ELITIST BOOK REVIEWS

The other day I was admiring the long stretch of Mark Lawrence books on my bookshelves, and I realized just how many great stories this guy has pumped out for us in the last decade. He’s currently working on closing out his fifth trilogy–that’s pretty impressive, given the timeline–and so much of what he’s brought to the table has just been awesome. If you haven’t checked his books out yet (EBR Archive), you should.

However, I have to admit that I felt somewhat trepidatious (an adjective that Wordpress’s spellchecker apparently doesn’t recognize) in approaching this next book. The first book in the series, while entertaining, had a few aspects to it that made me worry about the evolution of the story to come. Where it might go. How it might tackle the perspectives it was trying to bring together.

And I’m afraid that my concerns ended up being quite justified.
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Back during one of my interminable years of college, I was able to take Sanderson’s Creative Writing course. This was before things took off for him with the Wheel of Time. Mostly I just took the class because I’d begun to dabble with writing my own stuff–instead of just reading–and the teacher happened to be a local author of some minimal renown. Deal. One of his lectures that semester was about how to use perspective and point of view in our stories, and we talked about all sorts of things, not the least of which was the several options we had to choose from.

I remember one question in particular from our discussion being about mixing first-person and third-person POVs within a single book. My recollection is that he said something along the lines of “being careful” but that you could do it, if you wanted to. That’s not something you come across very often though: first- and third-person POVs in the same book. In fact, I can’t remember the last time I read a book that did things that way.

Well, not before this one, anyhow.
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Sometimes, all you have to do is ask, and someone will listen.

That’s essentially what happened to me for this book. The author threw out a tweet about needing reviews for his books that made me laugh, and so I told him I’d oblige. Figured out later that the book of his that I bought was self-published and recently entered into the SPFBO that Mark Lawrence runs. Funny enough, he got lumped into the same initial group of books as ALONG THE RAZOR’S EDGE (EBR Review). So, while I’d suggest that Mr. Snyder not hold his breath at the possibility of moving on to Round 2… this was still a pretty good book, and something I’m glad I found my way to.
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I find it interesting just how wide and varied the opinions given for a single book can be. This concept has been rattling around in my brain ever since I started reading this book. Prior to deciding to pick it up, I’d seen a decent amount of buzz about it making the rounds on social media. Nothing too excessive. Some people bandying it about as an “African Game of Thrones”. But then it showed up on a list of books. Well, not just any old list, but a list from Time Magazine of “The Best 100 Fantasy Books of All Time” put together by a selected panel of “well-esteemed” fantasy authors. I mean yeeeeesh. How could I not take them up on that opportunity? At the time though, I somehow completely missed the fact that the author of this book… was actually on the panel.

[side_eye]

Yeah. Okay, I’d say that’s a pretty good primer for one of the most tedious books I’ve finished reading in a long, long time.
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Seriously, how does Elizabeth Bear come up with such mind-blowing, thought-provoking stuff on the regular? There’s RANGE OF GHOSTS (EBR Review), there’s THE STONE IN THE SKULL (EBR Review), there’s KAREN MEMORY (EBR Review)–all of which are very different, yet all crazy weird and engaging and fun to read.

Bear does it again with THE MACHINE, only this time it’s science fiction with a dose of medicine. (Even if you didn’t read the linked but not necessarily series ANCESTRAL NIGHT you’ll get caught up relatively quickly).
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Potential. Potential. Potential.

This was my mantra after having read the first book in this series, THE GUTTER PRAYER. In what ended up being the most influential ways, that single repeated word kept me from picking up this second book in the series for quite some time. Then I came across a picture of Rob J. Hayes (EBR Archive) on Twitter where he was reading a copy of this book… and for some reason, I couldn’t get the freaking thing out of my head. Something about the way he was looking at its open pages almost haunted my reader brain. Thus, when I came across an announcement that the third in the series had an upcoming release date (yesterday, as it happens), I bit the bullet and bought all three. I just couldn’t help myself.

And, man, am I glad I did.
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I came across this book in an interesting way. Responded to a tweet that Pierce Brown had made, and afterward realized that he’d just been responding to another guy. The initial tweet had been something along the lines of “I don’t need to read anything from [list of golden age SF authors here] and anyone saying that I should is absolutely insane”. Afterward, it only took a little investigation to find out that this other guy just happened to have recently released his first, traditionally published novel through Gollancz. So, of course he was taking the opportunity to get on his soapbox to try and cast a little shade where he could.

Sigh.

Still, I thought that the introduction made for a relatively interesting case study. I mean, if the guy was able to sit down and write a killer story, then maybe he was right, and he *didn’t* need to read that older SF. Maybe he’d be perfectly fine as a science fiction author by just reading the current stuff.

So, I bought his novel. And thus, the game was afoot.
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Golly-gee willikers, I really miss being part of the Self-Published Fantasy Blog-Off. 🙂 🙁 Every time I see the now annual contest come round, I think to myself, “Maybe this year…”, but then I decide to stop lying to myself. The fact of the matter is that, these days, we just don’t have the staff to participate and still keep up any kind of regular reviews for traditionally published books. So, as much as I’d love to dive back into the trenches with our book-review bretheren and sisteren, I’ve come to some kind of peace (Perhaps even, a troubled one? Sorry. Bad time for a pun…) with the way the chips have landed here. Still, this doesn’t preclude my ability to, at the very least, pick up the winner for each year, and see what rose to the top of the pile. Which leaves us with a single glaring omission…
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Alastair Reynolds is one of my favorite authors, especially when it comes to Science Fiction. So, the fact that he gave this book a blurb held a lot of weight for me. Then, shortly after hearing about the book, the author participated in an online chat that I got to listen to. That experience left me well-enough intrigued to go find the book and put it up fairly high in my EBR-TBR queue. While intriguing though it was, the read left me with a poor impression and more frustration than I’d hoped for, given the fairly impressive introduction I’d been given.

Grumble.
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I remember, as a kid, finding out that Ronald Reagan was an actor before he became President of the United States. That really took me for a loop at the time. Mainly because I had this overwhelmingly positive impression of what he’d been able to accomplish as President, and the guy hadn’t even been a politician beforehand? Obviously I’d been missing some of the details of his life between his time acting and when he became President. The story in this book though, is about just such an instance, with no details-missing, where an actor is pulled–almost from the very stage where he made his living–and forced to play the part of the leader of the Robur Empire.

And is this actor able to succeed in not only playing that part true, but leaving a positive impression upon his people as well?

The title of the book might give you the clue.
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