Reviews :: Book Genre :: Space Opera

It’s been too long since I read me some short stories. Only one other anthology in the last year, in fact. Yeesh. You’d think I’d been avoiding them purposefully, but that would definitely be incorrect. Anyone out there have a suggestion for some good short fiction I can get my hands on? Something in anthology form and not a collection, if possible (unless it’s really good). Anthologies just give you so much variety that I can’t help but be glad I read them — despite what overall rating I give them — because there’s usually at least a few good ones that will rise to the top. And then I have some good suggestions on new authors to go chase down.

I found out about this one because of an email submission from our contact form. Like, from here on the website. Yeah. See. It does happen. Not very often I’ll grant you. AND, as it happens, I have somewhat of a geographical connection to the anthology. Oh, AND I met Joe at another convention, and he was a cool guy. So there’s that stuff too. Sorry if I got anyone’s hopes up. Anyhow. Time for some shortness. You ready?
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A MEMORY CALLED EMPIRE (Amazon) is full of political intrigue and deception and culture-shock and poetry, all of which is to say: I loved it. For fans of Ann Leckie, Arkady Martine’s debut novel has rich worldbuilding and a sympathetic narrator that will pull you into the galaxy-spanning Teixcalaan Empire.
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Nika Rik Terri is known as one of the best body modders (as in she modifies human bodies with her machines) in the galaxy. But even those famous for their abilities can make dumb decisions: like, say, hook up with a man who becomes an abusive boyfriend. She makes a business deal with his boss so her ex-boyfriend will leave the planet and harass other people instead. Unfortunately she ends up on the run anyway after her ex’s “co-worker” threatens Nika’s life.

Josune was recently hired as assistant engineer on the spaceship The Road to the Goberling, but she’s there to spy for her boss, the captain of the Hassim, who wants to learn something only Captain Roystan will know. But when the Hassim arrives suddenly out of nullspace with company men on board (think pirate mentality but with corporate backing) and the original crew dead, Josune suddenly finds herself in a predicament.

But neither woman is without resources or smarts, and they must use all their wits to come out of this alive.
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A timeless classic is a term that should be uttered rarely. Timeless implies you could pick it up today, read it in ten years, and still come away with a new perspective, a new rage at a book that challenges you politically, socially, and spiritually. DUNE, the grandfather of modern science-fantasy, in my opinion, of course, is the black sheep of the pulp Science Fiction family that ran away from a raygun shooting, fish bowl shaped, space helmet wearing universe of tomorrow. Instead, it is a morality play in line with Shakespeare, a political examination of tyranny, prophecy, good intentions, and how a tiny, insignificant planet holds the real-politik resource to create or destroy galactic dynasties with a simple drop of an atomic bomb. Even if its vision of the future is a wrong-way mirror compared to the projections of today, it cannot be overstated how vital, how genre-changing it was to the language, the imagery, and the soul of Science Fiction. DUNE deserves all its accolades both in terms of story, theme, character, and its sprawling, fully realized false future that never came to be.

DUNE (Amazon), the first in a long series of novels by Frank Herbert, tells the story of humanity millennia in the future. Certain technology is suspect, due to dark atrocities brought about by atomics (atomic bombs and other atomic-powered technology) and robotic uprisings, in the vein of contemporaries like Arthur C. Clarke. The universe is ruled by a galactic emperor who divides planets into the stewardship of noble houses. Within this viper’s nest of nobles clashing against each other, there are monastic orders like the Bene Gesserit, an all female order of psionically gifted matrons manipulating a genetic conspiracy for millennia, who vie for influence and control within the Galactic Padishah Empire.
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Here we are on book three of S.K. Dunstall’s Linesman series, CONFLUENCE. Our friends seem to be barely hanging on because now the Emperor of Lancia, Michelle’s father, has decided to assert his influence in the New Alliance, which includes marrying her off for political gain. Emperor Yu also wants his cousin, Ean’s trusty bodyguard Dominique Radko, to marry to one of Yu’s trusted (and nefarious) advisors–to Ean’s dismay. But Michelle and gang are crafty and begin their own maneuverings in order to maintain as much control of events as they can.

Unfortunately, the humans aren’t taking the sentient alien ships into account. The ships want a crew now, whether the New Alliance factions are ready to supply crews and linesmen or not. And that may mean the ships start choosing crew without input from the humans.

It feels like everything is on the verge of blowing up.
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Ean Lambert changed the way people understood the lines that ran spaceships in LINESMAN. Now he and his friends must live with the resultant fallout: the alliances between planets have been shaken up; the Confluence has revealed its true contents; and instead of only ten lines that run spaceships, there are actually twelve.

Who knew some nobody from the slums of Lancia would end up being the instigator of amazing changes in space travel?
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Humans have been traveling the stars for hundreds of years, and use alien technology in order to do it. The alien ship they originally found all those years ago was empty of aliens, but the ship was able to travel faster than light, so humans reverse-engineered the technology. They call the energy the ships use to travel through space “lines,” but there’s a catch: very few humans can actually repair ship lines.

LINESMAN, by the Australian sister-duo S.K. Dunstall, is the first of a new series about main character Ean Lambert, who is trained as a linesman, but whose strange methods make him a second-class citizen among the linesmen. Traditionally trained linesmen use their minds and will to do the repair work, but Ean can hear the lines and sings to them–much to the derision of his peers.
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It’s been a while since I sat down here and wrote a review, so you can expect a small deluge from me in the near future. I’m a huge fan of space opera in all genres and forms. I don’t know a lot about John C. Wright, but receiving THE ARCHITECT OF AEONS excited me, and made me want to read this. I’ve never read any Wright, so I was ready to experience a new to me author.

Well.
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Thousands of years in the future humans have created an inter-planetary empire, and they’ve done it by using powerful starships to take over human and alien planets. While the starship officers are human, the crew is comprised of ancillaries, people who resisted empire annexation of their home planets, taken into custody and stored for future use. An ancillary’s mind and identity is wiped when they’re hooked into the ship’s central AI–in essence, an ancillary is the ship.
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STARSHIP: FLAGSHIP (Amazon) is the fifth, and concluding, book in the STARSHIP series, which is an entry in the Birthright Universe. If you are not familiar with Mike Resnick, and his Birthright Universe, we’ll give you a quick lesson. Resnick is as decorated as an author can be with almost 60 published novels, a couple hundred short stories, 30 or so Hugo nominations, and 5 of those which he has won. The guy knows his writing.

The Birthright Universe is a 20,000 year long story that encompasses Man’s rise to Galactic adventures, and his subsequent fall. Ambitious doesn’t even begin to describe the project Mr. Resnick is working on.
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