Posts from 2012 :: Page 5

I love reading short fiction by my favorite novelists. There is a nice sense of focus in these works, and they serve as a refreshing change of pace and scope while usually maintaining the integrity of that author’s writing ability. See, I really like Brandon Sanderson‘s work. But sometimes I just don’t want to read a 1000 page Stormlight Archive novel.

LEGION (Amazon) is a novella by Brandon Sanderson, published by the fantastic Subterranean Press. This novella follows Stephen Leeds–or Mr Legion as he is sometimes called–a man with a unique condition. Leeds has multiple personalities, but this just isn’t a normal case of a man who hallucinates. His hallucinations live with him in his massive mansion. Each of these aspects help Leeds by offering their own specialized skill sets, and Leeds uses these skills as a consultant of sorts.

You see, Leeds is a genius, and those aspects help him channel it.
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Carrie Vaughn‘s first love was the short story, having published more than 50 in various Science Fiction and Fantasy publications over the years. Today she’s best known for her Kitty Norville series, but KITTY’S GREATEST HITS (Amazon) represents Vaughn’s considerable talents with shorter fiction. This is a compilation of mostly previously published works, and a few new pieces.
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I have an awesome boss.  Well, all of us are pretty cool here at EBR, but Mr. Steve is a class act.  He’s smart, he’s debonaire, he’s… what’s that? Why all the sycophantic flattery?  It doesn’t even sound like I’m talking to you? Dang. Well, here’s the thing.  You might have noticed the title of this book review already, and maybe even more than that you might remember the fact that Mr. Steve was going to have another short story in this anthology. Yeah. Well, his story rocked, but… um… wow, I better just get into it.
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I don’t often read outside of my comfort zone. I love Science Fiction and I love Fantasy and not much else holds my interest. Every once and a while though I’ll take a risk and venture outside my safety bubble. GONE GIRL by Gillian Flynn (Amazon) was recommended to me with infectious enthusiasm. It wasn’t my usual cup of tea, but the premise was perplexing and so I decided to give it a shot. WOW, I am so glad I did not let this one pass me by.

On the morning of Amy Dunne’s fifth wedding anniversary she goes missing. As the investigation gets rolling evidence leads the police and the public to suspect the obvious: it’s always the husband. There is more to the story than Nick Dunne will let on but does that necessarily mean he is to blame for the disappearance of his wife?
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After the Great Khan’s death his heirs fought over his empire, wiping out entire armies. A grandson of the Khan, Temur is left for dead on the battlefield and miraculously survives to join the refugees fleeing the Steppes. But in order to avoid notice by an enemy that would kill him, he hides his identity.

Samarkar, former princess and now a widow, is close to completing her training to become a wizard. But despite great sacrifice, there’s no guarantee that she will actually be able to wield magic at all.

The necromancer al-Sepehr is aiding Temur’s cousin to re-conquer the Khaganate, and he will do anything to win, even raise the dead to fight the living.
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Once I’d finally managed to get past my irrational dislike of anything with hype attached to it, I gave Mark Lawrence‘s THE PRINCE OF THORNS (EBR Review) a read. You may remember from that review that I was completely and utterly blown away. It was just soooooo good. Then the sequel, THE KING OF THORNS (Amazon) showed up in my mail box.

I may, or may not have wept from the joy I felt. Then I may, or may not have babbled excitedly at my wife while thrusting the book in her face. She may or may not have wondered why she married me.
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THIEFTAKER by D.B. Jackson (Amazon) is one of those books that leaves me with confused impressions. This novel has a lot going for it–Urban Fantasy in  a historical setting, a fun protagonist, a mystery, magic…you get the drift. There is some great potential here. But there are some things that are juuuust off.

The best way for me to describe my feelings to to go at it like I would when I read people’s manuscripts for the purpose of feedback.
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Thank you, oh thank you Literary Gods! I was terrified that BLOOD AND FEATHERS by Lou Morgan (Amazon) would turn out to be Twilight with angels standing in for vampires. Why read on with the threat of a sparkly-vampire guillotine hanging over my head? Well in case you hadn’t noticed I have become a big fan of Solaris Books. So far this is a publisher that has done little to steer me wrong. Oh and there is a quote by EBR favorite, Sarah Pinborough that goes a little like this…

“Dark, enticing and so sharp the pages could cut you, Blood and Feathers is a must-read for any fan of the genre.”
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Where are the great Science Fiction series? It seems like there are dozens of fantasy series out there. A new fantasy book doesn’t come out that isn’t part of a series. It’s actually getting the fantasy authors to finish their series that’s the problem now a days. But Science Fiction? Where are the series? You could make a case for a few. John Scalzi has written at least four books in his Old Man’s War universe–depending on how you count THE SAGAN DIARY (Amazon) and QUESTIONS FOR A SOLDIER (Amazon). Robert Charles Wilson just last year wrote the last book in his Spin “trilogy”. But neither of them was a series. A book would come out and it would be a self-contained story written in the same universe. Neither were set up from the beginning to be a small part of something larger.

Good thing we have The Expanse.
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Christine is a princess of the magical world of Chrysanthe, but at the age of four was kidnapped and taken where she couldn’t be found. With no real memory of her former life, she’s dismayed at the appearance of Quentin, a knight of Chrysanthe come to take her home. Should she trust this man with a familiar voice? Because her “guardian” will not let her go easily…

The prose in CHRYSANTHE (Amazon) has a lyrical quality with some lovely imagery, and Yves Meynard clearly wanted to write the best he knows how. Every word, sentence, and image is carefully crafted.  He creates setting elements with imagination, taking old cliches and breathing new life into them. Meynard is very precise in the forward movement of plot and storytelling, placing foreshadowing with subtlety.

Unfortunately, he could have chosen a more interesting story to tell.
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