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Thrillers are a genre of books that I typically find myself glancing past, but every once in a while I like to dip back into the pool and see if anything has changed since last I tempted the genre fates. I think it’s more the structure and pacing that typical thrillers keep to that pulls me away from them. Short chapters that get in late, pull out early, and don’t spend a lot of time sticking around to figure out just exactly what’s going on. The fast pace seems to be of utmost importance for these stories, and consequently somewhere along the way, we lose a bit of what ultimately pulls me into any and every story that I love: the characters.

On the plus side, I’d never read anything by this author before, and to all appearances it looked like he’d been around for a while and might know what he was doing. So I was happy to give him a try.
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So, yeah. This one is a little older, but between seeing a bunch of references to and comments about this one over the last year or so and then getting a very positive personal reference from a guy at work, I decided to take the plunge. In fact, I went all-in and even bought the dead-tree version. A decision that I am, oddly enough, regretting at this stage of the game. Though I do have to say, this read was a good bit of fun, and seemed to be just the thing I needed in order to take the edge off, after the recent spate of mediocre books I’ve made my way through recently.
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Sometimes, all you have to do is ask, and someone will listen.

That’s essentially what happened to me for this book. The author threw out a tweet about needing reviews for his books that made me laugh, and so I told him I’d oblige. Figured out later that the book of his that I bought was self-published and recently entered into the SPFBO that Mark Lawrence runs. Funny enough, he got lumped into the same initial group of books as ALONG THE RAZOR’S EDGE (EBR Review). So, while I’d suggest that Mr. Snyder not hold his breath at the possibility of moving on to Round 2… this was still a pretty good book, and something I’m glad I found my way to.
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Seriously, how does Elizabeth Bear come up with such mind-blowing, thought-provoking stuff on the regular? There’s RANGE OF GHOSTS (EBR Review), there’s THE STONE IN THE SKULL (EBR Review), there’s KAREN MEMORY (EBR Review)–all of which are very different, yet all crazy weird and engaging and fun to read.

Bear does it again with THE MACHINE, only this time it’s science fiction with a dose of medicine. (Even if you didn’t read the linked but not necessarily series ANCESTRAL NIGHT you’ll get caught up relatively quickly).
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Golly-gee willikers, I really miss being part of the Self-Published Fantasy Blog-Off. 🙂 🙁 Every time I see the now annual contest come round, I think to myself, “Maybe this year…”, but then I decide to stop lying to myself. The fact of the matter is that, these days, we just don’t have the staff to participate and still keep up any kind of regular reviews for traditionally published books. So, as much as I’d love to dive back into the trenches with our book-review bretheren and sisteren, I’ve come to some kind of peace (Perhaps even, a troubled one? Sorry. Bad time for a pun…) with the way the chips have landed here. Still, this doesn’t preclude my ability to, at the very least, pick up the winner for each year, and see what rose to the top of the pile. Which leaves us with a single glaring omission…
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Book titles are crafted to sell the book. They try to strike the right note of alerting readers to the genre while pulling new readers in. There are book title fads (remember when every book title was one word long?) and trends and they are not (as I used to assume) whatever the author thought was the best title for the book.
Devin Madson’s epic fantasy, WE RIDE THE STORM , is an exception. The first installment in the The Reborn Empire series, this book was originally self-published, and Madson kept her original title. It’s a great title for the novel, where the three POV characters are thrust into the metaphorical storm of war, each of them desperately trying to use newly slippery, shifting allegiances to their advantage.
A fragile peace exists between the kingdoms of Kisia and Chiltae. Miko is a princess of the Kisian empire. The current emperor delays naming either her or her twin brother as his heir, because they are not his true children. Determined not be […]Read the rest of this review »

It’s nothing too new to say that fantasy worlds often fall into the trap of assigning entire races bad motivations and ill intent. Orcs? No good. Goblins? Sneaky little guys. From Tolkien to Gygax, we get a lot of one-dimensional portrayals of whole societies. THE ASSASSINATION OF BRANGWAIN SPURGE takes one of the oldest fantasy rivalries–elves versus goblins–and shows the trouble that comes from a colonizing spirit and rampant cultural misunderstanding.
Written by M.T. Anderson and illustrated by Eugene Yelchin, the creators of THE ASSASSINATION OF BRANGWAIN SPURGE were inspired by the long history of travelogues. Unlike existing travelogues where the only perspective is that of the ‘brave explorer’, in this novel, the culture under scrutiny is given a voice: a gentle, hopeful, unfailingly polite voice in the form of the goblin archivist Werfel.
Werfel has been chosen to show Brangwain Spurge, elfin emissary, all of the wonders of the goblin kingdom Tennebrion. He […]Read the rest of this review »

Lin doesn’t remember much before the day she woke in the room with the chrysanthemum ceiling. Her father–the emperor–said her amnesia is the result of an illness that stole her memories. She doesn’t remember her mother (long since dead), her childhood, or the bond shard magic lessons she’s supposedly been learning from her father the years previous. Instead, her current life is full of competition with Bayan, a young man who is also learning the bone shard magic and may take her place as emperor if he learns it better than her. But Lin will do whatever it takes to get ahead, even if it means sneaking around the palace to get the information she needs.
You see, bone shard magic is what the emperor uses to protect his people from the ancient race that used to enslave the population. Bone shards power the golem-like constructs that act as guards, spies, and warriors. But, of course, there is a price. Bone shards come from each child as they come of age. […]Read the rest of this review »

First thing you should know is that KITTY’S MIX TAPE can be read without having read any of the books in the series (we’ve reviewed a few of them HERE). BUT, if you read this book before reading any of the books there will be a few spoilers. However, if you want a taste of the world of Kitty Norville and the werewolves, vampires, and witches that inhabit it without diving wholesale into the 14-book series, you wouldn’t be disappointed.
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Citing a long history of erasure and silence surrounding the Nigerian civil war, author Tochi Onyebuchi wrote WAR GIRLS (Amazon) to illustrate the way that the tensions that incited the conflict–economic, religious, tribal–exist today and how they might play out in a post-apocalyptic future. I didn’t know any of this history when I started the book and the story stands admirably on its own (interested readers can find additional reading in Onyebuchi’s afterword).
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