Archive for the ‘Elitist University’ Category

Posting my Top Ten cuz people have asked and, yes, they are listed in a particular order (however they’re subject to change should something better come along)–my favorite is listed first, because I’m not mean. I’m also not going to claim that any of these are The Best Books Anyone Should Read, but if you agree with my reviews, you would probably enjoy these, too.

#1. PALADIN of SOULS by Lois McMaster Bujold (2005)

Dowager Queen Ista’s life’s purpose has changed: she’s now a widow, her daughter is married, and her invalid mother is gone. At the start of the book she’s a wrung-out and heartbroken woman who wants to escape a painful past. In a desire to leave her family’s estate and find a new purpose, she cooks up a pilgrimage and takes to the road with a female courier as her handmaiden, the priest of a half-demon god, and a small escort. Now finally–finally!–Ista’s true personality can emerge from a woman who’s lived in the shadow of her family to someone with confidence and presence who must lead her entourage through difficult circumstances. There’s magic, gods, demons, fascinating characters, scenery pertinent to the story, and a big problem only Ista can solve. It helps that Bujold’s prose is crisp and she provides a steady stream of revelations. I read this book about once a year to help me remember that just because you’re getting older doesn’t mean you can’t have adventures or learn something new about yourself. (more…)

Character is the third-most important aspect of a story. Hah! Bet you never expected to hear something like that come out of my mouth. Great character is not the most important piece of a story? Blasphemy! The fact of the matter is that the ability to string words together in a manner coherent enough that someone will actually want to pick up the result and read it is arguably the most important piece of the storybook puzzle. Fortunately, it is also one of those things that you can get better at with practice at reading and writing. So, not difficult, just time consuming. Second on that list of importance is likely the hook: that piece of “zing” (as John Brown says) that grabs a reader’s attention and gives you a little temporal real estate to work with. Those are pretty much one-offs, though. You find ’em, you stick ’em into the beginning of your story, and then you’re done with ’em. What is it then that comes next, if not for character? What else will capture a reader’s mind or heart in such a way that they will not only keep reading that particular story, but will also keep them coming back to you for more story again and again? There is no other answer. It can only be character. And yet, for how vitally important character is to a story, it seems I find stories time and again that fail to get it right. So I thought I’d make a few notes and write a thing or two about it in connection with the SPFBO in hopes that it might help someone along their path to being a great author. (We’re all just charitable like that here at EBR, and this has nothing to do with the fact that we only want to spend our time reading amazing stories. Okay. Maybe that last part, just a teensy bit.)
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trifectaOkay, so you guys totally had to know that another one of these was coming your direction. It’s been way too long since we’ve been able to pontificate on yet another reason why there is so much crap out there in the self-published world. Or, at least, stories that feel like crap when you read them. Because, let’s be honest, the overwhelmingly large majority of story ideas out there could turn into absolutely amazing novels–heck, entire series for that matter–if they were only dropped into the head of a great author instead of an ignorant noob. That’s why it’s uber important, in our vaulted opinions, that everyone understand a few key concepts when starting out: because everyone starts out as a noob. Yes, even we at EBR were once citizens of noobdom. And yet, no one ever picks up their three-thousand dollar Facebook machine (MacBook) for the first time, says to themselves, “Self? You’re about to sit down and write an amazing novel,” and is then able to sit down and actually deliver. A lot of them make particular mistakes, and it doesn’t take long for readers like us to become painfully aware of what’s holding those stories back from making a reader’s day. So grab your notebooks, sit your own butt in a chair, and get ready for yet another round of goodness from your Friendly Neighborhood Elitists.
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Well here we are. The end. It’s finally come. Oddly enough, I don’t mean this in a bad way. When I asked my fellow reviewers here at EBR if they wanted to participate in this contest, they said yes…but were worried. I shared that concern. Would we be able to get through a single novel? Would we be happy picking a winner? Would any of the novels be good? Adequate, even?

In our original slush pile of 26 novels, we finished exactly two. THE THIEF WHO PULLED ON TROUBLE’S BRAIDS and SAND AND BLOOD. We ended up sending THIEF on to the final round with a score of 7/10. Very respectable.

If you want details on what we thought of that original batch and our process for reading those pieces of fiction, we published a few articles here, here, here, and here. (more…)

With all the popular YA novels out there sporting wishy-washy teenage ‘heroines’, it’s time to introduce you to a classic that does it right. For the kids of my generation there was Robin McKinley’s THE HERO AND THE CROWN, the winner of the 1985 Newbery Medal Award.

Aerin is the only child of the king. The problem? She’s a girl. Since her deceased mother was a foreigner (and it’s whispered she was a witch), and Aerin has inherited her pale skin and red hair, she’s snubbed and ignored. She discovers a book about the dragons that used to threaten Damar, and on her own learns how to make kenet, an ointment that protects the wearer from the effects of fire, and trains herself to fight dragons. When word comes that a local village is being terrorized by a small dragon, Aerin with the kenet and her father’s old war horse, goes to fight it. Unfortunately, it’s not only the smaller dragons who begin to return. (more…)

Point of view (PoV) is how a story is narrated, usually through the eyes of a main character.  If writers are doing PoV right, it shouldn’t even be noticeable, it fades into the background. But when it’s done wrong, it’s a slap in the face. First-time authors don’t give PoV the attention it deserves. They treat it like the short kid when picking basketball teams during P.E. because there are better athletes of storytelling: setting, character, and plot. But we need the short kid to have a full team, and ignoring PoV is like not having a full team. Viewpoint is important because it affects how the story is told and the connections readers feel with the characters.

Let’s define a few terms:

  • First-person–Uses “I” to tell the story. Not used as often as third-person because it isn’t as flexible, but when done right is fun to read (prevalent in thrillers, YA, Urban Fantasy, and the ramblings of narcissists).
  • Second-person–Uses “you” to tell the story (Choose Your Own Adventure, RPG adventure primers, technical manuals, and lectures from your parents).
  • Third-person–Refers to “he” and “she” to tell the story. Most commonly used viewpoint in SF&F (as well as Vulcan mind melds). Styles include “limited” (one head per scene) and “omniscient” (sees and knows everything within a story).
  • Alternating viewpoint–When you just have to be in everybody’s business. Switches viewpoints between characters within a story (i.e., first-person for one character, third-person limited for others…seen most recently in RESIDUE! First-person PoV alternating viewpoints appear in books narrated via letters, such as DRACULA).

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Like all of the other reviewers here at EBR, I have a day job. It’s not one that I tout all that much as it’s a fall-back job that I kind of transitioned into after not being able to find a job in my field (rocket science). I’m a web programmer. So, I kind of feel obligated to say a thing or two about this relatively important part of the self-published author’s job.

My thoughts on the topic can be boiled down to something that is pretty simple (TL;DR):

Have an internet presence.

Ask yourself a question: what’s the first thing you do when you find a new author that you like? I don’t know about you, but I don’t pass go, I don’t collect $200, I go directly to Mr. Google. In that search, I look for a website, a blog, a Facebook page – something that will give me three distinct things:

  1. A listing of more stories by the author and possibly access to them
  2. Some kind of idea that they’re an active author
  3. A timeline looking forward to their writing activities/goals/publications

There are also a couple of things that turn me off rather quickly when I find them:

  1. No internet presence at all for the author
  2. An author-oriented site that is several months, or even several years, old

As a fledgling, self-published author what is the one thing that you want to do for someone that has very recently read one of your stories and absolutely LOVED it? You want to keep them coming back. Why is that? Because they are willing to exchange their hard-earned dollars for some more of your particular brand of story magic. And even though you love crafting stories, and having others join in the goodness of those things you create, let’s face it: a guy’s gotta eat, yeah? (more…)