Reviews :: Book Genre :: Fantasy :: Page 47

Matthew Swift is the epitome of the urban sorcerer. Proof: he takes the bus. But there are ways he’s not your usual sorcerer, the least of which being that he serves as the Midnight Mayor of London. He also shares a body with the blue electric angels. And he’s got a conscience.

But being the Midnight Mayor is not all roses and bon-bons. Sure he’s got a fleet of aldermen to do his bidding… assuming they’d listen to him (it’s hard to take a guy seriously when he wears grubby t-shirts). And sure he’s powerful enough to have defeated the destroyer of cities in THE MIDNIGHT MAYOR (EBR Review). But now in THE NEON COURT (Amazon), the underground Tribe and the fae Neon Court have declared war over a murder—with London as the battleground—unless Swift delivers the chosen one.
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Sarah Beuhall is pretty sure she needs therapy. Her personal demons of doubt and self-identity keep her from being happy with her life, even though at first it appears to be going well. She’s got a job she loves (blacksmithing; props for a local B movie director), beautiful girlfriend who loves her (Katie), and a chosen family in her Society for Creative Anachronism (SCA) reenactor friends–so why does everything still seem to go wrong?
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How do you end a series? We’re sure this is a question every author asks at some point during a career. We’ve read quite a few series from start to finish, and have decided that writing that satisfying ending and conclusion must be the hardest thing to do. Why? We chalk it up to expectations. This can be crippling to the final book in a series, especially when the series has been SO good.
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Magic is not what it used to be. Now it’s less potent. It’s less reliable. Fewer people can use it. As a result science has gained popularity and the people of Sabria are experiencing a Renaissance.

But the Aspirant wants to change all that—and he will resort to murder to get what he wants.

The story began in Carol Berg‘s THE SPIRIT LENS (Amazon), a fantasy whodunit told from the viewpoint of Portier, cousin to the king, and charged with finding the source of a failed assassination plot. It unravels into a mystery beyond a simple murder attempt and into full-blown conspiracy, with the king’s bosom friend Michael de Vernase as the suspected instigator.
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Just saying the name “Gene Wolfe” is enough to evoke contemplations of Hugo Award votes, so we figured we should give his novel from last year, THE SORCERER’S HOUSE (Amazon) a read. It didn’t end up nominated, but we are nevertheless glad we picked this one up. Wolfe has the ability to write the absolute best, or the completely mediocre. Thankfully THE SORCERER’S HOUSE is one of those novels that instantly grabs you, and remains weird and entertaining from start to finish.
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Sophomore novel. You know the term. And if you don’t, then here. Hmm. That didn’t work very well. Did anyone else know there wasn’t a wiki for the term “Sophomore Novel”? Who’d have thought? Now I have the urge to go write one. Perhaps I will. Oh look. There’s a wiki for haiku. How about a haiku on sophomore novels:

Great debut, I say,
but then this lackluster. Why?
It is the way. [[sigh]]
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Clay and Susan Griffith’s novel, THE GREYFRIAR (Amazon) — the first novel in their Vampire Empire series — has been receiving all sorts of rave reviews. Naturally when a novel gets that much good press, it grabs our attention. At that point our only option is to read it to see if the hype is justified.

The first thing we decided was that THE GREYFRIAR should probably be marketed to the female readers in the Urban Fantasy crowd. The reasons why become readily apparent the further into the book you read. But more on that later–we just felt we should get that out of the way right from the beginning.
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Honestly this novel was extremely difficult for me to rate. There was a whole lot of this book that I absolutely loved. Aaaaand a bundle of stuff that completely annoyed me. Thus, the experience ended up being akin to approaching an uber-hot blonde that doesn’t shave her armpits or brush her teeth: you just can’t tell you won’t like it until you get close enough. So, did I like it? Mostly. However, let me elucidate.

WOLFSANGEL (Amazon) is MD Lachlan’s first foray into fantasy, though it’s fairly difficult to tell. Herein he gives us a story that is quite character-centric, with great world building, awesome atmosphere, magical interlopers, twisted plot–the works. Norse mythology plays a central role to the world, but the story feels fresh and new despite the fact. There is so much here to like and Lachlan gives it to us in large measure.
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Mercy’s life changed when she moved to tri-cities Washington. Since then she’s had run-ins with vampires and demons, lived next door to the a werewolf pack’s Alpha, collected a fae artifact or two along the way–and has risked her life several times to help her friends. But now, in RIVER MARKED (Amazon), we get to see something a little more personal about Mercy: her Native American heritage.

Mercy is engaged to marry Adam Hauptman, Alpha of the Columbia Basin werewolf back. She may not be a werewolf, herself, but Mercy can hold her own. She’s a ‘walker’, a shape-shifter who can become a coyote–an ability she inherited from her Native American father, and which has served her well in the past when she’s had to fight the vampires and fae she inevitably comes in contact with.
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Honestly I don’t know how anyone has reviewed this book. Don’t get me wrong, I’ve read quite a few reviews of Patrick Rothfuss‘s THE WISE MAN’S FEAR (Amazon). They were intelligent, well written and made me want to read the book even more. I just didn’t know how I was going to be able to write one.

Why?

Because the book isn’t done. I can certainly say, “Wow, that’s a heck of a start!” THE NAME OF THE WIND, the first book in The Kingkiller Chronicles, certainly was. I can say, “Geez, the second third of that book was really interesting and had some beautiful language. I can’t wait to see what happens at the end!” And THE WISE MAN’S FEAR is easily all of that. My problem is I’m a little afraid at this point. Does Patrick Rothfuss know how to finish this extremely well-told tale? I don’t know. He hasn’t done it yet.
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