ELITIST BOOK REVIEWS

As with my previous review, the decision to finally read this novel came as a result of consuming media outside of the book realm. Prior to now, I hadn’t picked this book up because of the complete underwhelming Richard K. Morgan had given me in previous books. Granted, most of his stuff that I’d read was in the fantasy genre. Although I have also read THIRTEEN, but that didn’t really ruffle my feathers either. Still, the trailer for the series that Netflix recently did just looked AMAZING. Grabbed me and would not let go. And wouldn’t you know it, about that same time the book came up in my audiobook queue at the library as available and I just couldn’t help myself. Turns out, I probably should have listened to myself and/or watched the show instead.
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I was telling a friend about this book and the first thing that came out of my mouth was “I learned a lot about fungus.” Don’t worry! There are plenty of other fun things to recommend this book, such as NSA code breaking and creepy assassinations, but Walton has found an interesting hook and then amplified it until you will willingly read an entire book about fungus taking over people’s brains. Really.
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I love a good series. From J.R.R. to George R.R., there’s a plethora of ways to enjoy the intricate plot and character development that occurs when you start counting pages not in the hundreds, but in the thousands. But sometimes I just… want to read a book? Singular?

Brandon Sanderson’s ELANTRIS is one of these rare standalone novels; rare in the sense that the genre, and Sanderson in particular, tends towards producing series. Not that I would complain if ELANTRIS became a series–I had a great time reading it and I would say that thirteen years after its initial publication the story is as fun and compelling as ever.

ELANTRIS (Amazon) begins with Princess Sarene of Teod sailing into the kingdom of Arelon only to discover that she is a widow. The man she was supposed to marry, Prince Raoden, has died, but her marriage contract stipulates that she is still his wife, whether or not she had the chance to meet him. Disappointed but not distraught, Sarene immediately begins puzzling out the political situation in Arelon.
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A timeless classic is a term that should be uttered rarely. Timeless implies you could pick it up today, read it in ten years, and still come away with a new perspective, a new rage at a book that challenges you politically, socially, and spiritually. DUNE, the grandfather of modern science-fantasy, in my opinion, of course, is the black sheep of the pulp Science Fiction family that ran away from a raygun shooting, fish bowl shaped, space helmet wearing universe of tomorrow. Instead, it is a morality play in line with Shakespeare, a political examination of tyranny, prophecy, good intentions, and how a tiny, insignificant planet holds the real-politik resource to create or destroy galactic dynasties with a simple drop of an atomic bomb. Even if its vision of the future is a wrong-way mirror compared to the projections of today, it cannot be overstated how vital, how genre-changing it was to the language, the imagery, and the soul of Science Fiction. DUNE deserves all its accolades both in terms of story, theme, character, and its sprawling, fully realized false future that never came to be.

DUNE (Amazon), the first in a long series of novels by Frank Herbert, tells the story of humanity millennia in the future. Certain technology is suspect, due to dark atrocities brought about by atomics (atomic bombs and other atomic-powered technology) and robotic uprisings, in the vein of contemporaries like Arthur C. Clarke. The universe is ruled by a galactic emperor who divides planets into the stewardship of noble houses. Within this viper’s nest of nobles clashing against each other, there are monastic orders like the Bene Gesserit, an all female order of psionically gifted matrons manipulating a genetic conspiracy for millennia, who vie for influence and control within the Galactic Padishah Empire.
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I remember picking up GOLDEN SON for the first time and being surprised at where the author started the story. RED RISING had finished in such a way that, given the thousands of other books I’d read, I fully expected GOLDEN SON to be about Battle School. If any other author had written it, that book just might have been about Battle School instead of starting at the end of those two vicious years of Darrow’s training. And that single fact made not only that book, but the entire series, rise up above so many of those others and give a mighty shout that it would be heard. Thus, it was no surprise to me to learn that after writing three solid books about Darrow’s rise to power, that Mr. Brown should choose to begin the next book in his series after ten years of hard-fought war later. Ten. Years. From what I can tell, Pierce Brown is not only asking himself “What is the next story in this world that I could tell?” when he sits down to write the next book, but “What is the most brilliant next story in this world that I could tell?”. And people, when an author does that for their readers — when he goes all out to deliver a knockout punch every single time — THAT is the kind of author that you want to pay attention to. THAT is the kind of author that you want to give you money to. Because THAT author deserves his coveted title. The title of “Favorite Author”.
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I first learned the term “bottle episode” while watching “Community” (thank you, Abed). One episode of Season 2 takes place entirely in a locked room as the characters search for a missing pen. While the premise is absurd, trapping everyone in the same room allows for hilarity, as well as serious revelations about their relationships, to ensue. Not only are ‘bottle episodes’ cheap to shoot, relying on one set instead of several, they are also light on plot, allowing writers to spend more time focusing on character development. In his newest addition to the Enderverse, CHILDREN OF THE FLEET, Card immerses his readers once again in a world of precocious children, absent but watchful adults, and a life or death mission. While it’s not exactly a bottle episode, Card’s narrative shares a similar intense focus on depth, not breadth. By limiting himself to a relatively simple plot and using the already familiar setting of Battle Fleet School, Card can fully explore the emotional journey of Dabeet Ochoa.

Set in the aftermath of Ender’s victory in the Third Formic war, CHILDREN OF THE FLEET (Amazon) begins after Battle School has been converted to Fleet School, a place to train future leaders for humanity’s colonization efforts. Dabeet Ochoa is a preternaturally intelligent child who is convinced that he belongs in Fleet School, not stuck on Earth.
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I really like the trend I’m seeing of speculative fiction comprising a larger portion of the movies and tv (streaming?) shows in production today. In fact, the whole reason I picked this book up was because someone was making a movie out of it, and the trailer totally pulled me in. Got another book in my stack right now with a review waiting to be posted, that I picked up because of the same kind of media inspiration. Netflix has just been upping the game. If I’m honest with myself, most of the new movie/tv speculative goodness seems to be coming from, or associated with, them. Granted, not everything. But lots of it, yeah? Have you been keeping up on your “Coming Soon” trailers and news buzz? Might just be time that you did that. After you read this, of course. What were you thinking?
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