Book Author :: Ian Tregillis

Endings are always tough when it comes to book series. For readers, for authors, and quite usually for the characters as well. They’re the showdown, the climax of everything written thus far, the point where we as readers have to say goodbye. For many, the ending is the part of the book, or series, that will determine whether you like or hate it, despite everything that has led you as a reader to the point. I’m more in the camp of “joy in the journey” than “how-does-it-end”. So, a great read that has a decent ending gets higher marks than a ho-hum read with a brilliant ending. It’s really nice though when I don’t have to make that distinction; when I get to read something that was a great series, had a great last book, and a great ending.
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At the time I had no idea how it might be possible, but when I got the email saying that this book was headed my way I was totally taken by surprise. As soon as I got it, I barreled through its pages, loving every minute and was completely impressed when I got to the end. Then, as I sat down to write this review, I casually glanced at the publication date of the first book in this series, THE MECHANICAL, and realized why the follow-up hadn’t even been on my radar: the first book was published in March of this year. Whoa. Then I got to be super impressed because not only had this book really entertained me, but it had been released a paltry nine months after its predecessor.
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Ian Tregillis is a name that has been on the watch-list of EBR for quite some time now. The Milkweed Triptych was an amazing and impressive ride, especially for having been his first published works. Pretty much solidified his place in our hearts. And so when I saw the arc for this book in my most recent box of goodness, I pretty much wanted to sit down and ignore everyone and everything else for the next several days. Didn’t quite work out that way, but I did end up putting in a couple extra hours each day toward reading it because, honestly, I just couldn’t put the dang thing down. Seriously good stuff.
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Wow. Just… wow.

One of my biggest disappointments when the 2013 Hugo Award nominations were announced was the absence of Ian Tregillis’ THE COLDEST WAR (EBR Review) from the ballot. Don’t get me wrong, I was absolutely thrilled that EBR was nominated, but not seeing Tregillis’ name on the list for Best Novel was a huge bummer. His Milkweed Triptych is one of the most enjoyable and clever series on the market right now, and a Hugo Nomination would have made a huge and well-deserved impact on his exposure. Why am I bringing this up? Not out of bitterness, I assure you. I want all you readers to understand just how much I and everyone at EBR loved THE COLDEST WAR.
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What are they putting in the water down in New Mexico?  Seriously!

There are two books that I’ve read this year (and I really read my share of books) that I’ve gotten to the end and thought, “WOW!”  The first was Daniel Abraham’s excellent THE KING’S BLOOD (EBR Review). THE COLDEST WAR by Ian Tregillis (Amazon) is the second.  The weird thing is they both hail from New Mexico.  They seem to be in the same writing group or something down there.  You can see each other’s names in the acknowledgment section of their books.  Whatever they are doing down there, keep it up.
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Why do all good YA novels have adults in them that are either incompetent, abusive, or otherwise inattentive to the point-of-view children? Easy answer: because any rational adult seeing children in such horrific and/or dangerous circumstances, would without a second thought step into the story, hide the kids in the basement, and call the SWAT team to take out the bad guys. How on earth does that even remotely apply to an alternate historical fantasy based on WWII German superhumans fighting magic-wielding Warlocks? Stick around and find out.
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