Category :: Review :: Page 78

One of my favorite books last year was ROT & RUIN (EBR Review) by Jonathan Maberry. It was a great take on the after-effects of the zombie apocalypse from the eyes of a teenager. It was also a great example of YA well-done–a fast paced story with fun dialogue and a setting that mixed horror and humor well.
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Terry Pratchett. The man’s a living legend, and his Discworld series is one of the few works out there that proves humorous fantasy has a place in this world. At this point, reviewing his books is about as useful as giving a thumbs up to a work by John Grisham, right? So why bother with a review of his latest book, SNUFF (Amazon)?

Plenty of reasons.
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There are times when, as a reviewer, you pick up a book, get about twenty pages into it, and then say, “There’s no way I’m going to finish reading this.” This happened to my illustrious boss, Steve, when he started reading this book. So, he stopped reading it, and then pawned it off on me. [grumble, grumble] You still have to love the guy, though.
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I’ve come to a point in my reading life where I start planning the books I’m going to read well in advance. A new Dresden Files novel in the Spring. New Erikson & Esslemont novels in the Fall/Winter. A new Joe Ledger novel around February/March. Since starting this whole review gig, I’ve added George Mann to my list. For whatever reason, he work always entertains me.
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Celia West had it good growing up. At least that’s what everyone thinks. She’s the daughter of the wealthiest man in Commerce City, and heir to the West fortune. Dad and mom are also superheros. Everyone asks what it was like growing up with Captain Olympus for a dad and Spark for a mother. Celia avoids the question, but if she answered it straight up she’d say, “Not as awesome as you would think.”

But Celia has since graduated from college, moved out of the luxury penthouse she grew up in and into her own place, and works as a forensic accountant at one of the city’s biggest accounting firms. She only wants to be normal. And pretty much avoid her estranged father.
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You know, sometimes I’m a whiner. I admit it. If there’s something in a book bothers me, I mention it. Something I think could be better in a story? It bubbles out. I’m just trying to stay honest, really. There’s a certain set of pieces that I think help make a story good. I also believe that you faithful readers share my opinion of at least part of that set. So when writing these responses, I always do my best to show you the playing field, lay out my set of rules, and then stay consistent from one review to the next. And then someone like Jesse Bullington comes along and shows me that, yes, sometimes, you can even break the big rules and still come out on the other side smelling like roses.
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With all the trouble Kitty has gotten into since she was turned into a werewolf, it’s hard to imagine that it could get any worse. But there’s a reason why book #9 is named KITTY’S BIG TROUBLE (Amazon)–by the end you’ll understand.

But, instead, let’s go back to the beginning. In the last book, KITTY GOES TO WAR (EBR Review), she learned about the U.S. government’s use of werewolves in combat, and she asked herself: how long have they been doing it, and who else in U.S. history could have been hiding their own supernatural origins?
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It’s not often that I let go and enjoy a book just for the ride. I’m more of an intensive reader, who looks for what he wants, enjoys it when it’s there, and complains when it’s not. Simple. Cut and dry. But there’s that something other that comes along every once in a while and just grabs you. There’s something about it. It’s got class. It’s got style. It’s got “Moxy”, kid.

MOXYLAND (Amazon) is Lauren Beukes‘s first novel, and if you’ve been hiding under a rock somewhere (like I feel sometimes) you might not know that she missed getting the Campbell for best new writer this last year by just a hair. MOXYLAND was a very interesting novel for me. Not only is it Science Fiction, but it’s told through four separate first-person viewpoints. This would normally be a tough row for anyone to handle, but Beukes pulls it off really well.
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Admit it. Once upon a time you read Tom Clancy too. There’s no shame in that admission. Clancy had some awesome stuff…you know, before he just seemed to lose his touch. CLEAR AND PRESENT DANGER. WITHOUT REMORSE. Yeah. Awesome. But here’s the thing, there came a point where the story took a back seat to Clancy showing off how much he knew about the technical aspects of everything military related. If you go on for a full chapter talking about how a bullet works, and then don’t do anything with that chunk of pages, you’re doing it wrong in my opinion. It’s about the story. It’s about the characters.

Tom Clancy went away well before he wrote TEETH OF THE TIGER (I still shudder), and there wasn’t really anyone who captured my imagination the same way.

This is the part where a lesser reviewer would say, “Until now!” I refuse to say that.
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In THE POSTMORTAL (Amazon), Drew Magary explores what the realistic fallout would be if scientists discovered a cure for aging. A “vaccine” that would stop aging in its tracks. Take it when you’re twenty-five, and you’ll be twenty-five forever. On the surface, this sounds really appealing. Who wouldn’t want to live forever, after all? But that’s where the “realistic” part comes in. The future Magary paints is much bleaker than the knee-jerk reaction everyone automatically thinks of.
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