Book Author :: Alastair Reynolds

If there are any core concepts more central to the genre of science fiction than mind-bending ideas, awe-inspiring vistas, and grand adventure, I don’t know what they are. In the relatively short time period since the fantasy genre has split from it, and stories written under its guise have taken us up and out into the cosmos, many authors have endeavored to fill the space with their version of the best kind of fiction. I may be biased, but in my view there is no better fiction than great science fiction. And Alastair Reynolds is writing some of the best science fiction there is.
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I’ve wondered for quite some time what a sophomore novel from Alastair Reynolds would read like. Seems like I’ve been a fan of his stuff for just about forever now. Coming back to this author and reading first, Revelation Space (his debut), and then this one, has been an effort that was completely worthwhile. Then, as I’m preparing for this review, I come to find out that this book is in fact not his sophomore novel, but the third novel that he published. Color me surprised. I figured with a debut novel being published in 2000 and the second in the series weighing in at over 550 pages and being published in 2002, that it was obviously his sophomore novel. So much for assumptions. Still, this is the second book in the main sequence dealing with the Inhibitors, and that was the book I went looking for this time around. Will have to go back and read Chasm City (another whopper of a book that was published in 2001 and set in the Revelation Space universe) sometime later. Until then.
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I have to admit, I was really holding out for this story being a good one. After being supremely disappointed with what I found in the previous two (unrelated) hardback novellas that I read, I just wasn’t ready to find out that one of my favorite Science Fiction authors had written a dud as well. I should have taken a clue from the publication gods though when I saw that this one had not been put into a hardback. So obviously it was going to be different than the other two, right? After this whole hurrah of novellas from various authors, it really surprises me that those that were hardbacks really didn’t cut the mustard, and the one that probably deserved to be a hardback… didn’t get it. Man, the world’s funny sometimes, isn’t it?
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Alastair Reynolds has been in my top five favorite authors essentially since the first novel of his that I ever read. Want to say that was House of Suns (Amazon), back before I ever started writing for EBR. He handles the mix of science and character better than just about any other science fiction author that I’ve read to date. Thus, this series has been on my radar and in my TBR pile for what is now way too much time. Because this book is fantastic. Absolutely mind-smashingly fantastic, in point of fact. It’s sort of warping my brain a little that this was the guy’s debut novel. So yeah, this book has been around for a while, and I just couldn’t put off reading it any longer. If you haven’t read it yet… well you shouldn’t put off reading it any longer either. Want to be convinced? Here we go.
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It’s always an interesting ride, I think, when an author that typically writes for readers within a particular age range ventures outside their normal boundaries. Age ranges being groups like Children, Middle Grade, Young Adult, blah, blah, blah. In this, I’m thinking Abercrombie’s Shattered Sea (EBR Archive) or Rowling’s Casual Vacancy are decent examples of this jump in readership. Sometimes they work; other times, not so much. I’ve never tried any of Rowling’s non-Potter books, but of the three YA books that Abercrombie gave us, I thought the first and third not quite as good as what I was used to getting from him, but the second, in my estimation, was possibly the best book he’s ever written. And while Revenger wasn’t necessarily my favorite book from Mr. Reynolds, and I’d likely be more interested in getting another in the Prefect Dreyfus series, I was still super excited to get another anything from him, as he’s easily one of my favorite science fiction authors these days.
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Negative boring parts. If you’re not familiar with that term, you should likely go and read my review of THE PREFECT (EBR Review), which was one of those Alastair Reynolds books that I just hadn’t gotten to when the release date for this sequel showed up in my email. I mean, yeah, I could just stop reading anything else altogether and go read all of his stuff that I haven’t been able to yet, and it would be awesome. But then EBR would suffer, and I just can’t justify that. Although, I don’t have to plan on catching up on anything before his next novel comes out. Of course, this means that I’ll remember that fact perfectly well the next time I have a hankering for some science fiction goodness instead of forgetting about it until it’s too late. The reason I won’t have to catch up on anything, is because his next two books are going to be direct follow-ups to REVENGER (EBR Review). But until those are available, there’s lots of currently-available goodness to be had from this author. This novel being a prime example.
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After reading Revenger last year, I remember finding out that the next book from Mr. Reynolds was going to be a sequel to this book. As I hadn’t read it yet, I decided to put it on my list of books to read “relatively” soon. I figured I had about a year after all. Color me purple, the sequel caught me completely unawares, and I suddenly realized that I either needed to get on the bandwagon extremely fast, or I was going to have to read that new one without having read the first in the series. Okay, so honestly that second option really wasn’t ever on the table, as the surprise I first felt at finding the sequel in my hands was quickly swept aside by the realization that I now had a valid excuse to read TWO Alastair Reynolds books in a row. Oh goodie goodie for me. So although this review is coming to you all a little late with respect to its actual publication date, I will be following it up with a review for the sequel in short measure. So check this one out, and then watch for my next review in the coming weeks.
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So I’ve been sitting on my hands for the last five months, fairly disgruntled, that I didn’t have this story in my hands yet, because it was published in the UK last September and as part of that cycle, released in ebook/Kindle format. I’m pretty much a hard-copy only kind of guy. I don’t buy eBooks. I’ll read them. I just don’t buy them, because I so love seeing all of those bound blocks of paper sitting on my bookshelves at home. As Tracy Hickman refers to them (per my sometimes sketchy memory), the “physical reminders of the experience we found within them”. I guess I always have the option of importing hard copies, but that can get expensive fast, and for the most part I end up just shaking my head and dealing with it. Regardless, it’s always nice to get a new Alastair Reynolds book.
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Some of the main drives, I believe, of the Science Fiction genre are to instill in the reader a sense of awe and wonder and introduce the idea of the ubiquitous question: What if? Sadly, I have to admit that I’ve never really had that experience in my reading of Science Fiction. There are times, however, when I take the opportunity to stop and just stare up into the starry night sky. It is during those times that I have absolutely felt that sense of awe and wonder and have begun to speculate just what might be up there amidst the stars and planets and vast, sprawling majesty of the universe around us. I’ve always wanted that same experience when reading a good Science Fiction book. I just haven’t ever gotten it. Until Alastair Reynolds wrote this book and gave me one.
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Price points are a topic of interest for me when it comes to publishing. Why are some stories priced as they are while others of equal length are so much cheaper or more expensive? This is especially relevant in today’s market where the opportunity to sell stories with lengths in the “middle ranges” (novellas, novelettes) becomes more attainable, when in yesteryear’s market they just weren’t viable options. It’s interesting, and sometimes sardonically humorous to me, where those prices are set. I’m one of those that thinks that shorter fiction is meant to draw readers toward your larger fiction, which is where you make the large majority of your money. So, for me, shorter fiction should be pretty cheap. Thus, even though Alastair Reynolds is one of my absolute favorite Science Fiction authors, I was really surprised and somewhat put off by the price point of this book.
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