in which he resides. So, when I got this next book in the mail and checked out the Acknowledgements page that included a shout out to Lovecraft and the necessity of his Mythos to this book, it felt like I was already on board, strapped into my seat, and yanking on the whistle chain. Just couldn’t wait to grab it and go, go, go.
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I’ve been hearing about this book for a long time from a few friends of mine, and so it has been on my TBR list for a while now, but I have to admit it wasn’t ranked very high. And then, lo and behold, I get notification that they’ve made an audio book out of the thing and I’m getting a free copy in the mail for my listening pleasure as long as I’ll post an honest review of it afterward and then pass the copy on to my local library. As my father always says, “Such a deal!” Once I got the thing though, I found I was in for a bit more than I’d expected, for the copy of the audiobook I received was 44 CDs long. Guess I hadn’t realized just how long the book was (despite the fact that I have a paperback copy sitting on my shelves at home). And the recording wasn’t just an “audio book”. It’s “dramatized”, which I haven’t seen a lot of in the past. The recording included the talent of 65 voice actors performing almost 200 individual characters and included more than 150,000 different sound effects. Pretty impressive, eh?
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Dolls can be creepy. We’ve been telling horror stories about dolls for ages. Usually, it’s only through the darkened glass of adulthood though that these constructions of plastic, wood, cloth, and porcelain become anything more than the facimilies of infantile life they represent. That’s why evil dolls and the innocent youngsters that tote them around so often find themselves brought together. Occasionally though, a story, or a doll, comes along that lacks these boundaries. Just ask my toddler-aged niece about the sunken-eyed “Scary Doll” that haunts the hallways of my own house. These are the kinds of stories that I expected going into this collection, based solely on the very creepy front cover of the book. And there were definitely some of those that I found within.
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I’ve had this book for a long time. Like, a long time. Completely my fault. Well, more appropriately my bias’s fault, because the quick-uptake I did of the book when I first got it revealed that it was science fiction. So, it got shelved until just recently, in favor of other books that I thought I’d likely enjoy more. Now, after finally picking it up off the shelf and reading the thing, I’m feeling REALLY bad that it took so long because this is a great book.
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Hey, how’s it going, Barbara? Sorry it’s been a while since you sent us this novel, and I’m only now getting to a response for you. Life, as they say, has a away; what with SPFBO-round-twos, vacations to Hawai’i, and other such takers of precious time. Anyhow, thought I’d drop you a line because I was really quite excited to read the next story in your Dying World series. Hope this format is okay as well. I know you might get the feeling that a few others are reading over your shoulder, and you’re totally right. They are. 🙂 But you should be used to that by now, what with having so many of your stories out in the wild. So, here you go.
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