Review: Nophek Gloss

Posted: March 17, 2021 by in Books We Don't Like (2/5 single_star) Meta: Essa Hansen, Science Fiction

Alastair Reynolds is one of my favorite authors, especially when it comes to Science Fiction. So, the fact that he gave this book a blurb held a lot of weight for me. Then, shortly after hearing about the book, the author participated in an online chat that I got to listen to. That experience left me well-enough intrigued to go find the book and put it up fairly high in my EBR-TBR queue. While intriguing though it was, the read left me with a poor impression and more frustration than I’d hoped for, given the fairly impressive introduction I’d been given.

Grumble.

NOPHEK GLOSS, at the very least, has one of the most unique-sounding titles I’ve come across for a Science Fiction book in recent years. It’s the author’s debut novel, and the first in a series that is planned to be expanded upon later this year. Unfortunately, the idea at the heart of the title hardly plays into the story at all.

This is the story of Caiden, an adolescent farmer on a far-flung planet. He’s happy with his life. He lives with his parents and younger sister. He helps take care of their herd of livestock. His life is structured. Simple. Quaint. Then one day the overseers come down from above and everyone gathers to see what they will bring. Instead of something wonderful, they see to the slaughter of all the stock on their farms without giving a reason. Then, the people are all rounded up and piled into a ship that takes them from the only home they’ve known and dumps them on a desert planet. In short order, they find that the planet is populated by a whole lot of Nophek. The Nophek are a wild alien species that seem to be something like a hairy and violently carnivorous hippopotamus. Thus, as Caiden and all the people he knows spill out into the desert, the ravenous beasts rise up and eat everyone. Well, except Caiden. His mother shoves him under a large rock and he manages to survive.

It isn’t long before the Nophek scatter and Caiden begins wandering. He stumbles across a small ship in the desert, and shortly thereafter, a small crew of scavengers that happen to be on the planet. They help Caiden escape with his “salvaged” ship. From there, the story focuses on Caiden’s attempt to deal with the trauma of having everyone he knows killed, and his resultant drive to exact revenge against the aliens that perpetrated this violence.

All told, the beginning of this story isn’t bad. Especially for a debut novel. The prose is a little odd at times, and that’s tough to miss. It has something to do with the author taking terms you’d typically associate with one human sense and then using it within the context of a different human sense. At least, that’s what I got out of the author’s explanation of how she wrote this story. It’s a little off-putting at first, but eventually I got used to it.

The crew members that pick Caiden off of the planet and help him to escape were interesting. They’re a mix if humans and aliens. Characterization and descriptions for each of them are pretty good, and it didn’t take me long to settle into the story as they essentially adopt him as one of their own and help him to figure out where he’s going to fit into civilization. I did find myself questioning why they’re all so immediately nice to him, but it didn’t bother me overly much. The first stop the crew makes is the spaceport of Emporia, where everything can be found… for a price. Up to this point, I was digging the story and ready to see where things went.

By and large the ideas presented in the story are interesting, but have very little explanation to them. So, it’s tough to really get a good idea as to what they’re all about. Definitely *not* hard science fiction here. The concept of “pocket universes” is used… well… universally throughout the book. Universes that contain planets. Universes that contain solar systems. Universes that wrap around certain ships and homes. They felt more like containment force-fields, but we’re told that in some of the various universes, physics are completely different. There are lots of different aliens on display. Some nice. Others, not so much. Body augmentation and manipulation abounds. Along the way, the author tackles lots of different concepts, like inclusiveness and gender-fluidity and the ethics of genocide. Caiden takes these experiences in stride, but continues toward his goal of exacting revenge upon the aliens that killed everyone he ever knew by trying to kill their leader. Frequently with a single-mindedness that ends with him making some poor choices.

NOPHEK GLOSS begins well, but suffers from a lack of scope, characterization, and attention to consequence. Intriguing but disappointing.

The pieces I’ve laid out here definitely all fit within the context of a Science Fiction story. So, it should have been pretty decent. The thing is, there were several issues I had with the book that I just couldn’t swallow. The first one I ran into was an alarming lack of consequence. Several times Caiden is given things that seem extraordinarily large for particular reasons, and then when those reasons are no longer valid… nothing happens as a result. He’s allowed to keep all of his windfall and continue on his journey toward revenge. Now granted, having things happen this way allows him to continue on his quest for revenge, but it kind of killed my expectations of the story quite a bit.

Then there was the issue with scale. If there’s one thing about outer space that should always be true, is that it’s BIG. This didn’t feel big at all. Somewhat varied within a limited context, yes. There are lots of aliens and civilizations and science and stuff that he sees, but nothing anywhere approaching the expansiveness that I’ve come to expect in Science Fiction. Trips between planets take what seems like days, and soon they’re popping between these adjacent universes one right after the other. The story takes loads of time to talk about the issues and aliens and the sciency ideas… and then totally fails on the experience. Imaginative, yeah, but a complete lack of that sense of wonder.

The kicker for me was an ultimate lack of characterization of the main character, Caiden. He ends up coming off as very one-note because of how driven he is toward killing him some “bad aliens”. He makes choices that don’t seem justified. Combine this with the fact that he always seems to get what he needs to keep going, despite how little sense it might make, and there’s no real need to understand how he makes his way toward the climax of the book. The moment he dropped everything and suddenly had the drive to literally “save the puppies”, I just about stopped reading.

This one just didn’t grab me at all. It failed to tell me an engaging story. And then it got kind of ridiculous. Sorry, but this one just didn’t work for me.

  • Recommended Age: 14+, mostly for the violence
  • Language: Occasionally strong
  • Violence: Not much, but when it comes, it can get pretty violent/bloody
  • Sex: A few references but nothing overly strong

Comments

  • Neal Holtschulte says:

    This review hits the nail on the end. Nophek Gloss is sparkly and dazzling and full of interest ideas and it fumbles badly in terms of characterization and basic story telling.

  • Charlie says:

    You really need to read the 2nd and 3rd to understand the 1st. Have a little patience. Your main concern is addressed, in detail. It’s kinda the whole point of the story tbh.

    • Writer Dan says:

      Yeah. Having that level of patience with a brand new author is definitely an issue for me. Being required to get through three books in order to understand the point of the plot, when the first one really didn’t push any of my buttons, is very typically something that I won’t abide. There are just too many options out there these days. I might try another of her books down the road, but I seriously doubt I’ll ever dive back into this series.

  • Marie-Anne Mouthaan says:

    I’m late to the party on this one but I have some issues with your review. First of all, people give him what he wants and are so nice to him because he is engineered Graven. And while he doesn’t have the full power of Graven-descendents like Threi and his sister, about halfway through the book, he realizes that he’s subconsciously influencing people with his Graven persuasion. He obsesses about it constantly once he realizes what’s going on, Threi tells him directly that this is the way it’s going to be and nobody will ever love him for himself, and En goes out of their way to tell him that Threi is wrong. At the end of the book, En makes a huge deal about asking Silye what she wants because Caiden doesn’t want to influence Silye.
    There are no consequences, one would argue there are, but not because of plot armour or holes, but again Graven persuasion.
    The universes is alien tech that nobody knows how it works. They can’t make any themselves, what the Azura can do is previously unknown Craven tech.
    Trips between planets go fast because they pop in and out of universes as a kind of wormhole travel. Trei even says so when he and Caiden take the Azura to go to the Cashten Harvest. THey have to go through 13 jump points and Threi doesn’t want to keep telling Caiden where to go so he takes flight control.
    Did you skim the book? There are more reviews like this one and I’m wondering if people who review shouldn’t, yanno, read more carefully? Because it’s an excellent book with well developed characters and some really interesting world building without techno babble which i can’t stand. Is there artificial gravity in this reality? Yes? Okay cool, I’ll go along with that. I don’t need an author to try and justify it with science gobbledygook because that’s all made up anyway. As long as it’s consistent in the universe of the book, I’m in.

    • Writer Dan says:

      If that was your experience reading the book, then great. Doesn’t mean that my perspective is incorrect, or that I might not see things differently than you. I do vaguely remember him coming to the realization of what he was. I still didn’t care for how hand-wavy the whole Graven influence thing was, as he walked around permanently skewing what everyone thought of him. As a plot point, it just seemed to make all of the issues go away that the author needed to, and then left others around to be dealt with, for whatever reason. Feels like plot armor. “As an author, this is the way I want the plot to go, and so this is the way it’s going to go.”

      A lack of technobabble (making this soft science fiction) isn’t necessarily a virtue. Just makes it another sub-genre. My issues have only ever been with the story being told.

      It is of particular interest to me though, that you mention the fact there are other reviews with opinions similar to mine. I’ve never gone searching to find out. But if I was the only one harping about these issues, then fine. Tip your hat and walk away, yeah? If, however, there are lots of readers saying the same thing? Seems like there might just be room for those opinions to be valid.

      Glad you liked the book. There’s room for all sorts in the world. It just didn’t push any of my buttons.

      Cheers.

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